By Piranha T.
 
Words have power—and in an alternate version of Earth, they can create worlds. Certain people, known as scriptologists, are able to write worlds into reality. One of three branches of magic, scriptology is a finite and dangerous science which can easily be done wrong. And one worldbook holds a dangerous power, one which many people are desperate to use.

Elsa is from Veldana, the first—and only—populated scribed world. Her mother, Jumi, is a Veldanese scriptologist who is constantly expanding their still-new world. Perhaps Veldana’s age, and its small size, is why it is still uncomplicated by war or countries or technology.

But when Jumi is kidnapped, Elsa’s world falls apart. She escapes to Earth just before Veldana’s worldbook is burned, and without it, she knows her home is gone. Now, her hope is simply to find—and, potentially, save—her mother, who she is certain is somewhere on Earth. Yet even that may be more dangerous than she anticipates. For she is also a prize to her enemies.

With the help of a group of new friends—including Leo, a boy whose past is dark and whose future is closely tied to Elsa’s mission—she searches for the truth about her mother’s kidnappers, and a book she scribed before her disappearance. A book her kidnappers are desperate to find.

​Ink, Iron and Glass was one of those books I picked up off a library shelf, and completely engrossed me. Gwendolyn Clare’s version of a magical Victorian Italy, and her depictions of the scribed worlds, are some of the best fantasy settings I’ve read in a while, reminiscent of The Glass Sentence and The Golden Compass. The magic is interesting and unique, fitting effortlessly into the atmosphere of this book. Elsa and the supporting characters are all extremely deep and distinct, with no two quite alike, all with their own personalities which bounce off of each other beautifully. And the story itself is unpredictable and engaging. This book is one of the best I’ve read this year, and I think it would appeal to readers who loved the theme of writing in Inkheart and Finding Serendipity, but are now looking for something a little older; that said, Ink, Iron and Glass is a great novel for anyone who loves fantasy. To lovers of brilliant worlds and deep characters ages eleven and up, I highly recommend Ink, Iron and Glass. 

Click here to read our latest nonfiction review, featuring Chew on This, a fascinating book about the fast food industry. 

By Piranha T.

Back home in Kansas, everyone was used to the fact that Aven Green doesn’t have any arms. She was born like that, and even though it’s never stood in her way—her adoptive parents have always helped her figure things out on her own—she’s always been different in the eyes of other kids.

So when her parents take a job managing a decrepit cowboy-themed park in Arizona, Aven isn’t surprised when her armlessness is the first thing everyone sees in her. Still, she finds a friend in Connor, a boy who’s as isolated as she is, and together, they begin to uncover an unexpected mystery in Aven’s new home—one which seems suspiciously connected to herself.

Insignificant Events in the Life of a Cactus is a funny, eye-opening, entertaining book. Author Dusti Bowling seamlessly tackles difficult themes of disabilities and exclusiveness while simultaneously crafting a hilarious story about friendship, mystery, and change. Aven is a funny and relatable main character who truly carried this book. Unlike many other thought-provoking novels, it didn’t feel like Insignificant Events in the Life of a Cactus was about Aven not having arms. Instead, this was simply one part of it, a section of Aven’s life which was a part of the story without taking it over, which was extremely well done. Overall, I would recommend Insignificant Events in the Life of a Cactus to readers ages nine and up, whether you’re looking for a thought-provoking read or simply a relatable realistic fiction book. 

By Piranha T.

On the outskirts of the Thickety—a sprawling forest full of strange, dangerous creatures—lies Kara Westfall’s village, which lives in fear of the evil witches who some say were all killed hundreds of years ago. But when Kara was five years old, her mother was murdered after she was reported to be a witch. And although Kara never displayed the same skills, people whisper that she’s a witch, too.

It’s been seven years, but those rumors have never faded. Kara and her younger brother, Taff, have been ostracized ever since the fateful night when their mother died, even though they know as well as anyone else that magic is evil. But that doesn’t matter to the villagers, and least of all Grace Stone, the village leader’s snooty daughter, who is determined to make Kara’s life a misery.

But then Kara is lured into the Thickety by a one-eyed bird who leads her to a grimoire—a volume of spells which she believed was once possessed by her mother—and with it, she discovers that she too can cast spells. She knows she must destroy it, but it pulls at her, not allowing her to let it rest. And she begins doing things with it she never would have done before.

There are secrets in the village: about the Thickety, the grimoire, even Kara’s mother. But will she be able to uncover them before it is too late? Or will she become the witch the villagers have always believed she had the potential to become?
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A Path Begins is an engaging, brilliant fantasy novel, the first in a quartet full of twisting plotlines. Kara is a strong main character struggling to understand her magical powers and the essence of who she is, one of the best heroines I’ve recently read. She reminds me of strong characters like Mara in City of Islands, Makenna in The Goblin Wood, and Luna in The Girl Who Drank the Moon. I also liked the unique feeling of the world J. A. White evokes in both the Thickety and Kara’s village, full of danger and strangeness with creepy undertones. Altogether, I highly recommend The Thickety: A Path Begins to fantasy lovers ages ten and up. 

Note: A Path Begins was selected as one of our favorite books of 2020!