By Ella

Morgan knows she can’t be herself on the tiny island where she’s grown up. Here, she’s straightforward, unremark-able, good at blending in, a persona much easier to stomach than the truth that no one—not her struggling mom, not her cluster of friends—knows: Morgan likes girls.

She’s determined to get through high school and escape as soon as possible to somewhere she can be herself. But all that changes when Keltie slips out of the sea and saves Morgan’s life. Keltie—who, with her odd, bright-colored clothes, disregard for social convention, and unconventional secret—is the worst thing possible for Morgan’s attempt at normalcy. Particularly when she begins to fall in love…

​The Girl from the Sea was the summery, small-town, queer graphic novel I didn’t know I needed! With beautiful, atmospheric artwork and a contemporary twist on the classic selkie story, I couldn’t help but be pulled into this book. I really loved the characters—Morgan is one of the absolutely most relatable characters I’ve read recently, and Keltie her perfect foil, with so much spark and personality that I couldn’t help but fall in love with her alongside Morgan. The entire story was sweet and vivid, and extraordinarily realistic, despite (or because of) the magical elements; Morgan’s family in particular felt completely authentic, with the right mix of conflict and love and individual character to bring it truly to life. Whimsical and full of magic, I highly recommend The Girl from the Sea to readers ages eleven and up. 

By Ella

​After fleeing Vietnam during the war, Hà couldn’t believe that a country as strange and foreign as America could ever become her home. Still, slowly but surely, exactly that has happened, and now Hà can’t imagine leaving her new friends and school.

But exactly that happens when Hà’s mother relocates them to Texas, a place whose name Hà can’t even pronounce. The last thing she wants is to start over again, and again, and again—not when she’s only just gotten used to America itself. But as Hà grows up in her new home, alongside unexpected friends and experiences, she finally begins to find her place in the world.

When Clouds Touch Us is a quiet but beautiful verse novel that serves as a sequel/companion book to Inside Out & Back Again. Once more, I enjoyed Lai’s thoughtful, lyrical free verse, which carried the story along at a quick yet meditative pace that never felt slow but was willing to linger on small yet impactful moments, something particularly important for an atmospheric historical novel like this one. I also really loved Hà—her determination, perseverance, and bravery propelled the story forward, and particularly in a thoughtful novel which easily could’ve felt slow or stagnant, her character was crucial in keeping me swept up in the story, something she did flawlessly. Although you don’t need to have read Inside Out & Back Again to enjoy When Clouds Touch Us (it’s been years since I read the first book, and didn’t actually realize at first that they were related), I think recalling more vividly Hà’s experiences from Inside Out & Back Again would help you understand more deeply who she is entering this story, and make you more familiar with some of the minor characters. I recommend When Clouds Touch Us to readers ages nine and up, particularly those who enjoy novels in verse. 

By Ella

For as long as she can remember, Cordelia and her fellow triplets have been hidden deep in the enchanted forest, protected by their mom from the dangers she insists are beyond its walls--dangers she's too secretive to tell them the truth about. But Cordelia has always found her own ways to escape, because she can turn into any animal she chooses, and flying over the wall in bird-shape to explore the forest is one of her favorite pastimes. 

All that changes when unfamiliar soldiers encroach on Cordelia's home, kidnapping her mom and older brother and leaving the triplets fleeing deep into the forest. It turns out that one of them is the heir to the throne of the kingdom beyond the forest--but no one knows which of them is eldest, and their mom refuges to divulge the truth. And with good reason: ever since the magical Raven Crown broke, battle after battle has broken out over who holds the throne, and no ruler has survived more than a few years. 

Fleeing is the only way for Cordelia and her siblings to survive, but she swiftly realizes that their mom was keeping other secrets, too--and that ending the kingdom's constant conflict might be the only way to ensure her family's safety. Can Cordelia transform not just into animals, but into a hero? 

​I've loved some of Stephanie Burgis's earlier middle-grade fantasy novels, including The Dragon with a Chocolate Heart, and so I was excited to read this one! I wasn't disappointed. The magic system managed to be both familiar and unique, with Burgis's strong descriptions and very practical day-to-day applications making it feel distinct and creative. I particularly liked Cordelia's ability to transform--the way her abilities were altered and limited by the different shapes she took, and the fluidity of her transformations, were especially intriguing. She and her siblings were all strong characters, and the way they played off one another was delightful; although they easily could've felt like classic 'very different' siblings, their dynamic was so realistic it brought them to life. I recommend The Raven Heir to readers ages nine and up, particularly those who like sibling relationships and fantasy quests. 

By Ella

​Bianca Torre is afraid of everything.

And not just normal phobias, either, like spiders and snakes (#2 and #25 on their ever-expanding list of fears). Also FEAR #39: MASCOTS. And #49: DYING BEFORE THE CONCLUSION OF ONE PIECE. Not to mention #11: TELLING MY PARENTS I’M A RAGING LESBIAN.

As an anxious birder questioning their gender identity, #6: INITATING CONVERSATION has mostly kept Bianca’s social life on hold. Besides hanging out with their anime-obsessed neighbor, Anderson, their outside interactions are limited to spying on neighbors with their birding telescope and weekly hikes with a local birding group, where they’ve developed an accidental crush on Elaine Yee, the newest member of the group (#13: BEAUTIFUL GIRLS).

All that changes when Bianca watches a neighbor get murdered through their telescope—a murder the police claim was a suicide. Bianca is certain they owe it to the stranger to learn what really happened, but there are a few problems. Like #5: DEAD BODIES. Or the threatening dead birds left in front of their house.

The man was investigating something, or someone—and he got murdered for getting too close to the truth. And now Bianca, along with Anderson and Elaine, has been pulled into the investigation, too.

Bianca Torre is left with a terrifying ultimatum: get to the bottom of things, fast—or become the murderers’ next victim.

As soon as I read the description of Bianca Torre is Afraid of Everything, I knew it was exactly the kind of book I would like. I was wrong: I didn’t like it. I loved it. This book has everything I possibly hoped for and more: murderers in plague masks, queer anxiety rep, school theater productions, geeky friendships, clever humor, birdwatching, budding romance, and lesbian sheep. Hands-down, this will be one of my favorite reads of 2023.

Bianca was an amazing protagonist. Despite their long list of fears—or maybe in part because of them—their voice and sense of humor are impeccable, yanking me into their life from the very first page. I rarely encounter such incredibly complex protagonists, or ones I connect with so deeply, but Bianca effortlessly fulfils both of these. If you love character-driven, deeply relatable characters, this is definitely a book for you!

​But Bianca isn’t the only reason I fell in love with this story. Every detail of Bianca Torre is Afraid of Everything is excellent, from the quirky and weird minor characters and Bianca’s murder investigation to the theatrical interests of their mom and older sister. Whether you love twisty plots, witty writing, or fabulous characters, I highly recommend Bianca Torre is Afraid of Everything to readers ages twelve and up. 

By Ella

There are stories about the lake, about a world that exists beneath it, about ghosts and odd happenings and mysteries that can’t be solved. No one believes them anymore, of course—the old sign detailing the lakelore is barely legible, and the old tales have become things to laugh at, not to believe. Only Bastián Silvano can find the world under the lake anymore, find the place where water lifts from the surface like butterfly’s wings and reveals a path to the depths below. And Lore Garcia is the only one they’ve ever managed to show it to, though they met so briefly they never even learned each other’s names.

It's been years since they met for the first time—time enough for Bastián to begin sending their worst moments beneath the lake’s surface in paper-mâché alebrijes, and for Lore to do something so terrible they have to leave their old town—even if that doesn’t keep away the memories intent on reminding Lore of all their worst mistakes. But when Lore moves into Bastián’s town and lakelore slips out from beneath the surface of the lake, they must each trust each other with the parts of themselves they’ve worked the hardest to hide.

Having written hundreds of reviews, I have a running shortlist of ones that were nearly impossible to describe—books like Raybearer and Daughter of Smoke and Bone, which I absolutely love but struggle to find words to summarize the plots of. Lakelore surpasses all of them. Encapsulating Anna-Marie McLemore’s gorgeous magical realism at its finest, Lakelore is the story of two nonbinary teens navigating the dangerous, complicated, multifaceted world of their own minds and histories, all while coming to terms with what it means to love yourself. At once ethereal and impossibly grounded in reality, there is so much of this story nearly impossible to put into words—and yet it’s so utterly amazing that I feel like I do it a disservice by not attempting to.

Lakelore is, in one word, stunning. McLemore (who is also the author of some of my other absolute favorite books, such as Blanca and Roja, Wild Beauty, and When the Moon Was Ours) weaves realism and magic together so smoothly with their beautiful writing that the two flow into one another so naturally they feel inseparable; the world they draw with relatively straightforward language is so evocative and gorgeous that I couldn’t help but be absorbed by it. Always thoughtful, reflective, and intentional, the many threads of Lakelore became something incredibly deep beneath McLemore’s deft pen. This book made me feel utterly heard to a degree few others ever have through the power and authenticity of its protagonists’ struggles, and the beauty of their evolving awarenesses of themselves.

​Far too many books become ‘single-issue’; Lore and Bastián, instead, lie at the intersection of many identities—neurodivergence, race, gender—and yet this story never becomes ‘about’ any one of these. Instead, it focuses on the two people behind them, whose nuanced and complex narratives are built far more around who they are, their experiences, and how the world has treated them because of their identities—and, particularly, how they intersect—than simply using those identities as checked-off diversity boxes, creating a pair of protagonists who are refreshingly, beautifully, and sometimes devastatingly real. I can’t think of another book starring two characters who are as complex and human as these two, or who I love quite this much. Deft, magical, and truly incredible, I highly recommend Lakelore to readers ages twelve and up, particularly those who love magical realism and queer, diverse fantasy. 

By Ella

Daisy Thistledown has traveled around the world with her beloved journalist mother. But when her mother disappears and Daisy finds herself alone, on the run from an unknown enemy attempting to steal her dandelion paperweight, she stumbles into a place far more mysterious than any she’s entered before: the Greenwild, a magical pocket of the normal world where Daisy, impossibly, belongs.

Daisy has never lived anywhere long, so when she discovers that the Greenwild might hold the truth about where her mother has gone, she’s more than happy to stay there for a little longer. Surrounded by new things to learn, magical plants, and unexpected friendships, Daisy can almost forget about the enemies hunting her on the other side of the door—and the mysteries about her own life that she finally has the chance to answer. Particularly since her new friends are helping her uncover the truth about her mother’s disappearance.

But whoever took Daisy’s mother is still out there. And their next target might be the Greenwild itself.

When I first came across Greenwild, I had a feeling it would be the kind of magical, atmospheric adventure that made me fall in love with middle-grade fantasy to begin with—books like Finding Serendipity, Magyk, and The Dark is Rising. It was everything I hoped it would be! Accompanied by Thomson’s beautiful writing and gorgeous interior illustrations (which are honestly some of my favorites that I’ve come across in MG), the Greenwild sprang to life in my mind, atmospheric and quirky in all the right places. Thomson truly has the knack of creating a fully formed, believable world nestled within our own, and the Greenwild has the perfect balance of the utterly fantastical and details grounded in stunning realism.

I loved the characters. Daisy was a brilliant protagonist, with such a complicated and relatable mix of emotions. The supporting cast was particularly excellent, and watching secrets be revealed and new characters get introduced was utterly delightful. With plenty of twists and clever surprises, I didn’t want to stop reading this book! I highly recommend Greenwild to readers ages ten and up. 

By Ella

​The Notorious Scarlett and Browne is the sequel to The Outlaws Scarlett and Browne, and the second book in an ongoing series. 

Look out--there are spoilers ahead for book one!

For Albert Browne, life is just beginning to get interesting. After spending his life stuck indoors, courtesy of the Faith House's oppressive views on his ability to read minds, he's finally escaped, thanks to Scarlett McCain, a far more experienced outlaw with a sharp tongue and a quick wit. All in all, leading a life of crime is all he could've hoped for and more: he gets to see the world and follow Scarlett on all sorts of interesting adventures. And with his magical skills and Scarlett's clever plans, they're yet to find a stronghold that can outwit them. 

Of course, there are some downsides...such as the nefarious criminal organization pursuing them, who is somehow connected to Scarlett's past. And the Faith House operative, with powers to rival Albert's own, who keeps popping up when least expected. And, of course, a messy ultimatum: either Scarlett and Albert break into a dangerously secure facility, or their friends will get eaten by owls. They might be the land's most infamous outlaws, but even they will be hard-pressed to handle everything before their time is up. 

And if they fail? Well, then, the story of the notorious Scarlett and Browne might just be over. 

The Outlaws Scarlett and Browne was one of my favorite books last year, and its sequel lived up to even my highest expectations. Stroud's writing is focused and clever, full of evocative descriptions and turns of phrase--plus an impeccable dose of humor--while keeping the story flying at an impossibly quick pace. I love the setting, as before; a futuristic, post-apocalyptic Britain governed by an organization of corrupt Faith Houses, it's utterly unlike anything I've read before, in the best possible way. The dynamic between Scarlett and Browne is truly brilliant. Full of humor and panache, their exploits are clever and all-absorbing, and although the happy, naive character contrasted with the snarky realist is a relationship I've seen many times before, Stroud makes it not just fresh but hilarious, too. And I'd be remiss not to mention the other characters in this book, particularly Mallory, whose arc/development was one of my favorite parts of the story. If you like audiobooks, this one's also extremely well-read! I highly recommend The Notorious Scarlett and Browne to readers ages ten and up looking for a quirky, fast-paced adventure with an intricate plot and spectacular characters. 

By Ella

​The remote city of Ilvernath is known for little more than being ordinary. With quaint shops, dense forests, and talented spellmakers, it’s little-known and little-noticed, unassuming, perhaps, to a fault.

But every generation, with the rise of the Blood Moon, each of Ilvernath’s seven most powerful families sends one of its children into a cursed duel to the death. The victor’s family controls the city’s high magic reserves until the next Tournament. The other children put forward as potential champions by their families are just more sacrifices to the brutal curse they put in place centuries ago.

For centuries, the tournament, along with Ilvernath’s high magic itself—a dangerous and incredibly powerful natural resource believed to be depleted from the world—has been a carefully kept secret. But ever since the publication of a tell-all book, A Tradition of Tragedy, which bears all Ilvernath’s secrets to the world, newspapers throughout the country have been plastered with headlines about this unassuming city that sends its children to their deaths. For the first time, as each family declares their champion, the world is watching with revolution and fascination as this centuries-old story unfolds, and the seven champions of Ilvernath battle for their families, survival, and glory.

Alistair Lowe has been raised on monster stories by his family, the undisputed villains of Ilvernath, but he wants to win not for them, but for his beloved brother. Isobel Macaslan was thrust accidentally into the spotlight as the first champion revealed, and a desperate attempt to survive might cost her her life. Briony Thorburn has wanted all her life to be her family’s champion, but the meddling of external powers might not give her that chance. And even though Gavin Greive’s family has never won the tournament—or perhaps because of it—he’s willing to sacrifice anything to survive, even the very force that keeps him alive.

But maybe this time, Ilvernath’s ancient story will end a little differently.

With the atmospheric writing of Where Dreams Descend and the emotional ambiguity and intensity of Six of Crows and An Ember in the Ashes, I knew as soon as I started reading that All of Us Villains was going to become an instant favorite. This is one of those brilliant books with an amazing premise that not only lived up to everything I was hoping it would be, but far surpassed it. Complex, intense, and sometimes brutally honest, the intertwined stories of Alistair, Isobel, Briony, and Gavin wove one of the most complicated and multifaceted stories I’ve had the pleasure to read, going far beyond subverting traditional notions of heroism and what makes a villain into a tale so morally ambiguous that the term moral ambiguity barely begins to cover it. Alistair was my favorite character—he’s a character for anyone who has ever loved a villain—but it was a narrow win; all four of the narrators are utterly spectacular, with such nuance and realism that each utterly leapt off the page into my mind. Their struggles and distinct personalities were so vibrant, and the conflicts both between them and inside themselves propelled the story forward at an electric pace. The worldbuilding was stunning; I’ve never read a book with a world quite like All of Us Villain’s, a modern-ish world where magic is carried in spellstones and bought and sold like any other every-day tool. Every inch of it felt fresh and different; even the tournament, a familiar trope in YA literature, was unlike any I’ve ever read. Fast-paced, twisty, intense, and spectacular, I highly recommend All of Us Villains (and the AMAZING sequel!) to readers ages fourteen and up.  

Note: All of Us Villains is stunning on audio--highly recommended! 

By Ella

Lark Mairen knows that Fae magic is dangerous. In fact, she's far better acquainted with it than most--for generations, her family has raised the Shadowbred horses ridden by humans and Fae alike in the twice-yearly Wild Hunt, a ritual that chases stray magic from the border between their worlds and maintains their long-held peace. 

But when her beloved older brother, Galin, disappears in the wake of the Wild Hunt, trusting a Fae boy called Rook is Lark's only hope of saving him. Yes, Fae bargains are dangerous, but Lark is willing to do anything to get Galin back, even fixing a mysterious, shattered clock which everyone seems to be searching for. 

Except as unrest grows between the worlds and Lark begins to realize not all is well in the Fae world, she might be the only one who's brave enough to stop it--particularly when she understands the real reason Galin disappeared. 

Perfect for lovers of middle-grade fantasy which is both familiar and unique, Lark and the Wild Hunt was a fantastic read. The worldbuilding was detailed and interesting; from the Shadowbred horses to the clock Lark repairs, the setting was engrossing and fully imagined. I particularly loved the Fae and their world, which was whimsical and mysterious and never predictable in the best possible way. Lark's love for Galin and determination propel the story forward, and she and the other characters--especially Galin and Rook--kept surprising me, creating twists when I least expected them. Adam's awesome twist on the lost family trope was definitely one of the story's highlights! I highly recommend Lark and the Wild Hunt ​to readers ages nine and up. 

By Ella

Princess Alyrra has never been understood or even accepted by her royal family, who deem her too honest, too weak, and too unintelligent. When the king of Menaiya, a nearby country whose size and power dwarfs Alyrra's tiny homeland, requests that she marry his son Kestrin, she sees no reason to refuse. Leaving everything she knows be-hind doesn't sound so bad, after all--even if the rumors claim that Kestrin chose her for her disposability, a supposedly sought-after trait in the fraught, danger-ous Menaiyan court. Alyrra might prefer a life away from royal conflicts and intrigue, but at least she can escape her family. 

But while traveling to Menaiya, a powerful and mysterious woman steals Alyrra's very identity and gives it to her maid, leaving Alyrra a lowly, cast-off servant in a foreign land and her treacherous maid to marry Kestrin, and, surely, to betray him to the same sorceress. 

​Alyrra knows she should warn Kestrin of her upcoming betrayal--and yet doing so would require reclaiming her life as princess. And in Menaiya, working as a goose girl beside the lower-class citizens of her new home, Alyrra finally realizes the quiet life she's always dreamed of, away from the tense politics of court. 

But Menaiya is also rife with injustice. And as Alyrra begins to see more clearly the painful effects of the kingdom's shortcomings, and the suffering it's inflicted upon the people who have become her friends, she must decide whether she will stay the goose girl forever--or if she will give up her quiet life for a chance to stand up for the people who need it. 

I loved Thorn, a thoughtful and unique take on a classic fairytale which lends it powerful realism and striking beauty. To begin with, Alyrra's subversion of the Goose Girl is phenomenal; having the heroine welcome her lowly position rather than resenting it, as well as gladly leaving her family, was unusual and added unique depth to her character, helping me connect with her due to the simple fact that many fairy-tale heroines are difficult to truly relate to, and Alyrra's contradiction of these tropes lent her a refreshing dimensionality. Her gradual discovery of the injustices surrounding her, too, felt anything but contrived: Thorn became so much deeper as she struggled to reconcile the life she was leading with the possibility of making others' existences better, and the authenticity of her choices brought a quiet power to this story which "The Goose Girl" certainly lacked. This book gives voice to its characters' struggles without becoming overwhelmed by them; even the most difficult of topics were handled with sensitivity and thoughtfulness. I highly recommend Thorn ​to readers ages twelve and up who enjoy fairy tale retellings and strong female characters. 

By Ella

A lush garden grown where once the ground was dry and inhospitable. A family of women with flowers at their fingertips. A secret buried deep in the earth, waiting to find the sun.

The grounds of La Pradera were empty and parched until the Nomeolvides women filled them with flowers a century ago and made this odd estate their home. Estrella and her cousins are the latest generation of Nomeolvides to fill the flowerbeds with the blossoms that bloom from their hands, and to bear the weight of their family’s terrible curse: whoever they fall in love with will cease to exist, never to be seen again. Raised alongside three generations of Nomeolvides women, Estrella knows it is her fate to fall in love and have her heart broken, just as she knows blue flowers will always spill from her palms when she least expects them, and that her family’s curses are inescapable.

But the Nomeolvides’ way of life for a century is jeapordized when two strangers intrude upon La Pradera’s lush serenity, bringing with them a tangle of questions. One, a boy, is a mystery; he remembers nothing of his past, not even his own name, and yet may be the key to understanding the Nomeolvides’ curse. And the other, a man, seeks to shatter Estrella’s way of life—but he may only succeed in exposing the ugliest secrets deep within the earth.

​Anna-Marie McLemore is one of my absolute favorite writers; their luminous writing, stunning characters, and unusual plots have made every book I’ve read by them an instant favorite (some of their other works include Blanca and Roja, Lakelore, and When the Moon Was Ours). Wild Beauty was no exception. Intricate, gorgeous, and thought-provoking, this tale of family, love, and prejudice wove into something as deep as it is beautiful, a thoughtful reflection on the legacies our families leave us with and the price of forgetting the histories our world is built upon. But this fantasy world of flowers and curses is also part of our own, and the way McLemore seamlessly brings hatred, prejudice and dehumanization truly brings this story vibrantly, and devastatingly, alive. Lush, reflective, and powerful, I highly recommend Wild Beauty to readers ages twelve and up. 

By Ella

Callie has always known that they’re going to be a knight, just like their papa, who was once one of the most accomplished defenders of the land. The problem is, the whole world seems to think that Callie should learn magic like the girl they’ve never been, and that only boys should learn to fight with swords.

That’s ridiculous, of course—and luckily, Callie’s dads know that as well as they do. Still, although Callie has found a home where they’re accepted for who they are, they’ve always dreamed of going to Helston, the country’s capital, where young hopefuls train to become knights, and where their papa once fought at the king’s side. So when their papa is summoned to Helston to help train the prince, Callie leaps at the chance to visit and find their place.

It turns out, though, that not everyone else is so pleased with the prospect of Callie becoming a knight—particularly the chancellor who runs the city, who insists that Callie learn to use their much-hated magic and stay away with the women instead of becoming the knight they’ve always known they’re supposed to be. All their life, Callie's thought that Helston would be a fairytale, but it turns out it's full of bigots and discrimination. And when Callie stands up for themself, it doesn't go well. 

No one else seems to be struggling to cram themselves into Helston's strict roles, but Callie soon discovers that’s not the case—they meet Willow, a crown prince who’s never wanted to be a warrior; Elowen, the chancellor’s fierce and capable daughter; and Edwyn, her brother, who more than anything wants to fit the mold his father has set for him. Helston’s rigid society is just hurting everyone, and Callie already got enough of that kind of manipulation when they were younger. Together, it’s up to Callie and their new friends to stand up against a society that hates them—or else be forced to become the people they’ve never wanted to be.

I absolutely loved Sir Callie and the Champions of Helston. At once a fun fantasy adventure, an unflinching story about hatred and prejudice, and a brilliant, affirming reflection of everyone’s uniqueness in the face of an inflexible society, this is definitely one of my favorites of 2023 so far. Esme Symes-Smith draws from many familiar tropes but makes them fully their own, creating an utterly amazing setting that feels more complete and well-rounded than any I can recently remember. Helston perfectly reflects the beauty and deep-rooted imperfections that coexist in our world, too, which helped to make it heartbreaking and vivid in equal measure.

However, that said, the characters were definitely my favorite part of Sir Callie. Callie, of course, was a favorite—their bravery, determination, and sheer stubbornness made me fall in love with them immediately, and I’m so glad there will be more books in the series for me to get to know them better! But every single character in this book were spectacular and nuanced, particularly Willow and Edwyn, whose struggles, though very different, are each so full of realism and power that I couldn’t help but root for them through all the stories twists and turns. A special shout-out has to go to the chancellor, not because I liked him, but because I hated him with such a burning passion—it’s a rare villain who I truly despise, but he went above and beyond in this particular department.

Although Sir Callie was sometimes hard to read—where many books, especially middle-grade fantasy, will skirt around painful topics, this one does the reverse—this was one of my favorite parts about it. Esme Symes-Smith’s willingness to face even incredibly difficult topics head-on was part of why I connected so deeply with Callie and their story; they perfectly encapsulate incredible messiness of reckoning and healing.

​I highly recommend Sir Callie and the Champions of Helston to readers ages eleven and up—if you’ve ever wanted to read a queer mash-up of a Tamora Pierce book, this one’s for you! 

By Ella

The Golden Frog Games is the sequel to Witchlings, and the second book in Claribel A. Ortega’s ongoing Witchlings series.

[Look out—there are spoilers for book 1 below!]

Being one of the most famous Spares in the Twelve Towns is a lot to live up to. Especially for Seven, who’s heralded not just as the Spare who defeated the Nightbeast but as the future Town Uncle—a Town Uncle who, despite all her best efforts, can hear the voices of dangerous monstruos far louder than the animals that are supposed to be speaking to her. But ever since she, Valley, and Thorn made history as the first true Spare coven, they’ve been the face of all the Spares in the Twelve Towns. And Seven is sure that admitting she’s failing at her most basic Uncle duties is exactly what the growing number of anti-Spare agitators need to prove that Spares were always supposed to be powerless.

Amid a rise in anti-Spare sentiment, Seven hopes that the Golden Frog Games—an anticipated tournament where the Twelve Towns compete in everything from frog racing to magical clothing—will allay the worst of the tension, thanks to Seven’s covenmate and friend Thorn being a prime contender in the costura division. But when a fellow competitor is turned to stone, with Thorn the prime suspect, it’s up to Seven, Valley, and Thorn to find the hexer before they hurt anyone else.

I loved Witchlings, so I was super excited for the sequel—and it didn’t disappoint! Brimming with quirky worldbuilding, humor, and adventure, I didn’t want to put this story down. As before, the characters are awesome—Seven, Thorn, and Valley are one of my favorite literary trios, both for their individual personalities and the way they interact with each other. They feel like such a natural group of friends, and I love reading about them! The new cast was also great (I particularly liked Graves), always bringing energy and quirkiness to the narrative. I particularly loved seeing Seven and her friends stand up to anti-Spare prejudice in this book, and her struggle and determination in the face of it; realistic and thoughtful, it helped make the world of Witchlings come alive. I highly recommend The Golden Frog Games (and the Witchlings series) to readers ages ten and up. 

By Ella

Mar’s papá is one of the greatest pirates in the Caribbean—and one of the most feared by the Spanish conquerors whom he steals from. But for Mar, their papá’s ship is more than a home; it’s their sanctuary, the only place where they can use their mysterious fire and ice magia without being called a demon, and where they can be their authentic self without people sorting them into gendered boxes that have never really fit.

On Mar’s sixteenth birthday, though, their way of life is shattered when they learn that their papá made a bargain years ago with el Diablo himself—and that he’s come to collect his price. In the chaos of fire and wind that he summons, the ship goes down, and Mar is the only survivor.

Saved by irritating—and inexplicably pretty—son of a rival pirate ship’s captain, Mar is left to forge a new life for themselves, one where no one knows who they are or what they can do and discovery means death. And overhanging it all is el Diablo’s painful ultimatum: either Mar sacrifices themself to save their father by the time two moon cycles have passed, or they’ll lose him forever.

Mar must fend off hostile pirates, Spanish soldiers, an irritatingly persistent demonio, and their own uncertainty and insecurity if they want to have any hope of saving their father—and of getting through the next few weeks alive.

Fast-paced, absorbing, and brilliant, The Wicked Bargain is fantasy pirates at their finest, perfect for fans of The Sunbearer Trials. I absolutely love the historical fantasy world Novoa has woven in this book—blending real-life events (Latinx pirates, Caribbean conflicts with the Spanish colonizers) and fantasy elements (magia, el Diablo, demonios) into a riveting, atmospheric story that I couldn’t put down. Mar was such an awesome protagonist—their realistic, powerful internal conflicts and nuanced gender identity truly brought this story to life for me. I particularly loved their interactions with the supporting cast, particularly Bas and Demi (my two other favorite characters), which had a depth and spark that helped absorb me in their world. I highly recommend The Wicked Bargain to anyone ages thirteen and up who loves engrossing, multilayered YA fantasy, particularly that which stars trans and LGBTQ+ characters. 

By Ella

Kai does not want to go to summer camp. E doesn’t see the point—after all, even with the incident that left eir arm in a sling a few weeks ago, e doesn’t think that going away to summer camp is going to fix anything. Kai just wants to hang out with eir friends at home. But no: eir parents are sure that sending em to a summer camp decked out in rainbows and pride flags will fix everything, and so, reluctantly, Kai packs eir bags.

Abigail can’t think of a way she’d rather spend her summer then at Camp QUILTBAG. A summer camp full of other LGBTQ+ teens sounds perfect…especially after the humiliating coming-out-gone-wrong that’s left her an outcast from her longtime friends. But she can’t help but feel a little out of place surrounded by all these kids who know exactly who they are, when this is the first time Abigail has been able to talk about who she likes without risking outright rejection.

Kai and Abigail might be unlikely friends, but soon after arriving at Camp QUILTBAG, they make a pact to help each other. Kai will help Abigail be more confident, and Abigail will help Kai’s group win the highly competitive camp-wide competition. Along the way, Abigail and Kai will both make friends and find their place at Camp QUILTBAG—and learn more about themselves, too.

​Camp QUILTBAG is a fun, quirky middle-grade novel perfect for anyone looking for a lighthearted and thoughtful summery read. I really liked all the characters—although Kai and Abigail were particularly awesome, there were so many more minor characters who felt equally developed and interesting (I particularly liked Oren and Juliana). The ways they interacted and found common ground truly formed the backbone of this story, and the relationships in Camp QUILTBAG were some of the highlights for me. I highly recommend Camp QUILTBAG to readers ages eight and up, particularly those who like inclusive middle-grade and summertime reads. 

P.S. If you like Camp QUILTBAG, check out our interview with coauthor A. J. Sass about his first book, Ana on the Edge!