​By Ella

Everyone in the village is sure that Luka Lupu--clever, kind, and full of wisdom--will be a sorcerer one day, and help protect Illyria against the ferisome Dread. Even his sister, Marya, believes that, although no one would listen to her if she didn't. Stubborn, opinionated, and, worst of all, a girl, the Lupus have no expectations for Marya. Her parents only hope that when the sorcerers who test promising boys for magical potential find it in their Luka, Marya will not be too great of an embarrassment. 

But even these low expectations are dashed when the sorcerer's test goes horribly wrong, and Marya is sent off to Dragomir Academy--a place intended to instill good manners into troubled girls. 

At first, Marya finds herself at Dragomir as she always has been: incompetent and full of mistakes, somehow unable to heed the rules. Troubled. But as time passes and Marya learns more about Dragomir and her fellow students, she begins to wonder whether facts she's been taught all her life are true after all--and what Dragomir Academy is really intended for. 

The Troubled Girls of Dragomir Academy is simultaneously an engrossing, nuanced story full of magic and mystery and a deep, thoughtful exploration of the stories our society tells us--and who, ultimately, they truly serve. Anne Ursu weaves a tale led by a strong, flawed protagonist who finds herself coming to terms with a world that would rather she stay silent, and a society designed to keep her that way. This reflective, almost philosophical undertone--perhaps best epitomized by the lingering question, 'who does the story serve?'--creates an undercurrent of questioning and cross-examining patriarchy and predominant narratives that both inspires and empowers, and never even considers veering into a preachy, overt, or otherwise contrived vein. Much like the slightly older Girls at the Edge of the World, it evolves and intertwines with the narrative, giving the story new resonance without ever stealing away its strong and resounding voice and plot. I also love the story and plot itself; its unexpected twists, straightforward yet evocative language, distinctive characters, and beautifully paced unfolding mystery kept me swept up in the story until long after the final page. I highly recommend The Troubled Girls of Dragomir Academy to readers ages ten and up. 

By Ella

Celia Cleary has always known that on her 4,444th day alive, she'll inherit the power of prophecy, just like generations of Clearys  before her. She's been looking forward to it, too. But none of her grandmother's stories have prepared her for the shock of finally having her first vision--and watching the boy down the street, Jeffery, die. 

Celia knows she has to save him. She might not know him well, but she's always been sure she should use her prophetic powers for good. So, despite her grandmother's warn-ings, she saves him--and immediately sees another vision of him dying. And another. 

Apparently death is set on its quarry, but Celia isn't going to let this happen--particularly as she gets to know Jeffery better, and might even begin to feel some-thing for him. But as her seventh-grade year dissolves into fortune-telling chaos, and Celia learns more about her power, she must decide whether she can keep outwitting death forever--or if some things simply can't be changed. 

The Problem with Prophecies is a clever, magical, and ultimately bittersweet tale of friendship, growing up, and family. I loved the Cleary family's gifts and the stories Celia's grandmother tells about their ancestors, which are both hilarious and clever (the excerpted page from 'the Cleary Family Guide Book' on the back cover may be one of my favorite book jacket accents) and always firmly secured in the modern day. Scott Reintgen (who also wrote the fantastic middle-grade Talespinners series) deftly creates a tale both lightly humorous and moving; I can't wait to see what he writes next! I recommend The Problem with Prophecies ​to readers ages ten and up, particularly those who enjoy fantasy grounded in the real world. 

​By Ella

Everyone believes that Quinton Peters is dead, but his younger sister, Amari, has never been convinced. He just disappeared--she's sure he's out there somewhere. So when she discovers a suitcase from Quinton with her name on it--and an invitation inside from somewhere called the Bureau of Supernatural Affairs--she's certain that whatever it means, it holds the key to discovering what really happened to Quinton. 

But the Bureau, an organization which keeps magic and the magical world hidden from everyone else, isn't exactly handing out information about the disappearance of one its top agents--even if Amari is his sister. It quickly becomes clear that if Amari is going to learn what really happened to Quinton, she's going to have to compete for a spot in the Bureau against far more experienced candidates--not all of whom think Amari deserves a place here at all. 

Amari must forge some unlikely friendships and uncover the plans of one of the most dangerous magicians of all time if she wants to find a place at the Bureau, and learn what really happened to Quinton. But doing so may destroy her tentative acceptance in the Bureau--and keep her from seeing the most perilous deception of all. 

I've heard so much about Amari and the Night Brothers​, and I'm so glad I finally read it--it not only lived up to my high expectations, but exceeded them. Many of Amari's story elements are familiar, but Alston's strong characters and absorbing world-building make them feel utterly new, creating an exciting page-turner that left me wishing I already had book two. I utterly loved this world--full of small, quirky details and stunning descriptions, I was completely engrossed in the Bureau of Supernatural Affairs. Its flaws and prejudices made it deeper and layered, and helped it feel far more realistic than an idealistically perfect society. Amari's determination and love for Quinton truly drive this story, and I'm glad I'll be able to enjoy more books about her--and the supporting cast (particularly Elsie and Dylan), who are equally awesome! This story had more than one twist that truly surprised me, and I loved how the mystery of what really happened to Quinton unfolds. I highly recommend Amari and the Night Brothers to readers ages ten and up who love fantasy books full of clever plotting and strong characters. 

By Ella

"On a warm April morning, a week after the terrible day on which Grand-mère Sylvie died, Sylvie walked away from her home...She did not look back and she did not cry. She did not deserve tears. 

​She had made a terrible mistake."

                                     - from Healer and Witch 

Sylvie's Grand-mère has always had a strange, unaccountable gift for healing, able to save lives when Sylvie's mother cannot. But Sylvie has never seen this ability--or even the stranger power she herself has inherited--as witchcraft, or even as dangerous. Not until, in the wake of Grand-mère Sylvie's death, she seeks to heal her mother's grief, and instead steals her memories of Grand-mère Sylvie--and of Sylvie herself. 

​Sylvie is determined to find someone to teach her how to properly use her gift so that she might return her mother's memories. With Martin, the farrier's son, by her side, Sylvie sets off into the world beyond her tiny, rural hometown. But sixteenth-century France is a dangerous place for a girl with odd powers, full of questions and inquisitors and those who would use her gift to their own ends. Sylvie must decide what life she is willing to lead--and who, in all the world, she can trust to show her her way. 

Healer and Witch is an exquisitely written, beautiful historical fantasy novel that weaves many disparate threads into a single, stunning storyline. Although I initially picked up this book for its lovely cover, Werlin's writing pulled me in instantly:  simple and unadorned, it perfectly evokes the time and Sylvie's character as a girl who is far from naive, but nonetheless is largely ignorant of the world. Sylvie's journey toward understanding, self-discovery, and in a way independence in a land that would rather stifle, confine, and condemn her for her abilities and simply for being a woman weaves the heart of this book, giving the story an emotional depth and complexity that truly make it shine. The setting also feels particularly well-imagined, including the characters who Sylvie meets along her way. Overall, I highly recommend Healer and Witch ​to readers ages ten and up, particularly those who like historical fantasy or enjoyed the depth and writing style of The Troubled Girls of Dragomir Academy. 

By Ella

Alliana has been raised in her stepmother's inn, relegated to menial chores. For years after her father's death, she was able to keep dreaming of fairy tales with the support of Grand-mother Mari, whose tapestries and stories showed Alliana a world beyond their tiny village. But now a year has passed since Grandmother Mari's death, and the only magic left in Alliana's life is the baby nightdragon she discovers she can talk to. She knows better than to think her stepmother will let her attend the Farmlands Ball, her only chance of escaping her small hometown and to be enrolled in the Royal Academy.

​But everything changes when she meets Nela, a young witch who needs her help. For the first time since Grandmother Mari's death, Alliana has a chance to reach the future she's always dreamed of--but if her stepmother finds out, it could doom her to a life trapped at the inn.

Will Alliana be trapped beneath her stepmother's power forever? Or can she still find her own happily ever after?

Alliana, Girl of Dragons is a prequel/companion book to the Eva Evergreen duology (Eva Evergreen, Semi-Magical Witch and Eva Evergreen and the Cursed Witch)​​, and if you liked Eva Evergreen, you'll definitely like Alliana too--they share a magical, whimsical world, strong writing, and brilliant characters. I particularly enjoyed how Abe reshapes the Cinderella fairy tale into a story that fits perfectly with the Eva Evergreen books, including several prominent overlapping characters. Once again, the small details of the worldbuilding make the setting come alive, and I felt fully engrossed in Alliana's adventure. I recommend Alliana, Girl of Dragons ​to readers ages ten and up.

By Ella

​Ever since second grade, twelve-year-old Lilla and her best friends, Vivi and Knox, all wish on dandelions at the end of the school year--and whoever blows the hardest gets to declare a summer challenge for the others. Vivi and Knox are the only ones who are really competing, of course; where Vivi is determined and Knox is funny, Lilla is just quiet. She'd rather say nothing and make everyone happy than risk throwing herself out there. 

But when Vivi declares it the Summer of Brave, that's exactly what she wants Lilla to do. And this summer, there's a lot not to be brave about. 

There's her parents' divorce, of course, where they're intent on what they think is best for her rather than asking her what she really wants. And she can't help but lie about the prestigious high school they're already intent on getting her admitted to, because how can she tell them she doesn't want to go when they're so proud of her qualifying for an application? And then there's a catcalling college student who's a supervisor at her summer volunteer job, whose harassment everyone dismisses as no big deal. 

Lilla's sure that talking about these things will just make her life more difficult. But maybe telling the truth is what she needs most. 

Unflinching, realistic, and beautiful, Summer of Brave manages to say so much in a relatively short book, and I loved every word of it. Navigating friendships, feminism, academic pressure, divorce, girls in STEM, and so much more is tied together into a quiet, brave story which gains its power from both when Lilla speaks up and when she feels she must remain silent. Many books about being brave seem to present it from a single angle, which includes becoming constantly, effortlessly confident, but this book doesn't--Lilla remains quiet and shy while still becoming brave, a powerful and too-rare nuance which was part of why I loved her character so much. I also loved how Lilla feels the seemingly conflicting pressures to be 'girly' and smart/groundbreaking, and her struggle with what everyone seems to think is the 'right' way to be a girl. This story never feels preachy or contrived; instead, it paints a realistic portrait of the many layers of Lilla's life with compelling honesty. In addition to Lilla, the supporting characters, especially Vivi, Knox and Lilla's parents, were very realistic, and even when I didn't agree with them, I understood where they were coming from. I highly recommend Summer of Brave ​to readers ages ten and up, particularly those who enjoy thoughtful realistic fiction. ​

​By Ella

Scarlett McCain might go by a different name for every bank she robs, but it's no accident that whether Jane Oakley, Jenny Blackwood, or some other name entirely is plastered across the papers, the red-haired outlaw never ends up behind bars. Whether she's sneaking in under the cover of dark or walking brazenly into the bank manager's office in broad daylight, Scarlett always has a plan, and she's quick enough on her feet that if that doesn't work out, well, she'll just think up a new one. Sure, it's not always easy, but challenges make life more interesting, and everyone besides Scarlett is too afraid of the Wilds that surround the handful of Surviving Towns that she never gets pursued very far.

That is, not until now, when she picks up an optimistic, oblivious boy named Albert Browne from the ruins of a bus crash. Scarlett isn't one for sentimentality--she's survived this long by working alone and moving fast--but she grudgingly agrees to guide Albert to the nearest town.

But what she expected to just be a brief few days before heading out on her next job turn into much more when they're pursued deep into the Wilds after her latest job, and not by the usual unmotivated pack of guards and dogs that she'd expect from the bank she'd robbed. No, these are hardcore, trained hunters who are more than a match even for Scarlett's wit and inginuity. And as they race to outrun their pursuers and the things they aren't telling each other, Scarlett begins to ask herself: what if they aren't looking for her, after all? What if, instead, they're looking for...Albert?

Set in a futuristic, fractured version of modern Britain, The Outlaws Scarlett and Browne is an action-packed, remarkable, and funny story which I absolutely loved. If the opening sentences aren't enough to pull you in, the first chapter surely will; Jonathan Stroud (also the author of the excellent fantasy novel The Amulet of Samarkand, among others) makes Scarlett so improbably relatable and funny, and her narrative so perfectly poised and unique, that I found this book quite simply irresistible. Scarlett and Albert are in many ways polar opposites--Scarlett alert, driven, and sarcastic, and Albert dreamy, hopeful, and oblivious--and so they bounce off each other in a way which feels gratifying and authentic in every possible way, in addition to being absolutely hilarious. When written down, neither of their personalities seem so revolutionary, but the way Stroud pulls them off is, and at no point did my interest lag with them driving the story. The mix of clever twists, action, adventure, and the unusual details of the settings together make the story move quickly and completely absorb the reader, and it's carried wonderfully throughout the book. I highly recommend The Outlaws Scarlett and Browne to readers ages ten and up looking for an awesome and brilliant adventure story.

By Ella

Theodosia and the Staff of Osiris is the sequel to Theodosia and the Serpents of Chaos, and the second installment in the Theodosia series. 

[Look out--there are spoilers for the first book!]

After saving England from the sinister actions of the Serpents of Chaos, trouble has died down for Theodosia Throckmorton, daughter of the head curator of a London archaeology museum. Clearly, though, some peaceful time to catalog artifacts and remove some nasty lingering curses is too much to hope for, because after uncovering an artifact she is fairly certain is the legendary Staff of Osiris--imbued with the power to raise the dead--in the museum's basement, a small platoon of mummies appear in the foyer. The police are convinced her father stole them, but Theodosia believes they were summoned by the Staff of Osiris--and that the Serpents of Chaos are well aware of the mummies' unusual behavior. 

Determined to clear her family name, outwit the Serpents of Chaos, and avoid her grandmother's latest succession of prospective governesses, Theodosia sets out to solve this latest mystery before the Serpents of Chaos succeed in their latest plan--and use the Staff of Osiris for something far more sinister than moving the dead. 

Once more, Theodosia Throckmorton does not disappoint. Somewhat like a fantasy version of Flavia de Luce, she manages to be witty, sharp, and indisputably an eleven-year-old in the best possible way, making this series constantly surprising, unexpected, and brilliantly clever. Combining fantasy, mystery, historical fiction, and ancient Egyptian archaeology, Theodosia has a bit of everything, and it's all pulled off brilliantly well. I highly recommend Theodosia and the Staff of Osiris and the Theodosia series to readers ages ten and up who enjoy mysteries and fantasy novels. 

​By Ella

Zoe Washington is sure her twelfth birthday will be her favorite so far. After all, she's gotten a party at a local bakery, and since Zoe loves baking--she dreams of being a contestant on Kids Bake Challenge!--it's just about the best thing she could have hoped for. But then she gets a letter from her birth dad, Marcus, in the mail. 

Marcus has been in prison for years. Zoe has never heard from him before, let alone met him. But he sounds nice. Caring. And he says he didn't even commit the crime he's in prison for. 

Zoe doesn't think such a thing is possible, and she doesn't have anyone she can really ask, not when her mom would be furious if she knew she was writing to Marcus. So she tries to focus instead on a bakery internship, avoiding her ex-best friend...and hiding her letters to Marcus from her mom. Because she can't stop writing to him, not when she might be able to figure out if Marcus is really innocent. 

And if he is--can she help clear his name? 

From the Desk of Zoe Washington is a thoughtful and realistic story. The plotline of incarceration feels nuanced and developed, not shying away from it but also never leaving solid middle-grade territory or feeling preachy. Zoe is much more than the protagonists in some middle-grade novels, created solely to illustrate a theme or issue; she has her own preferences, interests, and personality, and feels as though she has a whole life outside of the pages of this book, which I really appreciated. I recommend From the Desk of Zoe Washington to readers ages ten and up looking for an realistic, well-written, and compelling story. 

By Piranha T. 

Theodosia Throckmorton is hardly your average eleven-year-old girl. Not only is she the daughter of the Head Curator of the Museum of Legends and Antiquities in London and is deemed unfortunately clever by most adults, she is also the only person who does anything to destroy the curses on the museum's artifacts when they arrive fresh from Egypt courtesy of her archaeologist mum. It's simple enough, really: with the help of her protective amulets and the advice of ancient texts, Theodosia has managed to keep the worst curses from wreaking havoc in the museum. If only her parents consented to wear gloves when touching the artifacts; it would make her job so much easier. But her parents seem to think she's peculiar rather than seeing the curses lurking around the museum at night, and Theodosia knows that if she tried to explain, they'd ship her straight off to boarding school. 

When Theodosia's mum returns from Egypt brimming with artifacts, Theodosia is prepared to spend the next few weeks rooting out the curses before they're put on display. She certainly doesn't expect a curse as vile as the one clinging to the Heart of Egypt her mum returns with--one which will leave England vulnerable to its enemies if left unchecked. 

Before Theodosia can decide what to do, though, the Heart of Egypt is stolen. And it's up to her to track it down and learn more about the Egyptian magic she's always experimented with in time to stop the curse. 

I've wanted to read Theodosia and the Serpents of Chaos for years, and it didn't disappoint. Theodosia's character and narrative are absolutely perfect--upper-class, sophisticated, and with a touch of dry humor and seriousness which together make her extraordinarily endearing. The rest of the series is at the very top of my to-read list--I can't wait to read more about Theodosia, and see where LaFevers goes with the successive books! The world is also fully realized: the atmosphere of Edwardian England is skillfully evoked and blended with the Egyptian magic Theodosia discovers in the museum, which I enjoyed immensely. I laughed more than once, was surprised often, and loved the myriad characters, making this book thoroughly enjoyable. I highly recommend Theodosia and the Serpents of Chaos to readers ages ten and up, particularly those who enjoy quirky historical fantasy, or to anyone who regularly identifies ancient curses by moonlight. 

By Piranha T.
 
For Rahul Kapoor, the beginning of seventh grade isn’t looking good. Yes, it will mean he’ll be able to see his best friend Chelsea even more regularly than he has over the summer. But he’ll also be at the mercy of bullies like Brent, who make fun of him for being Indian American. When he talks to his grandfather, Bhai, a week into the school year, he gives Rahul a piece of advice: find something, and become the best at it. Then nobody will be able to stop him.

No matter how hard Rahul tries, though, none of the activities he tries are quite right—until one of his teachers convinces him to join the Mathletes. Although he’s always dismissed its members as nerds, he begins to realize that math really can be fun. But what if he still can’t become ‘the best at it’? And even if it can, will it really help him figure out who he is?

The Best at It is an awesome, deeply relatable realistic fiction novel. Rahul is an incredibly sympathetic and real protagonist—his journey to accept all the parts of who he is really resonated with me, and I think it would with most middle schoolers, too. I highly recommend The Best at It to readers ages ten and up. 

By Piranha T. 

Mayhap Ballanstain knows she must always obey her parents' four last rules:
 
Do not leave the house.
Do not go into the grass.
Wait for us.
Sleep darkly.

Those last words from sisters Mayhap, Winnow, and Pavoinne Ballanstain have been framed on the wall of their bedroom since their parents disappeared into the strange, swaying silver grass which surrounds Straygarden Place. But Mayhap would have known better than to enter the grass even without the warning: it is thick and strange, reaching to the roof and slipping in through open windows and unattended keyholes.

Do not leave the house.

Mayhap and her sisters have never had a reason to leave Straygarden Place. The house provides for their every need: making them food, dressing them in the morning, and even giving them droomhunds so that they can sleep without the blinding white light which disturbs the dreams of any Ballanstain.
Do not go into the grass.

But when Mayhap's older sister, Winnow, does just that--and returns dramatically changed--Mayhap must learn the truth about Straygarden Place, their parents, and herself.

Wait for us.
Sleep darkly.

Having read and loved Hayley Chewins's first novel, The Turnaway Girls, I found myself with high expectations for The Sisters of Straygarden Place--and it exceeded them all. The Sisters of Straygarden Place blew me away, its immersive, expansive prose pulling me into it from the first page to an atmospheric world full of floating trees and silver grass and strange, unquenchable magic and twined with mystery. There was nowhere where this book felt slow or confusing--indeed, any time where this book was anything less than engrossing, twisting, and full of hidden magic. It brims with the strange and the unexpected, with startling revelations and brilliant imagery, but what drives it are the underlying threads of discovery and emotion which make Mayhap--indeed, all the characters--shine so brightly. They feel so real I could touch them and talk to them, and I knew and believed in every one of them by the end of this story. I highly recommend The Sisters of Straygarden Place to readers ages ten and up, particularly those who find atmosphere and characters crucial to a story as well as a plot full of the startling and beautiful. 

​By Piranha T. 

It's the beginning of another school year, and absolutely nothing is going right for sixth grader Merci Suárez. At Seaward Pines Academy, the expensive private school she and her older brother, Roli, attend on scholarship, Merci feels constantly out of place, whether it's because of the constant bullying of Edna Santos, whose life's mission seems to be to lead her possy of friends to make Merci miserable, or something as small as the massive packages of school pictures all the other families have ordered, while hers opts for the least expensive one. Plus, this year, Merci's been chosen as a Sunshine Buddy--an assigned friend to help new students adjust to Seaward Pines. It's the last thing Merci wants to do, particularly when she definitely doesn't fit in at Seaward Pines herself. 

And everything at home isn't much better. Merci lives with her extended family in Las Casitas, which is usually wonderful. But now she can't try out for the soccer team because she has to watch her twin cousins after school. And her grandfather, Lolo, is starting to act strangely--forgetting their names and getting into strange arguments with his family. 

Merci's life is turning upside-down. But maybe all the changes will help her change for the better, too. 

Merci Suárez Changes Gears is a relatable, fast-paced middle-grade novel. The characters and situations in this book are particularly realistic to me, and felt modern and universally identifiable for middle schoolers. I particularly enjoyed reading about Merci's family--they all interact and bounce off one another naturally, and both their characters and their relationships felt incredibly realistic. I recommend Merci Suárez Changes Gears to readers ages ten and up who enjoy realistic fiction novels. 

​By Piranha T. 

Two qualities are revered above all others in Ayortha: beauty and a strong singing voice. And though Aza has a voice befitting royalty--and has learned the trick of throwing it so that it seems as though her songs are coming from anywhere she likes--physical beauty has never been one of her attributes, as she is reminded seemingly every day, when she's cruelly shunned by visitors to her family's inn. 

When Aza is invited to a royal wedding, she thinks of it as an honor which will soon pass. Instead, she is pulled into the role of Lady in Waiting to the new queen, who has a plan for Aza's skills. The queen feels her singing voice will not live up to society's expectations, and so she commands Aza to be her voice for her--to project her voice so that it seems as though the queen herself is singing. 

Aza doesn't like the deception, but the queen leaves her no choice. Reluctantly, Aza does as she asks--but not all is as it seems. And if Aza can't unravel the web of deceptions and magic in Ayortha's capital soon, it will cost her her life. 

A fairy-tale of a story threaded with elements of 'Sleeping Beauty', Fairest is a fantasy full of snatches of Aza's songs. I liked Aza and the conflicts, both external and internal, of her and the other characters, which made the story feel authentic. I particularly enjoyed how Gail Carson Levine brings in the stringent and unfair beauty ideals of fairy tales in a story reminiscent of 'Sleeping Beauty', one of the worst offenders on this particular topic. Fairest is set in the same world as Ella Enchanted, but despite overlap in places and a few characters, they remain wholly independent of one another, and you can easily read Fairest without any prior knowledge of Ella Enchanted. I recommend Fairest to readers ages ten and up looking for an interesting, absorbing fairy tale retelling. 

By Piranha T.

When things start getting weird at school for twelve-year-old Mila, she repeats what her best friends have told her: it’s not weird. It was just a hug, after all, a birthday hug, but didn’t it last a little too long to be comfortable? But it doesn’t end there. There are more hugs, more strange comments, boys standing a little too close to her, until Mila can’t dismiss it anymore. She can’t even call it ‘flirting’, like her best friend Zara. The same group of boys continues to bother her in a way which isn’t bullying, isn’t teasing, but then, what’s she supposed to call it? She knows she can’t tell her mom, not when she’s having so much trouble at work. And how can she explain it to anyone else when it feels so weird, so personal?

But then Mila begins taking karate lessons, and they help her realize that she’s not defenseless. More than that, maybe she can figure out how to confront the boys, and make herself heard.

Maybe He Just Likes You is a thought-provoking novel which explores sexual harassment, friendship, and reality. Barbara Dee tackles harder topics in this book in a way which is both realistic and accessible, which makes it particularly pertinent. All the characters in this feel extraordinarily well-rounded, especially Mila’s friends; she honestly has one of the most natural friend circles I’ve seen in middle-grade, who don’t always stand by her even when she’s struggling but remain relatable and strong. I highly recommend Maybe He Just Likes You to readers ages ten and up, whether you’re looking for a thought-provoking read or just a realistic fiction novel which feels indisputably true.