By Ella

Yamilet Flores might not be religious, but when her mom sends her to a local Catholic school, she’s pretty sure it will solve all her problems. She’ll be academically pushing herself and making her mom proud of her. She’ll be able to keep her brother out of the trouble he always got into at their old school. And, maybe most importantly, she can get away from the best friend who outed and rejected her last year, and start over somewhere where no one knows she’s gay. Yami will definitely make a convincing straight girl. Right?

But then she meets Bo on day one of her new school. Bo: who stands up to the questionable academics in their classes, is bedecked with enough rainbow pins for Yami to be sure she’s gay too, and is really, really cute.

Yami is determined not to get a crush on Bo. After all, she has to be a convincing straight girl, and straight girls definitely don’t fall in love with their cute, lesbian friends. But as she begins to realize that denial can only get her so far, Yami has to figure out whether the alternative is even a possibility.

Combining hilarious twists and characters with a beautifully authentic storyline, I couldn’t help but fall in love with Yami and The Lesbiana’s Guide to Catholic School. I was quite literally laughing from the very first page as Yami’s take on Catholic school unfolded in a brilliant cross between You Should See Me In A Crown and Heretics Anonymous, but this story also goes far deeper than that comparison implies, with a powerful undertone of self-discovery and identity that was utterly beautiful. This is one of those novels which truly feels real, with a layered complexity and diverse set of relationships that brought Yami and her story to life. The relationships in this story bear a second mention; Yami’s relationships with her parents, her brother, Bo, and her other friends are each distinct and powerfully realistic, and their choices, conflicts, and interactions gave this book an extra, incredibly authentic dimensionality. ​The Lesbiana’s Guide often strays into more difficult or potentially painful topics as well, but every moment is carried out with depth and sensitivity, so that this book feels not like an issue book or something remotely preachy, but like an ode to the many layers of every person’s life and the ability each of us have to support one another. Full of strength, resilience, and deft writing, I highly recommend The Lesbiana’s Guide to Catholic School to readers ages twelve and up. 

By Ella

When each new Swift is born, the ancient family dictionary is brought out of its glass case to select a name for the newest member of the family—names they’re supposed to live up to. It’s seen as perfectly natural when Phenomena discovers an interest in science. No one bats an eyelash at Candor’s scrupulous honesty.

And Shenanigan Swift? Well, no one expects her to be anything short of a troublemaker.

Which she usually is, of course. But right now, Shenanigan isn’t thinking about her various shortcomings—she’s focused on the upcoming Swift family reunion, during which she’s determined to be the first Swift to find Great-Uncle Vile’s long-lost treasure.

But her plans go awry when there’s a murder attempt on the family Matriarch. Surrounded by Swifts she’s never met and their bevy of enigmatic names, Shenanigan now must train her skills on finding the murderer—before the next victim doesn’t survive.

The Swifts was a brilliant read. I love books with lots of wordplay and quirky humor, and this one was spectacular on both counts, weaving a story so full of cleverness and excitement that I didn’t want it to end. The Swifts are one of the most outrageous and yet utterly believable families I’ve come across in fiction; Shenanigan’s various relatives were all vastly different but eccentric and hilarious in their own ways, and the dynamic between them felt like it perfectly captured the chaotic reality of a gigantic and unusual family. I really loved the characters. Shenanigan was certainly a favorite, with her clever mystery solving and attempts to figure out whether she’s defined by her name, but I truly loved the entire cast; Erf, Maelstrom, and Flora/Fauna were probably my other favorites. Although not central to the storyline and Shenanigan, I also really appreciated how the larger Swift family quietly included queer and nonbinary/trans characters without making a big deal out of it—the normalization truly made me fall even harder for this entire story and family. Lincoln’s writing and the plot is twisty and zany, so full of clever vocabulary and the absolute unexpected that this book was an absolute pleasure to read. This will definitely be one I’ll be rereading in the future—I can’t wait to read the sequel! I highly recommend The Swifts to readers ages ten and up, particularly to anyone who loved The Mysterious Benedict Society but wished it included a murder. 

By Ella

​Bianca Torre is afraid of everything.

And not just normal phobias, either, like spiders and snakes (#2 and #25 on their ever-expanding list of fears). Also FEAR #39: MASCOTS. And #49: DYING BEFORE THE CONCLUSION OF ONE PIECE. Not to mention #11: TELLING MY PARENTS I’M A RAGING LESBIAN.

As an anxious birder questioning their gender identity, #6: INITATING CONVERSATION has mostly kept Bianca’s social life on hold. Besides hanging out with their anime-obsessed neighbor, Anderson, their outside interactions are limited to spying on neighbors with their birding telescope and weekly hikes with a local birding group, where they’ve developed an accidental crush on Elaine Yee, the newest member of the group (#13: BEAUTIFUL GIRLS).

All that changes when Bianca watches a neighbor get murdered through their telescope—a murder the police claim was a suicide. Bianca is certain they owe it to the stranger to learn what really happened, but there are a few problems. Like #5: DEAD BODIES. Or the threatening dead birds left in front of their house.

The man was investigating something, or someone—and he got murdered for getting too close to the truth. And now Bianca, along with Anderson and Elaine, has been pulled into the investigation, too.

Bianca Torre is left with a terrifying ultimatum: get to the bottom of things, fast—or become the murderers’ next victim.

As soon as I read the description of Bianca Torre is Afraid of Everything, I knew it was exactly the kind of book I would like. I was wrong: I didn’t like it. I loved it. This book has everything I possibly hoped for and more: murderers in plague masks, queer anxiety rep, school theater productions, geeky friendships, clever humor, birdwatching, budding romance, and lesbian sheep. Hands-down, this will be one of my favorite reads of 2023.

Bianca was an amazing protagonist. Despite their long list of fears—or maybe in part because of them—their voice and sense of humor are impeccable, yanking me into their life from the very first page. I rarely encounter such incredibly complex protagonists, or ones I connect with so deeply, but Bianca effortlessly fulfils both of these. If you love character-driven, deeply relatable characters, this is definitely a book for you!

​But Bianca isn’t the only reason I fell in love with this story. Every detail of Bianca Torre is Afraid of Everything is excellent, from the quirky and weird minor characters and Bianca’s murder investigation to the theatrical interests of their mom and older sister. Whether you love twisty plots, witty writing, or fabulous characters, I highly recommend Bianca Torre is Afraid of Everything to readers ages twelve and up. 

By Ella

​The Notorious Scarlett and Browne is the sequel to The Outlaws Scarlett and Browne, and the second book in an ongoing series. 

Look out--there are spoilers ahead for book one!

For Albert Browne, life is just beginning to get interesting. After spending his life stuck indoors, courtesy of the Faith House's oppressive views on his ability to read minds, he's finally escaped, thanks to Scarlett McCain, a far more experienced outlaw with a sharp tongue and a quick wit. All in all, leading a life of crime is all he could've hoped for and more: he gets to see the world and follow Scarlett on all sorts of interesting adventures. And with his magical skills and Scarlett's clever plans, they're yet to find a stronghold that can outwit them. 

Of course, there are some downsides...such as the nefarious criminal organization pursuing them, who is somehow connected to Scarlett's past. And the Faith House operative, with powers to rival Albert's own, who keeps popping up when least expected. And, of course, a messy ultimatum: either Scarlett and Albert break into a dangerously secure facility, or their friends will get eaten by owls. They might be the land's most infamous outlaws, but even they will be hard-pressed to handle everything before their time is up. 

And if they fail? Well, then, the story of the notorious Scarlett and Browne might just be over. 

The Outlaws Scarlett and Browne was one of my favorite books last year, and its sequel lived up to even my highest expectations. Stroud's writing is focused and clever, full of evocative descriptions and turns of phrase--plus an impeccable dose of humor--while keeping the story flying at an impossibly quick pace. I love the setting, as before; a futuristic, post-apocalyptic Britain governed by an organization of corrupt Faith Houses, it's utterly unlike anything I've read before, in the best possible way. The dynamic between Scarlett and Browne is truly brilliant. Full of humor and panache, their exploits are clever and all-absorbing, and although the happy, naive character contrasted with the snarky realist is a relationship I've seen many times before, Stroud makes it not just fresh but hilarious, too. And I'd be remiss not to mention the other characters in this book, particularly Mallory, whose arc/development was one of my favorite parts of the story. If you like audiobooks, this one's also extremely well-read! I highly recommend The Notorious Scarlett and Browne to readers ages ten and up looking for a quirky, fast-paced adventure with an intricate plot and spectacular characters. 

​By Ella

Scarlett McCain might go by a different name for every bank she robs, but it's no accident that whether Jane Oakley, Jenny Blackwood, or some other name entirely is plastered across the papers, the red-haired outlaw never ends up behind bars. Whether she's sneaking in under the cover of dark or walking brazenly into the bank manager's office in broad daylight, Scarlett always has a plan, and she's quick enough on her feet that if that doesn't work out, well, she'll just think up a new one. Sure, it's not always easy, but challenges make life more interesting, and everyone besides Scarlett is too afraid of the Wilds that surround the handful of Surviving Towns that she never gets pursued very far.

That is, not until now, when she picks up an optimistic, oblivious boy named Albert Browne from the ruins of a bus crash. Scarlett isn't one for sentimentality--she's survived this long by working alone and moving fast--but she grudgingly agrees to guide Albert to the nearest town.

But what she expected to just be a brief few days before heading out on her next job turn into much more when they're pursued deep into the Wilds after her latest job, and not by the usual unmotivated pack of guards and dogs that she'd expect from the bank she'd robbed. No, these are hardcore, trained hunters who are more than a match even for Scarlett's wit and inginuity. And as they race to outrun their pursuers and the things they aren't telling each other, Scarlett begins to ask herself: what if they aren't looking for her, after all? What if, instead, they're looking for...Albert?

Set in a futuristic, fractured version of modern Britain, The Outlaws Scarlett and Browne is an action-packed, remarkable, and funny story which I absolutely loved. If the opening sentences aren't enough to pull you in, the first chapter surely will; Jonathan Stroud (also the author of the excellent fantasy novel The Amulet of Samarkand, among others) makes Scarlett so improbably relatable and funny, and her narrative so perfectly poised and unique, that I found this book quite simply irresistible. Scarlett and Albert are in many ways polar opposites--Scarlett alert, driven, and sarcastic, and Albert dreamy, hopeful, and oblivious--and so they bounce off each other in a way which feels gratifying and authentic in every possible way, in addition to being absolutely hilarious. When written down, neither of their personalities seem so revolutionary, but the way Stroud pulls them off is, and at no point did my interest lag with them driving the story. The mix of clever twists, action, adventure, and the unusual details of the settings together make the story move quickly and completely absorb the reader, and it's carried wonderfully throughout the book. I highly recommend The Outlaws Scarlett and Browne to readers ages ten and up looking for an awesome and brilliant adventure story.

By Ella

Theodosia and the Staff of Osiris is the sequel to Theodosia and the Serpents of Chaos, and the second installment in the Theodosia series. 

[Look out--there are spoilers for the first book!]

After saving England from the sinister actions of the Serpents of Chaos, trouble has died down for Theodosia Throckmorton, daughter of the head curator of a London archaeology museum. Clearly, though, some peaceful time to catalog artifacts and remove some nasty lingering curses is too much to hope for, because after uncovering an artifact she is fairly certain is the legendary Staff of Osiris--imbued with the power to raise the dead--in the museum's basement, a small platoon of mummies appear in the foyer. The police are convinced her father stole them, but Theodosia believes they were summoned by the Staff of Osiris--and that the Serpents of Chaos are well aware of the mummies' unusual behavior. 

Determined to clear her family name, outwit the Serpents of Chaos, and avoid her grandmother's latest succession of prospective governesses, Theodosia sets out to solve this latest mystery before the Serpents of Chaos succeed in their latest plan--and use the Staff of Osiris for something far more sinister than moving the dead. 

Once more, Theodosia Throckmorton does not disappoint. Somewhat like a fantasy version of Flavia de Luce, she manages to be witty, sharp, and indisputably an eleven-year-old in the best possible way, making this series constantly surprising, unexpected, and brilliantly clever. Combining fantasy, mystery, historical fiction, and ancient Egyptian archaeology, Theodosia has a bit of everything, and it's all pulled off brilliantly well. I highly recommend Theodosia and the Staff of Osiris and the Theodosia series to readers ages ten and up who enjoy mysteries and fantasy novels. 

By Ella

The Last Fallen Moon is the sequel to The Last Fallen Star by Graci Kim, and the second book in the Gifted Clans trilogy. 

[Look out--there are spoilers for book 1!]

Riley Oh just saved the world--it seems like she should have a chance to celebrate. But since in the process nearly everyone she knows lost their memories of her and the Gom clan no longer has their healing gift...well, let's just say that not everyone is thrilled about what Riley has done. 

Determined to fix at least one of her mistakes, Riley enters the Spiritrealm, or the world of the dead, to recruit a new patron for the Gom clan and restore their healing powers. Only the Spiritrealm is in the midst of its own problems, and with the help of a mysterious, white-haired boy named Dahl, Riley has to figure out what's really going on and stop a particularly nefarious plot before the Spiritrealm and Mortalrealm are endangered. 

I loved The Last Fallen Star, so I was thrilled to read the sequel. I loved it! With the same hilarious characters, fast pace, and intricate plot as book one, The Last Fallen Moon lived up to my expectations and introduced me to a whole new side to Riley's world that was constantly funny, interesting, and unique. I particularly liked getting to know both old and new characters better during this story, especially Hattie and Dahl. I highly recommend The Last Fallen Moon to readers ages nine and up looking for a strong, exciting series full of mythology and magic. 

​By Ella

Breaking Badlands is the third and final book in the Talespinners series by Scott Reintgen, preceded by Saving Fable (book one) and Escaping Ordinary (book two). 

[Look out--there are spoilers for the first two books!]

Indira Story has now saved the land of Imagination twice, and she's ready for a vacation. But that's before she gets swept up in a mysterious group known as the Antiheroes, who ask her to go on a dangerous mission to infiltrate Antagonist Academy before the leader of the villain school can execute a plan which would be disastrous not only for Good and Evil in all stories, but the very land of Imagination. Although Indira is at first certain this new mission will be a piece of cake, not all is as it seems. She's defended Imagination from all sorts of nefarious dangers--but can she protect it from herself? 

So often with humorous, brilliant books--particularly when the jokes made are specialized--I find the sequels something of a letdown. I begin them hoping they will be everything their predecessors were, and they never quite are. But just like the second Talespinners book, Escaping Ordinary, Breaking Badlands does something truly remarkable: in my opinion, it not only meets the strengths of book one, it's even better. Breaking Badlands delivers everything which was great about the first two books and makes it all even better, perhaps in part because the cast is all familiar, making it a new and wonderfully clever adventure inhabited by characters who are already old friends. It expertly wraps up the subplots and characters from the previous books, all while shining with new twists, settings, and humor. As a fan of well-drawn villains, the setting of Antagonist Academy was particularly enjoyable to me. I highly recommend the entire Talespinners series to anyone who loves stories and the characters who inhabit them ages nine and up. 

By SK

Ten-year-old self-proclaimed natural-born cynic Flora Belle Buckman has studied enough of her beloved comics to know that it is imperative to be prepared for the Terrible Things that can happen to a person. So when her next-door neighbor's birthday present, a Ulysses Super-Suction, Multi-Terrain 2000x vacuum cleaner, accidentally suctions up a hapless squirrel, she doesn't hesitate--she administers CPR. To the squirrel. 

Except....he's not quite an ordinary squirrel anymore. He looks like a squirrel (albeit a slightly bald one, thanks to the vacuum cleaner), and thinks like a squirrel ("Food?"), but now the newly dubbed Ulysses has the powers of a superhero from one of Flora's comics: He can fly! Lift enormous objects! Type! He even writes poetry. 

If Flora knows one thing about superheroes, it's that they always have a job to do, and people to save. And Ulysses' new powers do spark an unexpected chain of events, setting Flora on a wild adventure filled with a variety of quirky characters, including a dramatic divorced romance novelist (who also happens to be Flora's mother); a doctor of philosophy from Blundermeecen; Flora's father, who shares her love of comics; her improbably named, poetry-loving neighbor Tootie; and William Spiver, Tootie's pedantic, eccentric great-nephew who insists that he is temporarily blind. They will face opposition, archenemies, and giant donuts. They will realize that the universe is a very random, very beautiful place. And in the end, Ulysses might just save the day. 

I first read Flora and Ulysses when I was eight or nine, and I remember enjoying it then--but when I recently reread it for a book group, I utterly adored it. The characters are pitch-perfect and irresistibly quirky, and it's an absolute joy to watch them grow and connect over the course of the story. Kate DiCamillo is brilliant, and her writing makes the many wacky characters, events, and unexpected occurrences hang together perfectly with ease, and keeps the story fast-paced and the reader constantly laughing. It's a difficult book to do justice to in a summary, given the quirky premise, but I can honestly say that it's one of my all-time favorites, and a book which I could read over and over, and would bring me joy every time. Filled with madcap wit, wisdom, hilarity, and surprising tenderness, I would highly recommend Flora and Ulysses to readers ages eight and up--it's an excellent read-aloud, audiobook (complete with superhero music!), or book group selection, and is also a delight to read on one's own. 

​By Piranha T. 

Indira Story has spent her life in the town of Origin, a character-in-waiting who wants nothing more than to be chosen for a story. So when the Author Borealis arrive and Indira is chosen to go to Fable--home to the school which has trained every Protagonist in literary history--it's like a dream come true. 

But when Indira arrives at Protagonist Preparatory, she's set on the side character track--a far cry from the hero she's always dreamed of being. She's determined to do her best anyway, and impress her teachers, who are all famous protagonists in their own right from Romeo to Odysseus. If she works hard, Indira is sure she can become a protagonist, too. 

Somehow, though, even her best efforts don't seem to be working. She's failing at being just a side character. Indira's future is looking bleak when strange things start happening at Protagonist Preparatory, and she starts putting the pieces together--pieces which someone nefarious is trying very hard to keep hidden. 

Will Indira have it in her to be the hero she's always dreamed of--or will she fail, leaving Fable to a disastrous fate? 

If any part of the above story description sounds the least bit familiar, or even a little cliché, that's the point. Saving Fable plays on the most stereotypical, most traditional, most familiar tropes and mixes them up with a world populated by characters and full of clever literary puns, and the result is extraordinary. There are many books which play off story elements of heroes and books--some favorites of mine include Finding Serendipity and The Thieving Collectors of Fine Children's Books--but Reintgen pulls it off here with spectacular and outstanding flair, full of brilliant jokes and constant humor which is so incredibly self-aware. The brilliant writing craft references, which essentially make up the whole world of Saving Fable, are particularly notable in my opinion, in part because they are so incredibly brilliant but also because they create such an atmospheric, detailed, and truly hilarious world; whether it's references to famous protagonists, brainstorming, or simply the classic hero-versus-antagonist plot, they never fall flat and made me laugh my way through this whole book.

​But part of what makes this book stand out is that you don't have to get all of these jokes to love it--they're more of an undercurrent which makes it even more spectacular. The characters, including Indira, are also awesome, and all seemed to sparkle with something of their own; together with a fully realized world and a bright and even surprising plot, they created a full and complete story which I couldn't put down. I highly recommend Saving Fable to fans of fantasy ages nine and up, particularly those who have read enough books to recognize both the funny and familiar in its story. 

Note: If you like Saving Fable, check out our interview with author Scott Reintgen! 

By Piranha T. 

More than anything, Riley Oh has always wanted to have magic. Her sister, Hattie, does, just like everyone else in their community of Korean-American witch clans hidden out in the middle of LA. But Riley is a saram--someone born without magic, an ordinary human, adopted by the Ohs soon after she was born. And though her adoptive family is awesome--particularly Hattie, who's Riley's age and the best sister ever--the rest of the Gifted community definitely doesn't think she belongs. 

So when Riley and Hattie discover a spell which allows them to share Hattie's magic between them, they're ready to perform it, no matter what. But everything changes when the spell doesn't go as planned--and it turns out the cost might be Hattie's life. 

Riley's last hope to save her sister is a bargain with the Cave Bear Goddess, but of course agreements with immortals can never be simple. Not only does she give Riley a task she has no idea how to complete--finding the Godrealm's last fallen star--she also has a time limit. If Riley can't find the star, and fast, Hattie will be gone forever. 

With the help of friends, a magical scooter, and the last person Riley ever would have expected, it's up to her to find the last fallen star and bring it to the Cave Bear Goddess before her time is up. But as Riley begins to uncover secrets which were never intended to be revealed, she has to decide what it really means to belong--and what she's willing to give up to fit in. 

The Last Fallen Star blends myth with the modern day in a story full of action, adventure, and awesomeness. Riley is a brilliant protagonist who I love--she's determined, funny, and immensely relatable, and I'm glad there will be two more books about her to enjoy! I also love her relationship with Hattie--the strength of the love between them is palpable throughout and one of the best sister relationships I've read. Graci Kim creates a complete world which feels real, with a cast of unique supporting characters who are all interesting and fun. Perhaps the most standout part of this book is the plot--every time I thought I knew just a little where it was going I was wrong, and a constant flow of action, surprises, and laughs made this book speed by until I couldn't believe I'd reached the end. I highly recommend The Last Fallen Star to readers ages ten and up who love fantasy adventures with strong characters, a fast-paced plot, and a fully realized world. I can't wait for book two! 

By Piranha T.

Oliver Nelson loves to read. Books are quite frequently his only escape from his life, where he’s learned from years of terrible mistakes and miserable misfortunes that things can always get worse. But books are also the reason for his darkest secret: he steals them. Not many, of course, and just from his local library when they are musty, ripped, or even incomplete, like his favorite tome, The Timekeeper’s Children. Still, Oliver lives in fear that someone will learn he’s a thief.

And indeed, this fear seems to be realized when the Pribbles summon him to their mansion. The Pribbles—extraordinarily rich inventors, philan-thropists, and collectors of fine children’s books. What could they possibly want with Oliver except to sell him out for his crimes?

But instead of revealing Oliver’s thieving tendencies, the Pribbles are determined to steal The Timekeeper’s Children--from Oliver’s mind. Using their latest invention, they send him into the world formed from his memories of the original, and instruct him to follow the story. Chapter by chapter, they intend to take it from his thoughts, thereby securing the last copy of this rarest of children’s books.

Now Oliver must partner with the timekeeper’s children from the title, Cora and Jack, to complete their quest and save their land from the grip of an evil sorcerer. They’ll encounter hungry eels, angry warriors, and even the Nasty Rodent Eater (nice to meet you) on the way—as well as a strange, shadowy figure who Oliver definitely does not remember from the original text.

But even if Cora and Jack succeed, can Oliver find a way to keep this story? Or will the Pribbles steal it from him forever?

The Thieving Collectors of Fine Children’s Books is a hilarious, fast-paced, and wonderfully weird story. This book is so fantastically quirky and witty, particularly the writing and plot, that I couldn’t help but fall in love with it; both Oliver’s home and the book’s world of Dulum come alive with all manner of peculiar people and places, including the aforementioned Nasty Rodent Eater, who is definitely my favorite character. Adam Perry takes familiar story elements and makes fun of them so successfully that he creates a story I’ve never read anything quite like before. For this reason, I think this book would particularly appeal to young writers. I highly recommend The Thieving Collectors of Fine Children’s Books to readers ages eleven and up who like stories which take a new spin on books, reading, and fantasy adventures. 

By Super Kitty

Note: When testing links in our archives, we discovered we'd accidentally deleted this review's original post. Years later, it's remained one of our favorites, so we decided to (re)share it. Enjoy! 

Twelve-year-old Aru Shah has made her fair share of mistakes. She has what she likes to call an imagination—and what her snooty classmates call a skill at lying. When three school bullies finally confront her with her stories, she’s determined to prove that she’s been telling the truth about some things, at least. So she accepts a dare. She lights a lamp. And she unleashes a legendary monster, who, if she cannot stop him, will tear Time itself apart. Which is definitely her record for Biggest Mistake Ever.

To keep the darkness she has loosed at bay, Aru must journey from her home to the Otherworld to the kingdom of Death itself, joining forces with a sarcastic pigeon (yes, a pigeon) and a skittish yet super-smart girl apparently woven into Aru’s destiny, searching for a way to destroy the ancient evil, and maybe even (gulp) save the world. Which might be way more than Aru and her new friends can manage. Because not only do stories turn out to be true— things Aru thought were true turn out to be stories.

Because Aru isn’t the only one with secrets…

This was one of those books which managed to be entertaining, surprising, and completely hilarious. Aru is an irresistible heroine, and her various adventures in a world where normal life and Hindu mythology overlap seamlessly make the book impossible to put down. The vivid settings and equally clever supporting cast combine to make this a highly enjoyable fantasy that I would recommend for ages 8+.

By Super Kitty

Bett Devlin: 12yo. Loves animals + being outside + adventures. Is a daredevil + proud of it. Lives in California with her dad near the ocean (which is AWESOME, by the way!!)

Avery Bloom: Twelve years old. Enjoys reading, writing, and learning medical facts. Has some "excessive worries" which really aren't that unreasonable and include drowning, getting a disease, and the fire hazard posed by paper lampshades which are too close to the light bulb. Lives in New York City with her papa. 

Both Bett and Avery are quite happy with their lives just the way they are. So when they find out their dads are dating, they're both horrified--both are just fine with staying the center of their dads' lives, thank you very much. But their dads have other (inexplicable) plans, and send them both to a camp in Michigan called CIGI ("Challenge Influence Guide Inspire") while they go on a trip to China to get to know each other better. (Yup, you read that right: CHINA.) They think it'll be a wonderful way for Bett and Avery to get to know each other and become friends--in fact, they might soon become family. 

In other words, things are getting desperate. 

Bett and Avery might seem like opposites, but they do have one very important thing in common: neither has ANY intention of becoming friends (and DEFINITELY not sisters). United by a shared determination to never see each other again, they plot ways to get their dads to break up and forget about each other. But things quickly get far more complicated than they were expecting, and they realize they'll need some very clever plots indeed to get everything to work out the way they want them to....

When I started the first few pages of To Night Owl From Dogfish, I was immediately hooked, but was expecting a light, fast read about two girls who are determined to hate each other, yet, over the course of one fateful summer, become best friends--a fun plotline, but not a particularly new one. However, that's only the very beginning--it's a delight to see the layers and twists unfold, so I haven't gone into more detail in my review, but suffice to say that every time a plotline began to feel like something I'd seen before, a twist (often a hilarious new take on an old cliché) would take the story in a new, unexpected direction, with surprises and mishaps until the very end. The authors manage to combine a handful of classic themes into a story that is both original and comforting, with two quirky, refreshing main characters (Bett and Avery sometimes remind me of Aru and Mini) who feel like real twelve-year-olds--stubborn, passionate, flawed, caring, and (eventually) inseparable. Although Bett and Avery aren't biological sisters, I've categorized this book under the "Sisters" category on the blog, a decision which I firmly stand by (read it and you'll understand!)

The whole cast is deftly drawn and appealing, and it's a joy to watch as the characters overlap, argue, plot, and connect to form a quirky, sprawling family that none of them were expecting. The story is written through emails, and while I don't always enjoy epistolary stories, this one was cleverly done and highly engaging, and added an extra layer of uniqueness. Ultimately, To Night Owl From Dogfish is an ode to big, messy, wonderful families--biological and not--and I would highly recommend this fresh, winsome, and highly amusing tale to readers ages nine and up.