By Ella

Rhaskos. A Thracian slave, worth far less than the animals he cares for. Separated from his mother, forced to serve a master who curses him and beats him. He draws horses in the dirt, and dreams of freedom.

Melisto. She caused her mother no end of trouble as a baby. She has never stopped. The future looks as bleak to her as a stretch of flawless fabric: what everyone expects, and so easily ignored. Serving Artemis as a Little Bear might be the first and last chance, however temporary, for her to be herself.

Against the backdrop of ancient Greece, told in poetry and prose and in fragments of the past, this is the tale of a boy and a girl whose futures are dark to them—and who might, through the impossible friendship they form, at last find the peace they have both been searching for.

Amber & Clay is unique and utterly absorbing, blending historical fiction, magic, and archaeology into something almost improbably powerful and beautiful. I’ve read a handful of books which use both prose and poetry, and honestly none of them have pulled it off very well; there always feels as though there is an abrupt shift when transitioning from one to another. But Schlitz’s prose is so lyrical and deliberate that the story flowed seamlessly from one style to another, and brought the book together more fully and made it feel more concrete rather than splintering it into sections. Not only that, but this ranks among one of the most excellent historical novels I have read (it’s set in Greece, particularly the Athens area, around the fifth century BCE)—not just for how it feels as though it stays utterly true to the time period, but because the feelings and conflicts and dreams of Rhaskos and Melisto are so bright and evocative in my mind that they might be living next door, not twenty-six centuries ago.

To be honest, of all the books I’ve reviewed, Amber & Clay is one of the hardest to describe. Its scope feels enormous, and yet deeply personal; its struggles, concrete and yet ephemeral. So much happens, but it isn’t the tale of the vast shifts of war and politics occurring in the background. It isn’t even a grandiose interpretation of what it must’ve been like, growing up without any chance at having rights. Instead of seeking to change the world, Rhaskos and Melisto both simply seek to live with it: to live in a society which they see not as unjust and discriminatory as we do now, but simply as how the world is. This crucial and too-unique nuance lends the story a vibrant realism which it might otherwise lack, and helps every detail of the story, its characters, and its setting shine with power and truth. Amber & Clay is, quite simply, extraordinary—I highly recommend it to readers ages eleven and up.

By Lina

​When thirteen-year-old Ava is surfing with her best friend Phoenix, nothing else matters. She can forget it all---her mother making her volunteer at the hospital she works at to gain experience in a career she doesn't want, the bullies at the beach who think a teenage Persian American doesn't belong on their shore, her father's mailed birthday present coming unsurprisingly late again, the nagging, neverending feeling that she doesn't belong. It all fades away, replaced by sparkling waves and the one person who makes her feel at home, who she can count on to trade mixtapes and surfing tips with, and who encourages her love of singing. Laughing with her friends on the beach, singing, Rumi's poems--they remind her that she, too, has a place in this world. 

When Phoenix's lymphoma resurfaces, Ava must draw on every bit of resilience and hope within her to help him fight for survival. It feels like everything is falling apart--but as she and Phoenix have always reminded each other, surfboards ready, poised for the next wave: if you don't take the drop, you miss the ride. 

Eloquent, heart-wrenching, and tender, Wave is a standout for several reasons. Firstly, Ava is a believable, multilayered protagonist; despite differing ages, decades, and interests, her insecurities and victories ring piercingly true to me as she grapples with the tension between her own vision for her life and future and those which others push her toward. The characters are deftly drawn and distinct, and the relationships between them truly make Wave shine; the connection Ava develops with an elderly, poetry-loving patient is particularly touching, while her bond with Phoenix centers and grounds the story---just as it does Ava herself. I've never surfed (personally, I think it sounds terrifying!), but Farid's exquisite free verse turns the ocean into a friend, a sparkling world so beautiful that I found myself rereading passages again and again, and feeling the sea to be a home, just as it is to Ava. And the story's moving, lyrical exploration of grief and healing mark it as a modern Bridge to Terabithia, one perfect for book groups and discussions. In a word: gorgeous. I would highly recommend Wave to readers ages eleven and up.

By Lina

“…all I want/is to stretch my wings/to ride the fickle currents/beyond the reach of any cage.” 
- Melanie Crowder, Audacity 

Clara Lemlich has never been free. Not free to read the books she hides from her father and studies late into the night, gathering scraps of knowledge when no one is watching. Not free to live as a full citizen of the Russian Empire, instead forced to live in poverty in the Pale of Settlement, which Jewish people are restricted to at the turn of the twentieth century. Not free to dream of a life where she is not forbidden from the beauty of written words, and where she could save lives as a doctor. 

When antisemitic violence forces her family to flee to America, the grueling journey brings them to New York City’s Lower East Side, a land of angular buildings and filthy tenements, and Clara is once again trapped by poverty and the duties of a good daughter, who must provide for her family as they struggle to survive. Where immigrant girls work quietly, meekly, in rows upon rows of factories, not protesting the exploitation they face because they know how easily they can be replaced, and because every penny counts. Where her dreams no longer seem quite so impossible. 

Clara bristles at the injustices the other factory workers seem to take in stride, and soon becomes involved in the developing labor movement in the area–but she quickly learns that protesting will put her dreams of an education in jeopardy. Should she ignore injustice in favor of a hard-won opportunity for education? Or should she give up her beloved ambitions to fight for a cause that has already grown close to her heart? 

I loved Audacity the first time I read it, and after a recent re-read, it remains one of my favorites. Its stunning, lyrical prose ranks it among one of the most beautifully written free-verse books I've read yet; while the writing is remarkably spare, the imagery and historical detail are evocative and absorbing.  Clara’s courage, kindness, and unflagging determination make her immensely sympathetic, and it’s a joy to watch her develop over the course of the story, as the young girl who splinted birds’ wings and hid from anti-Jewish mobs becomes an infamous labor leader whose concern for her fellow workers and immigrants is matched only by her fiery determination for action–now. I also appreciated how Audacity thoughtfully explores the risks and sacrifices activists must make, as Clara struggles to balance her family’s needs, the injustices she longs to combat, and real danger to herself and her fellow factory workers if they step out of line. 

I had never heard of Clara Lemlich, a real-life labor organizer, before reading this book, and I’ve since researched more about her–she’s a fascinating person, and I highly recommend learning more about her. (The historical notes and interviews with some of her family members at the end of the book are a great place to start!) While fictionalized, Audacity remains true to the essence of Clara’s work and early life. Eloquent and inspiring, I would highly recommend Audacity to readers ages eleven and up, especially for book groups or discussions. 

By Piranha T.

In a futuristic version of Earth, water has become an enemy. After the Melting, the world was swallowed by oceans, destroying towns and cities, humans and animals. Even rainwater is no longer fit to drink. There is nothing left but Ark.

Ark, the city John Noa built out of nothing when waves overcame the land.

Ark, where grim-faced gavvers pace the streets, searching for the Desecrators who would destroy the fragile peace, where everything is rationed, even the very words people speak.

Ark, where Letta, the last wordsmith’s apprentice, writes out cards containing Ark’s language, List—a language of only five hundred words.

Letta was born in Ark after the Melting, and has always been called one of the lucky ones. She’s not quite sure if she can believe that. Long ago, her parents set out on a voyage to find other lands which had survived the Melting. They’ve never returned. Still, no matter how much she loves speaking the old tongue to the wordsmith without List’s restrictions—a language with all the now-forbidden words, like hope and dream and music—she believes John Noa will only do what is best for the people. After all, he was the one who saved them all.

But one day, a wounded boy stumbles into Letta’s home, and changes her life forever. His name is Marlo, and he is a Desecrator, but he isn’t the mindless villain she’s always believed the Desecrators to be. Instead, he’s interesting, and funny—and his explanations of Ark make much more sense than what Letta has always believed.

Then horrible news reaches Letta, and she is called upon to take up newfound power in Ark. Yet Marlo’s words make her question everything as she struggles to navigate the turmoil as the Desecrators make themselves known and dark plans begun unfolding around her. For Ark is the center of a scheme which could destroy all of humanity—and Letta must uncover dangerous secrets and choose a side before it’s too late to reverse the damage which will be done.

I don’t often read dystopian novels, but The List intrigued me, in part because of the thread of words and wordsmiths. It completely blew me away. Letta and the supporting characters are excellent and feel very real. This is an amazing, engaging, well-plotted book which I couldn’t put down. The villain was nefarious and I understood why he had to be stopped, but his reasoning, if twisted, still made a certain degree of sense, which made this book even more powerful. Overall, The List is a thought-provoking and absorbing read--I highly recommend it to readers ages eleven and up. 

By Piranha T.

Rowan writes letters and sets them free on balloons.

This way, no one he knows will be able to read the secrets he records in his balloon letters. Not his parents, who are determined for him to be the girl he knows he isn’t on the inside—and especially not his dad, who’s hurt him in even more ways than that. Not the girls who used to be his friends but abandoned him last summer, leaving him marooned alone at the beginning of fifth grade. It’s a way of coping with all the hurt and confusion and tangles in Rowan’s life.

Told in the form of these balloon letters, The Ship We Built tells the story of a year where Rowan finds friendship, struggles, and ultimately who he is.

The Ship We Built is a moving, complicated, and utterly beautiful novel. Rowan is one of the most true protagonists I’ve encountered in fiction; I can clearly imagine speaking to him, meeting him. This book is sometimes hard but more powerful for it, and it truly swept me away. I highly recommend The Ship We Built to readers ages eleven and up.

By Piranha T.

The place is Boston, in what is now called New Occident. The year is 1891.

The world has changed. Nearly a hundred years ago, an event known only as the Great Disruption cracked the world apart into many known and unknown Ages, from the distant past to the far-flung future. Old maps can no longer depict the world as it is, so new ones are made with different and mysterious materials, using what can only be seen as magic. Cartographers and explorers provide contact between places once connected in other ways, but now eschewed by the void of time.

Sophia Tims’s parents, two skilled explorers, disappeared on a voyage many years ago, so she’s been raised by her uncle Shadrack Elli, one of Boston’s most famous cartographers. She’s always wanted to eventually follow them, but never known if she can; Sophia, to her chagrin, has no internal clock, and easily loses track of minutes or hours, believing only seconds to have passed. Despite these things, her life is peaceful—until Shadrack is kidnapped, and Sophia leaves home with only a mysterious glass map to guide her.

She finds unexpected allies: Theo, a boy from a foreign age; a pair of flamboyant pirates; a botanist with little common sense. But as she is perused from age to age, she discovers the true motives of her enemies—and the secrets of the map she carries, secrets which may be much more dangerous than they seem…

Full of adventure and tension, The Glass Sentence was one of those books which I picked up with no expectations and couldn’t put down. What immediately struck me about this book was the worldbuilding, which I think would appeal to fans of The Golden Compass and Ink, Iron and Glass. Our world, fractured by the Great Disruption, made this an even more interesting read, intriguing me as I learned more and more about this alternate universe. But the layers of The Glass Sentence goes far beyond its setting. The plot was brilliant and unusual, and there was more than one point where it completely surprised me. And the characters—from Sophia and Theo to the brilliantly fascinating villain—were also spectacular. Overall, I highly recommend The Glass Sentence to fantasy fans ages eleven and up. 

By Piranha T.

Oliver Nelson loves to read. Books are quite frequently his only escape from his life, where he’s learned from years of terrible mistakes and miserable misfortunes that things can always get worse. But books are also the reason for his darkest secret: he steals them. Not many, of course, and just from his local library when they are musty, ripped, or even incomplete, like his favorite tome, The Timekeeper’s Children. Still, Oliver lives in fear that someone will learn he’s a thief.

And indeed, this fear seems to be realized when the Pribbles summon him to their mansion. The Pribbles—extraordinarily rich inventors, philan-thropists, and collectors of fine children’s books. What could they possibly want with Oliver except to sell him out for his crimes?

But instead of revealing Oliver’s thieving tendencies, the Pribbles are determined to steal The Timekeeper’s Children--from Oliver’s mind. Using their latest invention, they send him into the world formed from his memories of the original, and instruct him to follow the story. Chapter by chapter, they intend to take it from his thoughts, thereby securing the last copy of this rarest of children’s books.

Now Oliver must partner with the timekeeper’s children from the title, Cora and Jack, to complete their quest and save their land from the grip of an evil sorcerer. They’ll encounter hungry eels, angry warriors, and even the Nasty Rodent Eater (nice to meet you) on the way—as well as a strange, shadowy figure who Oliver definitely does not remember from the original text.

But even if Cora and Jack succeed, can Oliver find a way to keep this story? Or will the Pribbles steal it from him forever?

The Thieving Collectors of Fine Children’s Books is a hilarious, fast-paced, and wonderfully weird story. This book is so fantastically quirky and witty, particularly the writing and plot, that I couldn’t help but fall in love with it; both Oliver’s home and the book’s world of Dulum come alive with all manner of peculiar people and places, including the aforementioned Nasty Rodent Eater, who is definitely my favorite character. Adam Perry takes familiar story elements and makes fun of them so successfully that he creates a story I’ve never read anything quite like before. For this reason, I think this book would particularly appeal to young writers. I highly recommend The Thieving Collectors of Fine Children’s Books to readers ages eleven and up who like stories which take a new spin on books, reading, and fantasy adventures. 

By Piranha T.

Earthsea: a land of many islands and vast oceans, ancient names and fierce dragons, skillful seafarers and powerful sorcerers. The first book in the Earthsea Cycle chronicles the tale of one of its greatest mages, and his terrible mistake.

Sparrowhawk is young when he casts a heavy mist about his village to protect it from eastern raiders and is sent to Roke Island, a school where the highest arts of magic are taught, to be trained in the uses of power. Arrogant and skilled in the ways of mages, Sparrowhawk summons a spirit from the dead, and in the doing releases a nameless shadow set on his death. By the time he is healed from the wounds it inflicts, he no longer cares for pride or shows of power, for the shadow he conjured is out in the world, and though it is far from Roke Island, he knows he will never be free of it until it is destroyed. He travels across Earthsea in search of its name and the means of its destruction, a quest which will bring him to uncharted waters, scheming dragons, and the truth of the shadow which he knows he must defeat.

A Wizard of Earthsea is one of those classic fantasy books which, like Patricia A. McKillip’s Riddle-Master Trilogy or J. R. R. Tolkien’s Lord of the Rings, doesn’t disappoint. It has an amazing world, brilliant character development, a unique storyline, and beautiful writing. I’ve read many fantasy novels, and this one remains one of my favorites, along with the others in the Earthsea Cycle (although some of the subsequent volumes are better suited to readers of twelve or thirteen years). It’s one of those books which sweeps you up and you don’t want to stop reading until the end, and it’s perfect for dedicated high fantasy fans. I highly recommend A Wizard of Earthsea to readers ages eleven and up. ​

By Piranha T.

Out of Time is the third book in Laurie Graves’s ongoing Great Library Series, preceded by Maya and the Book of Everything and Library Lost. If you haven’t read the other books, skip the description here—there will be spoilers about events in them!

The Great Library Series begins with Maya Hammond, a fifteen-year-old girl thrust into an ancient conflict between Time and Chaos. The mysterious Great Library is part of it, as are the wise Books of Everything, sent to many different worlds to help Time triumph. In the first two books in this series, Maya travels across the universe to aid the Books of Everything and Time in their quest to defeat Chaos once and for all.

In Out of Time, the Great Library itself has fallen to one of Chaos’s servants, Cinnial, and it’s up to Maya to enter the strange new world of Elferterre to find the lock she’ll need to defeat him. Here, Magic rather than Time holds ultimate authority, and it’s unlike any other world she’s entered, full of mysterious powers and unfamiliar creatures. Only with the help of a trio of newfound friends can she hope to succeed in a quest which would help liberate not only the Great Library, but Elferterre as well.

Out of Time is a compelling, fast read, and an excellent third installment. Elferterre is an interesting and unique setting, different from those of the first two books but just as intriguing and fun to read about, complete with its own set of quirky and layered characters. Here, threads of the Great Library, Time, Chaos, and the Books of Everything continue to weave together, but this new world offers Maya something of a respite from the constant danger from Cinnial, although peril remains to hound her. Because of this, while Out of Time continues her mission to help defeat him, it also deeply explores the supporting characters and continues to give a stronger sense of Maya. Maya herself continues to shine, perhaps even more brightly than before in the face of this wholly new challenge; she’s an awesome protagonist whose determination to succeed no matter how much adversity she faces. I highly recommend Out of Time and the Great Library Series to readers who love strong fantasy series with interesting settings and plotlines ages eleven and up. I can’t wait to read book four!
​
Thank you to author Laurie Graves for sending us a copy of this book! 

By Piranha T.

Cassia Arroyo still thinks she’s normal the day her dad pulls her out of school and tells her they’re leaving the country. Cassie has been a lot of places and done a lot of things—Rome is just the latest of many homes—but this is definitely new. In the rapid car ride which follows, all he tells her is that someone wants to kill her before he’s injured and hospitalized, leaving Cassie alone in Rome, with no idea who she can trust and who might be a potential assassin.

Following her dad’s instructions, Cassie finds Brother Gregorio, an elderly monk who tells her all the secrets her dad never did. The car chase through the streets of Rome is only one event in a story which has been unfolding for the past two hundred years. He explains that there is a magical spearhead, called the Spear of Destiny, which can alter fate itself. And Cassie is one of only a few people who can use it.

Unfortunately, an organization known as the Hastati believes that the spear is too dangerous. They meant to hide it, but thirteen years ago, it disappeared. Their solution? Kill everyone who can use it. And Cassie is their next target.

Cassie doesn’t plan on sitting around, waiting for the Hastati to murder her. She figures that if she finds the spear and gives it to them, they won’t care about killing her anymore. With the help of Simone, her sarcastic best friend, and Asher, Brother Gregorio’s cautious nephew, Cassie sets off on a search across Italy, from crumbling cities to powerful fortresses and beyond. But there are more secrets than Cassie knows. And most of them aren’t pleasant.

Can Cassie find the Spear of Destiny? And even if she does, will it be enough to save her life?

​Moving Target is a fast-paced fantasy novel full of twisting plotlines, brilliant characters, and nefarious enemies. It’s set in a modern world, and Christina Diaz Gonzalez does a beautiful job of staying in that spirit, even with a story full of ancient lore and mystical objects and cities straight out of fairytales. I also love her use of the backdrop of Italy. Cassie is a great main character who feels like a normal kid, despite the dangerous story she’s in the center of. The supporting cast is also brilliant; I particularly like the conflict between Simone and Asher. This book is full of action and plot twists and is perfect for readers who love fast-paced fantasy. I recommend Moving Target to readers ages eleven and up. 

Note: If you enjoy Moving Target, check out both our interview with the author, Christina Diaz Gonzalez, and the sequel, Return Fire​, which we loved! 

By Piranha T.

Toronia has been ripped apart by the Thousand Years’ War for longer than memory lasts, a war fought not with an outer enemy, but within itself. King Brutan, the most recent ruler, seized the crown unjustly from his brother. He is an unmistakable tyrant, and the fighting continues.

But one night, three new stars appear in the sky. Their coming was prophesized by Toronia’s first wizard, many years ago, said to herald justice for the kingdom with the coming of three new heirs who will kill the king and seize the throne. And so the three heirs come, triplets born to King Brutan who he intends to kill. They are only saved by the intervention of an ancient wizard, who takes them away and sends them to different corners of Toronia, hoping to save them by separation until the prophecy is fulfilled.

The triplets grow up in secret, hidden apart. Agulphus, called Gulph, becomes an acrobat in a traveling troupe of entertainers. Elodie is raised by a wealthy lord, knowing she will become queen, but not of her brothers or the prophecy. And Tarlan grows up in ice and snow, raised by a witch and surrounded by powerful, enormous birds. The three soon find their paths colliding, and the prophecy being fulfilled. But they are pitted against a merciless king and dark magic—a power which only grows as they fight against it.

​Crown of Three was a very cool book which I enjoyed quite a bit. Gulph, Elodie and Tarlan are three very different protagonists who are all likable, but in whom I think most readers will find a favorite who they’ll find themselves rooting for especially—I certainly did! Despite carrying on three storylines for most of the book—following the three main characters—J. D. Rinehart managed to switch between them in a fluid way which kept me engaged in all of them. This book pulled me in and kept me reading to the end; I recommend it to readers ages eleven and up who enjoy high fantasy and multiple protagonists. 

By Piranha T.

The Icemark is not a country for the faint of heart. Hemmed in by mountains filled with strange creatures to the north, and the bloodthirsty Polypontian Empire to the south—led by the famed general Scipio Bellorum—the tiny Icemark has always struggled to defend itself. Yet it has always managed to fend off invaders—until now.

Thirrin Freer Strong-in-the-Arm Lindenshield is a warrior princess, the only child of the Icemark’s king. Known for her skill and daring, it has long been acknowledged that someday, she will lead her country well. But when her father is killed in a border conflict with Scipio Bellorum’s armies, fourteen-year-old Thirrin is left to lead her country into war against one of the most infamous generals in the world.

So she gathers her strength. With the help of her advisors—her elderly tutor and a witch’s son with more power than anyone seems to realize—Thirrin sets out to rally the strength of her country and forge new alliances. She joins with the fierce Hypolitan, seeks the aid of The-Land-of-the-Ghosts and the Wolf-Folk to the north, and journeys even further still, to partner with legendary Snow Leopards. But even with that added strength, will Thirrin be able to lead the Icemark into victory?

I’ve wanted to read The Cry of the Icemark for a while, and it did not disappoint. Thirrin is a strong and undauntable protagonist who reminded me of Kel, in that they are both fierce and brilliant female main characters. That said, although this is a fantasy novel with elements of a medieval/historical world, it doesn’t fall into the same mold as many others; it is multilayered and full of unusually portrayed magic, focusing on war while still having a story beyond it. The Cry of the Icemark may be about Thirrin’s struggle to protect her country, but it is so much more than that. This story is about alliances and friendships, the world and characters in some ways contributing more to the feel of the story than the war itself. Even if you feel tired of what may feel like repetitive fantasy novels, I suggest you give this one a try. And if you do like fantasy—particularly books like Seraphina, The Goblin Wood, or the Protector of the Small Quartet—this is definitely a top pick. To fantasy lovers ages eleven and up, I highly recommend The Cry of the Icemark. 

By Piranha T.
 
Words have power—and in an alternate version of Earth, they can create worlds. Certain people, known as scriptologists, are able to write worlds into reality. One of three branches of magic, scriptology is a finite and dangerous science which can easily be done wrong. And one worldbook holds a dangerous power, one which many people are desperate to use.

Elsa is from Veldana, the first—and only—populated scribed world. Her mother, Jumi, is a Veldanese scriptologist who is constantly expanding their still-new world. Perhaps Veldana’s age, and its small size, is why it is still uncomplicated by war or countries or technology.

But when Jumi is kidnapped, Elsa’s world falls apart. She escapes to Earth just before Veldana’s worldbook is burned, and without it, she knows her home is gone. Now, her hope is simply to find—and, potentially, save—her mother, who she is certain is somewhere on Earth. Yet even that may be more dangerous than she anticipates. For she is also a prize to her enemies.

With the help of a group of new friends—including Leo, a boy whose past is dark and whose future is closely tied to Elsa’s mission—she searches for the truth about her mother’s kidnappers, and a book she scribed before her disappearance. A book her kidnappers are desperate to find.

​Ink, Iron and Glass was one of those books I picked up off a library shelf, and completely engrossed me. Gwendolyn Clare’s version of a magical Victorian Italy, and her depictions of the scribed worlds, are some of the best fantasy settings I’ve read in a while, reminiscent of The Glass Sentence and The Golden Compass. The magic is interesting and unique, fitting effortlessly into the atmosphere of this book. Elsa and the supporting characters are all extremely deep and distinct, with no two quite alike, all with their own personalities which bounce off of each other beautifully. And the story itself is unpredictable and engaging. This book is one of the best I’ve read this year, and I think it would appeal to readers who loved the theme of writing in Inkheart and Finding Serendipity, but are now looking for something a little older; that said, Ink, Iron and Glass is a great novel for anyone who loves fantasy. To lovers of brilliant worlds and deep characters ages eleven and up, I highly recommend Ink, Iron and Glass. 

By Piranha T.

It is 1940 in England; bombs rain down every night. Twelve-year-old Katherine Bateson and her brother and sister are sent to a crumbling castle-turned school in Scotland to escape the Blitz. It seems to be a perfect solution, despite the mysteries and rumors cloaking Rookskill Castle. Kat and her siblings will be safe there—won’t they?

Despite the stories Kat hears on the way to Rookskill Castle, she insists it isn’t dangerous. After all, she reasons, everything can be explained without falling back on something so ridiculous as magic. She didn’t believe her great-aunt, when she claimed her antique chatelaine had mystical powers; there is no evidence for her temporary home to be haunted.

Before long, more peculiarities are revealed. Lady Eleanor, the castle’s ruler, seems to be more than she appears—and attempts to conceal a chatelaine like Kat’s grandmother’s. Kat hears wordless singing from one of the towers at night, and watches unfamiliar children wander the grounds. She finds but one reasonable solution: Rookskill Castle must be harboring a Nazi spy.

But when Rookskill Castle’s other refugees begin disappearing, Kat realizes the truth is much more complex. She must answer a question she’s never asked herself before: what if magic is real?
​
The Charmed Children of Rookskill Castle is at times creepy, at times gripping, but always full of intrigue and unfolding secrets which kept me turning the pages. Kat is an excellent protagonist who has a logical mind without provoking the exasperation readers often feel when a character refuses to accept something which seems utterly obvious; she feels very real, and so does her relationship with her brother and sister, which made me think of The Emerald Atlas. The plot keeps unveiling new layers and eye-opening secrets. This book is filled with mystery and power, including a very interesting villain and kind of magic which I look forward to reading more of in the upcoming second installment. I recommend The Charmed Children of Rookskill Castle to readers ages eleven and up who love historical fantasy and twisting storylines. 

Note: If you like The Charmed Children of Rookskill Castle, check out our interview with the author Janet Fox, and the sequel, The Artifact Hunters! 

By Super Kitty

Morgon, prince of the small island of Hed, is known for asking questions, and is skilled at unraveling puzzles. Now that his parents have died, though, he has no wish to become a Riddle-Master, content to be land-ruler of Hed and live in peace with his brother and sister. Hed is a quiet land, protected by the elusive High One, who rules the realm from the remote Erlenstar Mountain.

Peace, however, is not long in lasting. The three stars on Morgon’s forehead, unexplained in the strictures of riddle-mastery, mark his future as far from ordinary, and an ancient riddle leads him onto a path which winds across the realm. He finds himself on a journey which leads him to land-rulers and wraiths, wizards and forgotten wars, propelled by a destiny no one fully understands. As the trilogy continues, Morgon gains the help of Deth, the High One’s Harpist; Raederle, who has a way with magic which has eluded generations; Lyra, a fiery, determined warrior; and many others.

But asking questions can be dangerous. And the stars on Morgon’s forehead pull him into a web of riddles which, if answered, could reignite a conflict which would tear the realm apart.

I’ve read a lot of fantasy books, and the Riddle-Master Trilogy (beginning with The Riddle-Master of Hed) is truly outstanding. The characters are powerful, multi-layered, and original (both Morgon and Raederle narrate the story), and I loved the world itself as well—each kingdom is distinct, with its own history and traditions. It’s worth noting that the beginning is a little confusing, but keep reading—it makes sense quickly! The copy I read had all three books in one volume, and I read them all at once, which I would highly recommend doing. Each component of the story builds on each other, coming together in a brilliant trilogy climax, and it’s worth fully immersing yourself in the stories. McKillip’s writing is stunning as well, beautiful and vivid.

Most fantasy stories share similar elements and characters, but while the Riddle-Master books do have many components of classic fantasies, the story itself is remarkably unique. Twists and secrets keep the full story hidden until the very end, and weave a pattern of riddles and discoveries which make them impossible to put down. Lyrical, absorbing, and complex, I would highly recommend the Riddle-Master Trilogy to readers ages 11 and up, especially for fans of the Lord of the Rings and the Earthsea Cycle.
 

Note from Piranha T: I love this trilogy, too! If you like it, Patricia A. McKillip has written many other amazing books, including The Forgotten Beasts of Eld and Ombria in Shadow, both of which won the World Fantasy Award.