​By Ella

Everyone in the village is sure that Luka Lupu--clever, kind, and full of wisdom--will be a sorcerer one day, and help protect Illyria against the ferisome Dread. Even his sister, Marya, believes that, although no one would listen to her if she didn't. Stubborn, opinionated, and, worst of all, a girl, the Lupus have no expectations for Marya. Her parents only hope that when the sorcerers who test promising boys for magical potential find it in their Luka, Marya will not be too great of an embarrassment. 

But even these low expectations are dashed when the sorcerer's test goes horribly wrong, and Marya is sent off to Dragomir Academy--a place intended to instill good manners into troubled girls. 

At first, Marya finds herself at Dragomir as she always has been: incompetent and full of mistakes, somehow unable to heed the rules. Troubled. But as time passes and Marya learns more about Dragomir and her fellow students, she begins to wonder whether facts she's been taught all her life are true after all--and what Dragomir Academy is really intended for. 

The Troubled Girls of Dragomir Academy is simultaneously an engrossing, nuanced story full of magic and mystery and a deep, thoughtful exploration of the stories our society tells us--and who, ultimately, they truly serve. Anne Ursu weaves a tale led by a strong, flawed protagonist who finds herself coming to terms with a world that would rather she stay silent, and a society designed to keep her that way. This reflective, almost philosophical undertone--perhaps best epitomized by the lingering question, 'who does the story serve?'--creates an undercurrent of questioning and cross-examining patriarchy and predominant narratives that both inspires and empowers, and never even considers veering into a preachy, overt, or otherwise contrived vein. Much like the slightly older Girls at the Edge of the World, it evolves and intertwines with the narrative, giving the story new resonance without ever stealing away its strong and resounding voice and plot. I also love the story and plot itself; its unexpected twists, straightforward yet evocative language, distinctive characters, and beautifully paced unfolding mystery kept me swept up in the story until long after the final page. I highly recommend The Troubled Girls of Dragomir Academy to readers ages ten and up. 

By Ella

Holly the squirrel once had grand dreams of being a heroic familiar like generations of brave animals before her, and saving the world by the side of her wizard. But when she drank from the magic pool that gives familiars their powers, her ability--conjuring pastries--wasn't deemed good enough for the wizards. Instead, she was sent to the Shelter for Rejected Familiars, where animals like her live. 

Ever since, Holly has been intent on welcoming new arrivals to the Shelter for Rejected Familiars, whose abilities to turn to stone, float, or move the universe two feet to the left simply didn't live up to the wizards' expectations. She's found a community here, and she's determined to enjoy it, even if she'll never fully shake her old dreams of heroism and accomplishment. 

When another Shelterling brings back news of a spell that could fix them and give them the magic powers they all deserve, Holly is determined to make it work. But as she and her friends defeat dragons, navigate tunnels, and travel across the sea to gather the necessary ingredients, she begins to wonder: what if they don't need better powers to be extraordinary after all? 

I've adored every book I've read by Sarah Beth Durst (Spark, The Stone Girl's Story, and The Girl Who Could Not Dream are a few favorites), and her newest novel, The Shelterlings, utterly lived up to my hopes. With strong characters, clever twists, and an ever-present hint of humor, I sped through Holly's story and loved every word of it. Durst is a master of worldbuilding and adding uniqueness to every story, and her angle on the classic trope of familiars was particularly enjoyable. I also loved the characters, particularly Holly, Gus, and Periwinkle! I highly recommend The Shelterlings to readers ages nine and up, particularly those who like fantasy adventure novels. 

By Ella

Celia Cleary has always known that on her 4,444th day alive, she'll inherit the power of prophecy, just like generations of Clearys  before her. She's been looking forward to it, too. But none of her grandmother's stories have prepared her for the shock of finally having her first vision--and watching the boy down the street, Jeffery, die. 

Celia knows she has to save him. She might not know him well, but she's always been sure she should use her prophetic powers for good. So, despite her grandmother's warn-ings, she saves him--and immediately sees another vision of him dying. And another. 

Apparently death is set on its quarry, but Celia isn't going to let this happen--particularly as she gets to know Jeffery better, and might even begin to feel some-thing for him. But as her seventh-grade year dissolves into fortune-telling chaos, and Celia learns more about her power, she must decide whether she can keep outwitting death forever--or if some things simply can't be changed. 

The Problem with Prophecies is a clever, magical, and ultimately bittersweet tale of friendship, growing up, and family. I loved the Cleary family's gifts and the stories Celia's grandmother tells about their ancestors, which are both hilarious and clever (the excerpted page from 'the Cleary Family Guide Book' on the back cover may be one of my favorite book jacket accents) and always firmly secured in the modern day. Scott Reintgen (who also wrote the fantastic middle-grade Talespinners series) deftly creates a tale both lightly humorous and moving; I can't wait to see what he writes next! I recommend The Problem with Prophecies ​to readers ages ten and up, particularly those who enjoy fantasy grounded in the real world. 

​By Ella

Everyone believes that Quinton Peters is dead, but his younger sister, Amari, has never been convinced. He just disappeared--she's sure he's out there somewhere. So when she discovers a suitcase from Quinton with her name on it--and an invitation inside from somewhere called the Bureau of Supernatural Affairs--she's certain that whatever it means, it holds the key to discovering what really happened to Quinton. 

But the Bureau, an organization which keeps magic and the magical world hidden from everyone else, isn't exactly handing out information about the disappearance of one its top agents--even if Amari is his sister. It quickly becomes clear that if Amari is going to learn what really happened to Quinton, she's going to have to compete for a spot in the Bureau against far more experienced candidates--not all of whom think Amari deserves a place here at all. 

Amari must forge some unlikely friendships and uncover the plans of one of the most dangerous magicians of all time if she wants to find a place at the Bureau, and learn what really happened to Quinton. But doing so may destroy her tentative acceptance in the Bureau--and keep her from seeing the most perilous deception of all. 

I've heard so much about Amari and the Night Brothers​, and I'm so glad I finally read it--it not only lived up to my high expectations, but exceeded them. Many of Amari's story elements are familiar, but Alston's strong characters and absorbing world-building make them feel utterly new, creating an exciting page-turner that left me wishing I already had book two. I utterly loved this world--full of small, quirky details and stunning descriptions, I was completely engrossed in the Bureau of Supernatural Affairs. Its flaws and prejudices made it deeper and layered, and helped it feel far more realistic than an idealistically perfect society. Amari's determination and love for Quinton truly drive this story, and I'm glad I'll be able to enjoy more books about her--and the supporting cast (particularly Elsie and Dylan), who are equally awesome! This story had more than one twist that truly surprised me, and I loved how the mystery of what really happened to Quinton unfolds. I highly recommend Amari and the Night Brothers to readers ages ten and up who love fantasy books full of clever plotting and strong characters. 

By Ella

"On a warm April morning, a week after the terrible day on which Grand-mère Sylvie died, Sylvie walked away from her home...She did not look back and she did not cry. She did not deserve tears. 

​She had made a terrible mistake."

                                     - from Healer and Witch 

Sylvie's Grand-mère has always had a strange, unaccountable gift for healing, able to save lives when Sylvie's mother cannot. But Sylvie has never seen this ability--or even the stranger power she herself has inherited--as witchcraft, or even as dangerous. Not until, in the wake of Grand-mère Sylvie's death, she seeks to heal her mother's grief, and instead steals her memories of Grand-mère Sylvie--and of Sylvie herself. 

​Sylvie is determined to find someone to teach her how to properly use her gift so that she might return her mother's memories. With Martin, the farrier's son, by her side, Sylvie sets off into the world beyond her tiny, rural hometown. But sixteenth-century France is a dangerous place for a girl with odd powers, full of questions and inquisitors and those who would use her gift to their own ends. Sylvie must decide what life she is willing to lead--and who, in all the world, she can trust to show her her way. 

Healer and Witch is an exquisitely written, beautiful historical fantasy novel that weaves many disparate threads into a single, stunning storyline. Although I initially picked up this book for its lovely cover, Werlin's writing pulled me in instantly:  simple and unadorned, it perfectly evokes the time and Sylvie's character as a girl who is far from naive, but nonetheless is largely ignorant of the world. Sylvie's journey toward understanding, self-discovery, and in a way independence in a land that would rather stifle, confine, and condemn her for her abilities and simply for being a woman weaves the heart of this book, giving the story an emotional depth and complexity that truly make it shine. The setting also feels particularly well-imagined, including the characters who Sylvie meets along her way. Overall, I highly recommend Healer and Witch ​to readers ages ten and up, particularly those who like historical fantasy or enjoyed the depth and writing style of The Troubled Girls of Dragomir Academy. 

By Ella

Alliana has been raised in her stepmother's inn, relegated to menial chores. For years after her father's death, she was able to keep dreaming of fairy tales with the support of Grand-mother Mari, whose tapestries and stories showed Alliana a world beyond their tiny village. But now a year has passed since Grandmother Mari's death, and the only magic left in Alliana's life is the baby nightdragon she discovers she can talk to. She knows better than to think her stepmother will let her attend the Farmlands Ball, her only chance of escaping her small hometown and to be enrolled in the Royal Academy.

​But everything changes when she meets Nela, a young witch who needs her help. For the first time since Grandmother Mari's death, Alliana has a chance to reach the future she's always dreamed of--but if her stepmother finds out, it could doom her to a life trapped at the inn.

Will Alliana be trapped beneath her stepmother's power forever? Or can she still find her own happily ever after?

Alliana, Girl of Dragons is a prequel/companion book to the Eva Evergreen duology (Eva Evergreen, Semi-Magical Witch and Eva Evergreen and the Cursed Witch)​​, and if you liked Eva Evergreen, you'll definitely like Alliana too--they share a magical, whimsical world, strong writing, and brilliant characters. I particularly enjoyed how Abe reshapes the Cinderella fairy tale into a story that fits perfectly with the Eva Evergreen books, including several prominent overlapping characters. Once again, the small details of the worldbuilding make the setting come alive, and I felt fully engrossed in Alliana's adventure. I recommend Alliana, Girl of Dragons ​to readers ages ten and up.

​By Ella

Scarlett McCain might go by a different name for every bank she robs, but it's no accident that whether Jane Oakley, Jenny Blackwood, or some other name entirely is plastered across the papers, the red-haired outlaw never ends up behind bars. Whether she's sneaking in under the cover of dark or walking brazenly into the bank manager's office in broad daylight, Scarlett always has a plan, and she's quick enough on her feet that if that doesn't work out, well, she'll just think up a new one. Sure, it's not always easy, but challenges make life more interesting, and everyone besides Scarlett is too afraid of the Wilds that surround the handful of Surviving Towns that she never gets pursued very far.

That is, not until now, when she picks up an optimistic, oblivious boy named Albert Browne from the ruins of a bus crash. Scarlett isn't one for sentimentality--she's survived this long by working alone and moving fast--but she grudgingly agrees to guide Albert to the nearest town.

But what she expected to just be a brief few days before heading out on her next job turn into much more when they're pursued deep into the Wilds after her latest job, and not by the usual unmotivated pack of guards and dogs that she'd expect from the bank she'd robbed. No, these are hardcore, trained hunters who are more than a match even for Scarlett's wit and inginuity. And as they race to outrun their pursuers and the things they aren't telling each other, Scarlett begins to ask herself: what if they aren't looking for her, after all? What if, instead, they're looking for...Albert?

Set in a futuristic, fractured version of modern Britain, The Outlaws Scarlett and Browne is an action-packed, remarkable, and funny story which I absolutely loved. If the opening sentences aren't enough to pull you in, the first chapter surely will; Jonathan Stroud (also the author of the excellent fantasy novel The Amulet of Samarkand, among others) makes Scarlett so improbably relatable and funny, and her narrative so perfectly poised and unique, that I found this book quite simply irresistible. Scarlett and Albert are in many ways polar opposites--Scarlett alert, driven, and sarcastic, and Albert dreamy, hopeful, and oblivious--and so they bounce off each other in a way which feels gratifying and authentic in every possible way, in addition to being absolutely hilarious. When written down, neither of their personalities seem so revolutionary, but the way Stroud pulls them off is, and at no point did my interest lag with them driving the story. The mix of clever twists, action, adventure, and the unusual details of the settings together make the story move quickly and completely absorb the reader, and it's carried wonderfully throughout the book. I highly recommend The Outlaws Scarlett and Browne to readers ages ten and up looking for an awesome and brilliant adventure story.

By Ella

The Arcanum Training Institute is the school for young Marvellers--magic-users from around the world whose power is encompassed in one of the five Paragons, or orders of magic. For centuries, Conjurers have been excluded from the Marveller world, their magic criticized and alienated. But now, Arcanum has opened its doors to Conjurers--and eleven-year-old Ella Durand will be the first to attend. 

Ella has long dreamed of attending Arcanum, and the school itself is all she's ever imagined--full of moving towers, odd enchantments, and delicious food. Even though not everyone is thrilled about Ella's presence at Arcanum, she slowly begins to find her place. But the school--and the Marveller world--has its own secrets, and when a dangerous criminal escapes from a Conjurer prison, it's up to Ella to clear both her name, and that of all Conjurers. 

The Marvellers is a layered, lovely fantasy novel full of strong characters and evocative worldbuilding. I particularly loved Ella and her two friends, Brigit and Jason, a trio who I'm thrilled to spend more time with later in the series! The whole book both embodies and puts a new twist on the classic magic school trope; even with the Marveller world's prejudice towards Conjurers, Arcanum feels like a place anyone could be part of. At the same time, the school has its own mysteries and hard-kept secrets, and its many layers cement it as a spectacular setting--one that is open and welcoming, but remains deeply and believably flawed. I highly recommend The Marvellers to readers ages nine and up, particularly those who enjoy magic schools, clever plots, and engrossing worldbuilding. 

By Ella

Theodosia and the Staff of Osiris is the sequel to Theodosia and the Serpents of Chaos, and the second installment in the Theodosia series. 

[Look out--there are spoilers for the first book!]

After saving England from the sinister actions of the Serpents of Chaos, trouble has died down for Theodosia Throckmorton, daughter of the head curator of a London archaeology museum. Clearly, though, some peaceful time to catalog artifacts and remove some nasty lingering curses is too much to hope for, because after uncovering an artifact she is fairly certain is the legendary Staff of Osiris--imbued with the power to raise the dead--in the museum's basement, a small platoon of mummies appear in the foyer. The police are convinced her father stole them, but Theodosia believes they were summoned by the Staff of Osiris--and that the Serpents of Chaos are well aware of the mummies' unusual behavior. 

Determined to clear her family name, outwit the Serpents of Chaos, and avoid her grandmother's latest succession of prospective governesses, Theodosia sets out to solve this latest mystery before the Serpents of Chaos succeed in their latest plan--and use the Staff of Osiris for something far more sinister than moving the dead. 

Once more, Theodosia Throckmorton does not disappoint. Somewhat like a fantasy version of Flavia de Luce, she manages to be witty, sharp, and indisputably an eleven-year-old in the best possible way, making this series constantly surprising, unexpected, and brilliantly clever. Combining fantasy, mystery, historical fiction, and ancient Egyptian archaeology, Theodosia has a bit of everything, and it's all pulled off brilliantly well. I highly recommend Theodosia and the Staff of Osiris and the Theodosia series to readers ages ten and up who enjoy mysteries and fantasy novels. 

By Ella

At the Black Moon Ceremony each year, every twelve-year-old Witchling in the Twelve Towns is chosen for a Coven. Seven Salazar has dreamed her entire life of being placed in Hyacinth House alongside her best friend, Poppy, where they would race toads together and learn new magic and never again have to deal with her relentless bully, Valley Pepperhorn. Only all Seven's plans don't work out, because at the Black Moon Ceremony, she isn't chosen for Hyacinth House--or any other coven. Seven, Valley, and a Witchling named Thorn are left as Spares, covenless and magicless, the worst possible fate. 

Determined not to lose her future so easily, Seven invokes the Impossible Task. If she and her fellow Spares succeed and fell a monstrous Nightbeast, they'll keep their magic and be sealed as a proper coven. If not? They'll be turned into toads. 

Seven is less than thrilled to be forced to work with Valley, but she doesn't have much of a choice if she wants to complete the Impossible Task. Especially since as she, Valley, and Thorn learn more about the Nightbeast and try to track it down, they discover that another witch is hiding it. And maybe some even more dangerous secrets, too...

Witchlings is a light, funny, and fast-paced fantasy novel that could appeal to fans of the quirkiness and strong characters of The Last Fallen Star, Strangeworlds Travel Agency, and Eva Evergreen, Semi-Magical Witch. Ortega's characters are spot-on, full of personality and layered relationships that make them feel both developed and extremely real. Seven, Thorn, and Valley stick out in particular--the ways they connect and bounce off each other make them fun to read about and utterly relatable. I also love the world of Witchlings, which is full of interesting and unique details that together create a setting that seems to extend well past the boundaries of the story. I recommend Witchlings to readers ages nine and up, particularly those who enjoy quest fantasy with a fresh twist.  

​By Ella

Every magical school needs a good beastkeeper--and Inglenook School of Magic is no exception. Twelve-year-old Autumn Malog's family has cared for Inglenook's beasts for generations, and she's grown up looking after dragons protecting their well-cared-for gardens and striking up a friendship with the boggart, one of Inglenook's most mysterious and temperamental creatures. But ever since her twin brother, Winter, went missing last year, everything has been different. Everyone else believes he's dead, devoured long ago by the ferocious Hollow Dragon, but Autumn has never been convinced. She's certain he's alive somewhere, and she's spent every moment since trying to figure out what really happened to him. And she's sure she saw him in one of Inglenook's mirrors...

Autumn doesn't have any real clues, though--not until Cai Morrigan, the Inglenook student prophecized to defeat the Hollow Dragon, agrees to help her find Winter. But nothing is as it seems, and as Autumn and Cai follow a trail of clues leading from the Hollow Dragon's forest to within the walls of Inglenook School, they must also uncover its far deeper secrets before it is too late--for Winter, and for all of them. 

The School Between Winter and Fairyland is a fast-paced fantasy novel that puts a new twist on the classic tale of the Chosen One. The worldbuilding is excellent, full of small details--like the gardening dragons--that make the setting unique and interesting. I particularly liked the different creatures that Autumn's family cares for, which are all drawn from various mythology but with a new spin on their characteristics and personalities. The characters are also excellent, particularly Cai--I've read a lot of stories with Chosen Ones, but Fawcett's twist on this trope is different in the best possible way! I recommend The School Between Winter and Fairyland to readers ages nine and up, particularly those who enjoy books about magic schools. 

By Ella

The Last Fallen Moon is the sequel to The Last Fallen Star by Graci Kim, and the second book in the Gifted Clans trilogy. 

[Look out--there are spoilers for book 1!]

Riley Oh just saved the world--it seems like she should have a chance to celebrate. But since in the process nearly everyone she knows lost their memories of her and the Gom clan no longer has their healing gift...well, let's just say that not everyone is thrilled about what Riley has done. 

Determined to fix at least one of her mistakes, Riley enters the Spiritrealm, or the world of the dead, to recruit a new patron for the Gom clan and restore their healing powers. Only the Spiritrealm is in the midst of its own problems, and with the help of a mysterious, white-haired boy named Dahl, Riley has to figure out what's really going on and stop a particularly nefarious plot before the Spiritrealm and Mortalrealm are endangered. 

I loved The Last Fallen Star, so I was thrilled to read the sequel. I loved it! With the same hilarious characters, fast pace, and intricate plot as book one, The Last Fallen Moon lived up to my expectations and introduced me to a whole new side to Riley's world that was constantly funny, interesting, and unique. I particularly liked getting to know both old and new characters better during this story, especially Hattie and Dahl. I highly recommend The Last Fallen Moon to readers ages nine and up looking for a strong, exciting series full of mythology and magic. 

By Ella

For Julie, fairy tales have never been anything but real--as real as the twisting mess of vines known as the Wild that she hides under her bed. Her mom Rapunzel and a bunch of other fairy-tale heroes and villains escaped from the Wild centuries ago, back when it was grown to its full size, and ever since it's been confined to odd corners of Julie and Rapunzel's house. Sure, it's a nuisance--Julie would rather get out of bed in the morning without discovering the Wild had transformed her shoes or backpack while she was asleep--but as long as it stays there, whatever Rapunzel and all the other fairy-tale characters seem to be worried about can't happen. 

That is, until a wish releases the Wild again. It swallows Julie's Massachusetts hometown in a mass of dangerous, magical trees--and steals her mom and grandmother into its depths. And Julie plunges into the Wild to save them. 

But the Wild is a darker and more dangerous place than Julie ever could have imagined, where familiar people are caught in endless tales and nothing stays in its apparent shape for long. Julie must navigate stories that try to ensnare her, outwit witches, griffins, and giants, and uncover the truth about her mother's past to save her family and her home--and maybe find her own happily ever after. The Wild is determined to stop her, though, trying to force Julie into different stories and break her resolve, and she has to ask herself: what if the price of success is the one thing she's always wanted more than anything? 

I've loved some of Sarah Beth Durst's other books (including The Stone Girl's Story and Spark), and so when I came across Into the Wild, I was hoping it would be just as good. It was. Durst weaves together fairy tales and the modern day into a fully believable story brimming with determination, love, and imagination. All the characters are interesting and well-executed, particularly the fairy-tale characters. I highly recommend Into the Wild to readers ages nine and up. 

By Lina

Natasha Koskinen is going to survive. It doesn't matter that another Flood is coming, the ten mystical storms that precipitate its arrival like the tick of a clock. She's done it before--the orphaned daughter of a disgraced flyer who died too young made her way into the Royal Flyers, the elite aerial acrobat troupe considered the crowning pride of the city, then worked her way to becoming principle flyer. She has fought tooth and nail for a place in a city where she once had no one left. So when she learns that the flyers have lost their once-guaranteed place on the ships the crown is building to survive the Flood, she's aghast--but knows immediately that she'll do whatever it takes to get her and her flyers on one of those ships. Even if the only way is courting the enigmatic Prince Nikolai is himself. 

Ella Neves is going to die. (No, don't worry--she doesn't mind.) She doesn't know exactly how--a palace guard's sword? rotting in the royal dungeon?--but she knows that once she makes it into the Flyers' troupe, she'll gain close proximity to the crown prince, make a plan, and then Nikolai is going to pay, blood for blood, for the life of the girl that once meant the world to her. No matter the cost. Anyway, there'll be no one left to mourn her.

Ella's target is Natasha's only shot at survival. But as the Flood gets closer, so do the two flyers. And as the waters rise and their city begins to fracture with political conflicts and popular resistance, Ella realizes that maybe there's more to life than revenge. And Natasha begins to understand that being dead set on survival might be preventing her from ever really living at all. 

Evocative, atmospheric, and thoughtful, Girls at the Edge of the World has quickly become one of my all-time favorite fantasy novels. Bright, multifaceted characters, luminous worldbuilding, and a deft philosophical undercurrent make it a standout--at once a story of struggling, shining girls in a darkening world, a defiant queer romance, and an ode to living life to the fullest and the things that make it worth living at all. It's a fast read, the writing light but deft, and while there are familiar elements to the storyline, the plot and characters feel fresh and original, dodging clichés with unexpected twists and a distinctly witty, thoughtful narrative. It's also a piercing, contemplative look at heteropatriarchy, religion, colonialism, and how economic and class divides are displayed and exacerbated by climate change--all without being remotely preachy or contrived. I especially loved the flyers themselves, a blend of art and athletics, stardom and symbolism constantly training to bring the city together and earn their own survival; there's believable competitiveness and drive within the troupe, but also fierce loyalty and palpable caring between its members. I would highly recommend Girls at the Edge of the World to readers ages twelve and up; it's an excellent pick for book clubs as well. 

​By Ella

Breaking Badlands is the third and final book in the Talespinners series by Scott Reintgen, preceded by Saving Fable (book one) and Escaping Ordinary (book two). 

[Look out--there are spoilers for the first two books!]

Indira Story has now saved the land of Imagination twice, and she's ready for a vacation. But that's before she gets swept up in a mysterious group known as the Antiheroes, who ask her to go on a dangerous mission to infiltrate Antagonist Academy before the leader of the villain school can execute a plan which would be disastrous not only for Good and Evil in all stories, but the very land of Imagination. Although Indira is at first certain this new mission will be a piece of cake, not all is as it seems. She's defended Imagination from all sorts of nefarious dangers--but can she protect it from herself? 

So often with humorous, brilliant books--particularly when the jokes made are specialized--I find the sequels something of a letdown. I begin them hoping they will be everything their predecessors were, and they never quite are. But just like the second Talespinners book, Escaping Ordinary, Breaking Badlands does something truly remarkable: in my opinion, it not only meets the strengths of book one, it's even better. Breaking Badlands delivers everything which was great about the first two books and makes it all even better, perhaps in part because the cast is all familiar, making it a new and wonderfully clever adventure inhabited by characters who are already old friends. It expertly wraps up the subplots and characters from the previous books, all while shining with new twists, settings, and humor. As a fan of well-drawn villains, the setting of Antagonist Academy was particularly enjoyable to me. I highly recommend the entire Talespinners series to anyone who loves stories and the characters who inhabit them ages nine and up.