By SK 

“…all I want/is to stretch my wings/to ride the fickle currents/beyond the reach of any cage.” 
- Melanie Crowder, Audacity 

Clara Lemlich has never been free. Not free to read the books she hides from her father and studies late into the night, gathering scraps of knowledge when no one is watching. Not free to live as a full citizen of the Russian Empire, instead forced to live in poverty in the Pale of Settlement, which Jewish people are restricted to at the turn of the twentieth century. Not free to dream of a life where she is not forbidden from the beauty of written words, and where she could save lives as a doctor. 

When antisemitic violence forces her family to flee to America, the grueling journey brings them to New York City’s Lower East Side, a land of angular buildings and filthy tenements, and Clara is once again trapped by poverty and the duties of a good daughter, who must provide for her family as they struggle to survive. Where immigrant girls work quietly, meekly, in rows upon rows of factories, not protesting the exploitation they face because they know how easily they can be replaced, and because every penny counts. Where her dreams no longer seem quite so impossible. 

Clara bristles at the injustices the other factory workers seem to take in stride, and soon becomes involved in the developing labor movement in the area–but she quickly learns that protesting will put her dreams of an education in jeopardy. Should she ignore injustice in favor of a hard-won opportunity for education? Or should she give up her beloved ambitions to fight for a cause that has already grown close to her heart? 

I loved Audacity the first time I read it, and after a recent re-read, it remains one of my favorites. Its stunning, lyrical prose ranks it among one of the most beautifully written free-verse books I've read yet; while the writing is remarkably spare, the imagery and historical detail are evocative and absorbing.  Clara’s courage, kindness, and unflagging determination make her immensely sympathetic, and it’s a joy to watch her develop over the course of the story, as the young girl who splinted birds’ wings and hid from anti-Jewish mobs becomes an infamous labor leader whose concern for her fellow workers and immigrants is matched only by her fiery determination for action–now. I also appreciated how Audacity thoughtfully explores the risks and sacrifices activists must make, as Clara struggles to balance her family’s needs, the injustices she longs to combat, and real danger to herself and her fellow factory workers if they step out of line. 

I had never heard of Clara Lemlich, a real-life labor organizer, before reading this book, and I’ve since researched more about her–she’s a fascinating person, and I highly recommend learning more about her. (The historical notes and interviews with some of her family members at the end of the book are a great place to start!) While fictionalized, Audacity remains true to the essence of Clara’s work and early life. Eloquent and inspiring, I would highly recommend Audacity to readers ages eleven and up, especially for book groups or discussions. 

​By Piranha T.

The last thing twelve-year-old Flick expects when she moves to the village of Little Wyverns--a far cry from the city life she's grown up with--is a travel agency. And not just any travel agency. Strangeworlds isn't the kind that brings you to the places Flick has always dreamed of going: other continents, countries, cities. Once you've joined the mysterious Strangeworlds Society, you can travel through portals hidden in suitcases into other worlds.

At first, Flick is dubious. After all, if magic were truly real, wouldn't everyone know? But then the Strangeworld Travel Agency's young Head Custodian, Jonathan, shows her some of the other worlds. And Flick discovers, to her astonishment and delight, that it's all true. There are worlds out there--nonsensical worlds filled with eerie forests, scorched deserts, and the most peculiar of impossibilities. Worlds which she can now step into.

And she's going to, because Jonathan needs her help. His father disappeared into one of the suitcases months ago, and he needs Flick's help to find him.

Together, Flick and Jonathan set out on a journey leaping from world to world. But something has been happening to the different places they visit. Things have been changing. And it's up to Jonathan and Flick to figure out what--even as she realizes that all is not as it seems.

Strangeworlds Travel Agency is a fun fantasy novel with the quirky, almost old-fashioned tone of books like The Emerald Atlas and The Box and the Dragonfly. It effortlessly leaps between the modern day and the strangest of strange worlds, carried by two characters--Flick and Jonathan--who make that leap just as effectively, never seeming jarred or out of place in either setting. No matter what Flick does at the travel agency or in other worlds, it always feels natural when she returns home to her irritating younger brother and unpacking moving boxes. I also love the worlds Flick and Jonathan travel into, which are varied, mysterious, and often completely unexpected--they truly made this book come alive. I recommend Strangeworlds Travel Agency to readers ages nine and up looking for immersive, likable fantasy novels.

By Piranha T. 

Theodosia Throckmorton is hardly your average eleven-year-old girl. Not only is she the daughter of the Head Curator of the Museum of Legends and Antiquities in London and is deemed unfortunately clever by most adults, she is also the only person who does anything to destroy the curses on the museum's artifacts when they arrive fresh from Egypt courtesy of her archaeologist mum. It's simple enough, really: with the help of her protective amulets and the advice of ancient texts, Theodosia has managed to keep the worst curses from wreaking havoc in the museum. If only her parents consented to wear gloves when touching the artifacts; it would make her job so much easier. But her parents seem to think she's peculiar rather than seeing the curses lurking around the museum at night, and Theodosia knows that if she tried to explain, they'd ship her straight off to boarding school. 

When Theodosia's mum returns from Egypt brimming with artifacts, Theodosia is prepared to spend the next few weeks rooting out the curses before they're put on display. She certainly doesn't expect a curse as vile as the one clinging to the Heart of Egypt her mum returns with--one which will leave England vulnerable to its enemies if left unchecked. 

Before Theodosia can decide what to do, though, the Heart of Egypt is stolen. And it's up to her to track it down and learn more about the Egyptian magic she's always experimented with in time to stop the curse. 

I've wanted to read Theodosia and the Serpents of Chaos for years, and it didn't disappoint. Theodosia's character and narrative are absolutely perfect--upper-class, sophisticated, and with a touch of dry humor and seriousness which together make her extraordinarily endearing. The rest of the series is at the very top of my to-read list--I can't wait to read more about Theodosia, and see where LaFevers goes with the successive books! The world is also fully realized: the atmosphere of Edwardian England is skillfully evoked and blended with the Egyptian magic Theodosia discovers in the museum, which I enjoyed immensely. I laughed more than once, was surprised often, and loved the myriad characters, making this book thoroughly enjoyable. I highly recommend Theodosia and the Serpents of Chaos to readers ages ten and up, particularly those who enjoy quirky historical fantasy, or to anyone who regularly identifies ancient curses by moonlight. 

By Piranha T. 

Aru Shah and the Nectar of Immortality is the fifth and final book in the Pandava Quintet, which opened with Aru Shah and the End of Time. 

[Look out--there are spoilers below for earlier books in the series!] 

Aru Shah and her friends have lost their celestial weapons--and without them, they don't have a chance of entering the labyrinth in which the Nectar of Immortality is hidden. The Sleeper and his army are already there, though, and Aru knows she's running out of time. 

Together, Aru, Mini and Brynne--with lots of help from their friends--must trade in old favors, journey to the ends of the earth, and even perform at a rock concert to regain their weapons and stop the Sleeper in time. But what if the Pandava sisters aren't up for the task? And can Aru figure out the right thing to do in time? 

The first book in the Pandava Quintet, Aru Shah and the End of Time, was so funny, spot-on and brilliant that it made me think, there's no way the whole series can be this awesome. Having finished the final installment, Aru Shah and the Nectar of Immortality​, I can assure you that it is. The quirky characters, witty narrative and constantly engrossing story never flags; Aru and her friends--particularly Mini, Brynne and Aiden--manage to be both utterly hilarious and deeply relatable and understandable. Having reached the final page of the final book, I found myself wishing I could hang out with them some more! I highly recommend Aru Shah and the Nectar of Immortality​ (and the entire Pandava Quintet) to readers ages eight and up. 

By Piranha T.
 
For Rahul Kapoor, the beginning of seventh grade isn’t looking good. Yes, it will mean he’ll be able to see his best friend Chelsea even more regularly than he has over the summer. But he’ll also be at the mercy of bullies like Brent, who make fun of him for being Indian American. When he talks to his grandfather, Bhai, a week into the school year, he gives Rahul a piece of advice: find something, and become the best at it. Then nobody will be able to stop him.

No matter how hard Rahul tries, though, none of the activities he tries are quite right—until one of his teachers convinces him to join the Mathletes. Although he’s always dismissed its members as nerds, he begins to realize that math really can be fun. But what if he still can’t become ‘the best at it’? And even if it can, will it really help him figure out who he is?

The Best at It is an awesome, deeply relatable realistic fiction novel. Rahul is an incredibly sympathetic and real protagonist—his journey to accept all the parts of who he is really resonated with me, and I think it would with most middle schoolers, too. I highly recommend The Best at It to readers ages ten and up. 

By Piranha T. 

Mayhap Ballanstain knows she must always obey her parents' four last rules:
 
Do not leave the house.
Do not go into the grass.
Wait for us.
Sleep darkly.

Those last words from sisters Mayhap, Winnow, and Pavoinne Ballanstain have been framed on the wall of their bedroom since their parents disappeared into the strange, swaying silver grass which surrounds Straygarden Place. But Mayhap would have known better than to enter the grass even without the warning: it is thick and strange, reaching to the roof and slipping in through open windows and unattended keyholes.

Do not leave the house.

Mayhap and her sisters have never had a reason to leave Straygarden Place. The house provides for their every need: making them food, dressing them in the morning, and even giving them droomhunds so that they can sleep without the blinding white light which disturbs the dreams of any Ballanstain.
Do not go into the grass.

But when Mayhap's older sister, Winnow, does just that--and returns dramatically changed--Mayhap must learn the truth about Straygarden Place, their parents, and herself.

Wait for us.
Sleep darkly.

Having read and loved Hayley Chewins's first novel, The Turnaway Girls, I found myself with high expectations for The Sisters of Straygarden Place--and it exceeded them all. The Sisters of Straygarden Place blew me away, its immersive, expansive prose pulling me into it from the first page to an atmospheric world full of floating trees and silver grass and strange, unquenchable magic and twined with mystery. There was nowhere where this book felt slow or confusing--indeed, any time where this book was anything less than engrossing, twisting, and full of hidden magic. It brims with the strange and the unexpected, with startling revelations and brilliant imagery, but what drives it are the underlying threads of discovery and emotion which make Mayhap--indeed, all the characters--shine so brightly. They feel so real I could touch them and talk to them, and I knew and believed in every one of them by the end of this story. I highly recommend The Sisters of Straygarden Place to readers ages ten and up, particularly those who find atmosphere and characters crucial to a story as well as a plot full of the startling and beautiful. 

By SK

Omar has lived in a Dadaab, a Somalian refugee camp, for most of his life, and he can hardly remember a time before he lived in the A3 block, in the tent he shares with his little brother Hassan across the road from their guardian, Fatuma, making meals out of the scant rations and waiting for the day when he, Hassan and Fatuma will be selected to leave for America, where everyone is rich. Where he won’t have to sleep on the ground anymore. Where he can get medicine for Hassan, who barely speaks and used to get terrifying seizures. Where his life can really start. 

When you live in a refugee camp, you spend a lot of time waiting. But that doesn’t mean Omar isn’t busy–he gathers water, plays soccer with his friends, tells stories to Hassan, and studies with his friends Jeri, Maryam, and Nimo. And he’s never stopped looking for his mother, who he hasn’t seen since fighting broke out in his village when he was a little boy. 

As he grows up, Omar experiences danger, disappointment, and the fear that he’ll never leave Dadaab. Yet he also learns that in a world where he sometimes feels powerless, the loyalty and love that connect him with Hassan and Fatuma, his friends, and his community have a power of their own. 

I don’t usually read graphic novels, but I thoroughly enjoyed this one, a story of growing up that is both universal and powerfully unique. The bright, evocative, emotional artwork is gorgeous, and the writing is crisp and concise, creating a vibrant, compelling, sometimes heartbreaking story about childhood in a refugee camp, based on coauthor Mohamed’s own life. (In fact, I realized partway through reading it that I was experiencing the same feeling of total immersion in a story, oblivious to anything around me, that I usually only get when reading standout books in prose!) The characters are deftly woven and immensely believable, and it’s a fast, satisfying, and deeply important read. At once a powerful personal story and an ode to the resilience and courage of the millions of people living in refugee camps today, I would highly recommend When the Stars Are Scattered to readers ages nine and up, especially for books groups and discussions. 

By Piranha T.

In a futuristic version of Earth, water has become an enemy. After the Melting, the world was swallowed by oceans, destroying towns and cities, humans and animals. Even rainwater is no longer fit to drink. There is nothing left but Ark.

Ark, the city John Noa built out of nothing when waves overcame the land.

Ark, where grim-faced gavvers pace the streets, searching for the Desecrators who would destroy the fragile peace, where everything is rationed, even the very words people speak.

Ark, where Letta, the last wordsmith’s apprentice, writes out cards containing Ark’s language, List—a language of only five hundred words.

Letta was born in Ark after the Melting, and has always been called one of the lucky ones. She’s not quite sure if she can believe that. Long ago, her parents set out on a voyage to find other lands which had survived the Melting. They’ve never returned. Still, no matter how much she loves speaking the old tongue to the wordsmith without List’s restrictions—a language with all the now-forbidden words, like hope and dream and music—she believes John Noa will only do what is best for the people. After all, he was the one who saved them all.

But one day, a wounded boy stumbles into Letta’s home, and changes her life forever. His name is Marlo, and he is a Desecrator, but he isn’t the mindless villain she’s always believed the Desecrators to be. Instead, he’s interesting, and funny—and his explanations of Ark make much more sense than what Letta has always believed.

Then horrible news reaches Letta, and she is called upon to take up newfound power in Ark. Yet Marlo’s words make her question everything as she struggles to navigate the turmoil as the Desecrators make themselves known and dark plans begun unfolding around her. For Ark is the center of a scheme which could destroy all of humanity—and Letta must uncover dangerous secrets and choose a side before it’s too late to reverse the damage which will be done.

I don’t often read dystopian novels, but The List intrigued me, in part because of the thread of words and wordsmiths. It completely blew me away. Letta and the supporting characters are excellent and feel very real. This is an amazing, engaging, well-plotted book which I couldn’t put down. The villain was nefarious and I understood why he had to be stopped, but his reasoning, if twisted, still made a certain degree of sense, which made this book even more powerful. Overall, The List is a thought-provoking and absorbing read--I highly recommend it to readers ages eleven and up. 

By Piranha T.

​Seventh grader Zoey Albro has never had it easy. On top of homework, she has to take care of her three younger siblings every day after school while her mom works at the pizza parlor. But she can’t really complain. At least right now, her mom has a steady job, and Lenny seems like one of her mom’s better boyfriends. The trailer they live in with him is clean, and even if it’s impossible to get a moment of peace from her siblings to do normal things like finishing homework or hanging out with friends, it’s a lot better than the other places Zoey has lived.

If she were an octopus, Zoey often tells herself, everything would be easier. They’re her favorite animal, and she knows all about them: how they have special muscles to change the texture of their skin, their ability to get into smaller places than other animals…they can even camouflage themselves with their environment. Sure, when they’re nervous, they turn bright red, but not even an octopus can be perfect.

But she isn’t an octopus, and she can’t camouflage herself when she doesn’t want to be seen. Her social studies teacher, Ms. Rochambeau, is always nagging at her to hand in homework, but now she has another focus. She wants Zoey to join debate team—which she knows will be full of all the kids who hand in their homework and don’t have to worry about what they’ll eat for breakfast tomorrow morning. It’s the last place Zoey, even with her octopus camouflage, could ever blend in.

Yet it’s at debate team that Zoey begins to find an unexpected place. It’s from what she’s learned at debate team that she begins to question the world around her. And it’s because of debate team that she might just find the courage to stand up and raise her voice.

Because not even an octopus should blend in forever.

The Benefits of Being an Octopus was an eye-opening, deep, and moving read. There is so much in this book I didn’t expect, beyond the themes of class and social judgement. It discusses everything from gun rights to what it means to be a kid struggling in a world where it feels like nothing is open to you. Zoey is such a strong character, full of determination and grit while still being held back by the people and the world surrounding her. She is extremely realistic, and sees the world in such a different, powerful way than most other characters in middle-grade novels, and I loved reading this story through her eyes. The supporting cast is also very realistic—particularly the first time I read this, at the same age as Zoey, this book rang true to me. Overall, I highly recommend The Benefits of Being an Octopus to readers who love thought-provoking books ages nine and up.

By SK

Ten-year-old self-proclaimed natural-born cynic Flora Belle Buckman has studied enough of her beloved comics to know that it is imperative to be prepared for the Terrible Things that can happen to a person. So when her next-door neighbor's birthday present, a Ulysses Super-Suction, Multi-Terrain 2000x vacuum cleaner, accidentally suctions up a hapless squirrel, she doesn't hesitate--she administers CPR. To the squirrel. 

Except....he's not quite an ordinary squirrel anymore. He looks like a squirrel (albeit a slightly bald one, thanks to the vacuum cleaner), and thinks like a squirrel ("Food?"), but now the newly dubbed Ulysses has the powers of a superhero from one of Flora's comics: He can fly! Lift enormous objects! Type! He even writes poetry. 

If Flora knows one thing about superheroes, it's that they always have a job to do, and people to save. And Ulysses' new powers do spark an unexpected chain of events, setting Flora on a wild adventure filled with a variety of quirky characters, including a dramatic divorced romance novelist (who also happens to be Flora's mother); a doctor of philosophy from Blundermeecen; Flora's father, who shares her love of comics; her improbably named, poetry-loving neighbor Tootie; and William Spiver, Tootie's pedantic, eccentric great-nephew who insists that he is temporarily blind. They will face opposition, archenemies, and giant donuts. They will realize that the universe is a very random, very beautiful place. And in the end, Ulysses might just save the day. 

I first read Flora and Ulysses when I was eight or nine, and I remember enjoying it then--but when I recently reread it for a book group, I utterly adored it. The characters are pitch-perfect and irresistibly quirky, and it's an absolute joy to watch them grow and connect over the course of the story. Kate DiCamillo is brilliant, and her writing makes the many wacky characters, events, and unexpected occurrences hang together perfectly with ease, and keeps the story fast-paced and the reader constantly laughing. It's a difficult book to do justice to in a summary, given the quirky premise, but I can honestly say that it's one of my all-time favorites, and a book which I could read over and over, and would bring me joy every time. Filled with madcap wit, wisdom, hilarity, and surprising tenderness, I would highly recommend Flora and Ulysses to readers ages eight and up--it's an excellent read-aloud, audiobook (complete with superhero music!), or book group selection, and is also a delight to read on one's own. 

​By Piranha T. 

It's the beginning of another school year, and absolutely nothing is going right for sixth grader Merci Suárez. At Seaward Pines Academy, the expensive private school she and her older brother, Roli, attend on scholarship, Merci feels constantly out of place, whether it's because of the constant bullying of Edna Santos, whose life's mission seems to be to lead her possy of friends to make Merci miserable, or something as small as the massive packages of school pictures all the other families have ordered, while hers opts for the least expensive one. Plus, this year, Merci's been chosen as a Sunshine Buddy--an assigned friend to help new students adjust to Seaward Pines. It's the last thing Merci wants to do, particularly when she definitely doesn't fit in at Seaward Pines herself. 

And everything at home isn't much better. Merci lives with her extended family in Las Casitas, which is usually wonderful. But now she can't try out for the soccer team because she has to watch her twin cousins after school. And her grandfather, Lolo, is starting to act strangely--forgetting their names and getting into strange arguments with his family. 

Merci's life is turning upside-down. But maybe all the changes will help her change for the better, too. 

Merci Suárez Changes Gears is a relatable, fast-paced middle-grade novel. The characters and situations in this book are particularly realistic to me, and felt modern and universally identifiable for middle schoolers. I particularly enjoyed reading about Merci's family--they all interact and bounce off one another naturally, and both their characters and their relationships felt incredibly realistic. I recommend Merci Suárez Changes Gears to readers ages ten and up who enjoy realistic fiction novels. 

​By Piranha T. 

Indira Story has spent her life in the town of Origin, a character-in-waiting who wants nothing more than to be chosen for a story. So when the Author Borealis arrive and Indira is chosen to go to Fable--home to the school which has trained every Protagonist in literary history--it's like a dream come true. 

But when Indira arrives at Protagonist Preparatory, she's set on the side character track--a far cry from the hero she's always dreamed of being. She's determined to do her best anyway, and impress her teachers, who are all famous protagonists in their own right from Romeo to Odysseus. If she works hard, Indira is sure she can become a protagonist, too. 

Somehow, though, even her best efforts don't seem to be working. She's failing at being just a side character. Indira's future is looking bleak when strange things start happening at Protagonist Preparatory, and she starts putting the pieces together--pieces which someone nefarious is trying very hard to keep hidden. 

Will Indira have it in her to be the hero she's always dreamed of--or will she fail, leaving Fable to a disastrous fate? 

If any part of the above story description sounds the least bit familiar, or even a little cliché, that's the point. Saving Fable plays on the most stereotypical, most traditional, most familiar tropes and mixes them up with a world populated by characters and full of clever literary puns, and the result is extraordinary. There are many books which play off story elements of heroes and books--some favorites of mine include Finding Serendipity and The Thieving Collectors of Fine Children's Books--but Reintgen pulls it off here with spectacular and outstanding flair, full of brilliant jokes and constant humor which is so incredibly self-aware. The brilliant writing craft references, which essentially make up the whole world of Saving Fable, are particularly notable in my opinion, in part because they are so incredibly brilliant but also because they create such an atmospheric, detailed, and truly hilarious world; whether it's references to famous protagonists, brainstorming, or simply the classic hero-versus-antagonist plot, they never fall flat and made me laugh my way through this whole book.

​But part of what makes this book stand out is that you don't have to get all of these jokes to love it--they're more of an undercurrent which makes it even more spectacular. The characters, including Indira, are also awesome, and all seemed to sparkle with something of their own; together with a fully realized world and a bright and even surprising plot, they created a full and complete story which I couldn't put down. I highly recommend Saving Fable to fans of fantasy ages nine and up, particularly those who have read enough books to recognize both the funny and familiar in its story.