By Ella

Daisy Thistledown has traveled around the world with her beloved journalist mother. But when her mother disappears and Daisy finds herself alone, on the run from an unknown enemy attempting to steal her dandelion paperweight, she stumbles into a place far more mysterious than any she’s entered before: the Greenwild, a magical pocket of the normal world where Daisy, impossibly, belongs.

Daisy has never lived anywhere long, so when she discovers that the Greenwild might hold the truth about where her mother has gone, she’s more than happy to stay there for a little longer. Surrounded by new things to learn, magical plants, and unexpected friendships, Daisy can almost forget about the enemies hunting her on the other side of the door—and the mysteries about her own life that she finally has the chance to answer. Particularly since her new friends are helping her uncover the truth about her mother’s disappearance.

But whoever took Daisy’s mother is still out there. And their next target might be the Greenwild itself.

When I first came across Greenwild, I had a feeling it would be the kind of magical, atmospheric adventure that made me fall in love with middle-grade fantasy to begin with—books like Finding Serendipity, Magyk, and The Dark is Rising. It was everything I hoped it would be! Accompanied by Thomson’s beautiful writing and gorgeous interior illustrations (which are honestly some of my favorites that I’ve come across in MG), the Greenwild sprang to life in my mind, atmospheric and quirky in all the right places. Thomson truly has the knack of creating a fully formed, believable world nestled within our own, and the Greenwild has the perfect balance of the utterly fantastical and details grounded in stunning realism.

I loved the characters. Daisy was a brilliant protagonist, with such a complicated and relatable mix of emotions. The supporting cast was particularly excellent, and watching secrets be revealed and new characters get introduced was utterly delightful. With plenty of twists and clever surprises, I didn’t want to stop reading this book! I highly recommend Greenwild to readers ages ten and up. 

By Ella

​The Notorious Scarlett and Browne is the sequel to The Outlaws Scarlett and Browne, and the second book in an ongoing series. 

Look out--there are spoilers ahead for book one!

For Albert Browne, life is just beginning to get interesting. After spending his life stuck indoors, courtesy of the Faith House's oppressive views on his ability to read minds, he's finally escaped, thanks to Scarlett McCain, a far more experienced outlaw with a sharp tongue and a quick wit. All in all, leading a life of crime is all he could've hoped for and more: he gets to see the world and follow Scarlett on all sorts of interesting adventures. And with his magical skills and Scarlett's clever plans, they're yet to find a stronghold that can outwit them. 

Of course, there are some downsides...such as the nefarious criminal organization pursuing them, who is somehow connected to Scarlett's past. And the Faith House operative, with powers to rival Albert's own, who keeps popping up when least expected. And, of course, a messy ultimatum: either Scarlett and Albert break into a dangerously secure facility, or their friends will get eaten by owls. They might be the land's most infamous outlaws, but even they will be hard-pressed to handle everything before their time is up. 

And if they fail? Well, then, the story of the notorious Scarlett and Browne might just be over. 

The Outlaws Scarlett and Browne was one of my favorite books last year, and its sequel lived up to even my highest expectations. Stroud's writing is focused and clever, full of evocative descriptions and turns of phrase--plus an impeccable dose of humor--while keeping the story flying at an impossibly quick pace. I love the setting, as before; a futuristic, post-apocalyptic Britain governed by an organization of corrupt Faith Houses, it's utterly unlike anything I've read before, in the best possible way. The dynamic between Scarlett and Browne is truly brilliant. Full of humor and panache, their exploits are clever and all-absorbing, and although the happy, naive character contrasted with the snarky realist is a relationship I've seen many times before, Stroud makes it not just fresh but hilarious, too. And I'd be remiss not to mention the other characters in this book, particularly Mallory, whose arc/development was one of my favorite parts of the story. If you like audiobooks, this one's also extremely well-read! I highly recommend The Notorious Scarlett and Browne to readers ages ten and up looking for a quirky, fast-paced adventure with an intricate plot and spectacular characters. 

By Ella

The Golden Frog Games is the sequel to Witchlings, and the second book in Claribel A. Ortega’s ongoing Witchlings series.

[Look out—there are spoilers for book 1 below!]

Being one of the most famous Spares in the Twelve Towns is a lot to live up to. Especially for Seven, who’s heralded not just as the Spare who defeated the Nightbeast but as the future Town Uncle—a Town Uncle who, despite all her best efforts, can hear the voices of dangerous monstruos far louder than the animals that are supposed to be speaking to her. But ever since she, Valley, and Thorn made history as the first true Spare coven, they’ve been the face of all the Spares in the Twelve Towns. And Seven is sure that admitting she’s failing at her most basic Uncle duties is exactly what the growing number of anti-Spare agitators need to prove that Spares were always supposed to be powerless.

Amid a rise in anti-Spare sentiment, Seven hopes that the Golden Frog Games—an anticipated tournament where the Twelve Towns compete in everything from frog racing to magical clothing—will allay the worst of the tension, thanks to Seven’s covenmate and friend Thorn being a prime contender in the costura division. But when a fellow competitor is turned to stone, with Thorn the prime suspect, it’s up to Seven, Valley, and Thorn to find the hexer before they hurt anyone else.

I loved Witchlings, so I was super excited for the sequel—and it didn’t disappoint! Brimming with quirky worldbuilding, humor, and adventure, I didn’t want to put this story down. As before, the characters are awesome—Seven, Thorn, and Valley are one of my favorite literary trios, both for their individual personalities and the way they interact with each other. They feel like such a natural group of friends, and I love reading about them! The new cast was also great (I particularly liked Graves), always bringing energy and quirkiness to the narrative. I particularly loved seeing Seven and her friends stand up to anti-Spare prejudice in this book, and her struggle and determination in the face of it; realistic and thoughtful, it helped make the world of Witchlings come alive. I highly recommend The Golden Frog Games (and the Witchlings series) to readers ages ten and up. 

​By Ella

The Secrets of the Stormforest is the third book in L D Lapinski's middle-grade fantasy Strangeworlds Travel Agency series. It is preceded by Strangeworlds Travel Agency and The Edge of the Ocean, both of which we also loved--we chose the series overall as one of our favorites of 2022! 

​
[Look out--there are spoilers for books 1 & 2 below!]

Ever since Flick Hudson discovered the Strangeworlds Travel Agency and met Jonathan Mercator, who oversees the travel through the multiverse via portals trapped in suitcases, her life has become extraordinary. But now, as Flick begins to understand the truth about the travel agency and the dangers facing the many worlds, she discovers that not just Strangeworlds, but the entire multiverse, might be in danger. 

Now, with Jonathan and Avery by her side, Flick must race to find a suitcase with the power to destroy the multiverse--before it is used to tear apart every magical place she's ever found. 

I adored Flick and Jonathan's previous adventures, each full of quirky twists, awesome characters, and a sense of inarguable magic. The Secrets of the Stormforest's only flaw is that it's the final book in the trilogy! With everything that made books one and two so wonderful, plus unfolding secrets, impending disaster, and a series of stunning plot twists I never would have expected, there was so much to love about this story. As in the earlier books, Lapinski's characters are extraordinary; I felt so much for Flick, Jonathan, Avery, and the entire cast over the course of this book, who are made utterly relatable by their vulnerability, flaws, bravery, and connections to one another. Everything came together with beautiful, sometimes heartbreaking perfection, and threads both anticipated and unexpected from the previous books wove into a story I didn't want to end. I highly recommend the Strangeworlds Travel Agency series to anyone who loves heartwarming, exciting adventures, strong characters, and immersive worldbuilding, ages nine and up. 

​By Ella

It's been a long time since twelve-year-old Gabriela felt right in the world. Between not having any friends at school, their beloved single mom's depression, and Gabriela's increasing discomfort in their own body, life has just become harder lately. 

But when they meet Abbie and Héctor at the beginning of the new school year, who introduce them to the LGBTQ+ community for the first time, Gabriela begins to find the language to put to how they've always felt--and to understand who they really are. 

The One Who Loves You the Most is a warm, sweet novel that explores identity, friendship and family in a relatable, engaging way. I loved the characters of Gabriela, Abbie and Héctor--they all felt authentic and relatable, and their friendship forms the core of the story. I recommend The One Who Loves You the Most to readers ages ten and up who like realistic fiction with LGBTQ+ characters. 

By Ella

​A century ago, the kingdom within the Mirrorwood was cursed. Its perfect prince was replaced by a demon one; a wall of thorns was raised to protect the outside world from his dark magic, though it can't prevent some of it from slipping through. The land lives in fear of that magic and the demon prince, and awaits the day when a beautiful princess will enter the Mirrorwood and break the curse at last. 

Fable is hardly a beautiful princess. She doesn't even have a face of her own--she's blighted, cursed by one of the Mirrorwood's twists of dark magic, and unless she wishes to fade into nothing, she has to constantly steal the faces of others. But it's a tenuous existence, even with her family's love and support--she's constantly afraid that a blighthunter will find her and kill her, or, even worse, punish her family for harboring someone blighted. 

When a determined blighthunter's apprentice, Vycorax, pursues Fable and her trusty cat into the Mirrrorwood, she knows she has to act--or risk never seeing her family again. Her only chance at a free, happy life is to slay the demon prince and break the curse herself, even if that means confronting the Mirrorwood's most dangerous beasts, bargaining with ancient powers, and trusting someone she's been taught her whole life to despise. 

But not all evil has horns. And in the Mirrorwood, nothing is as it seems...

Clever, absorbing, and uniquely imagined, I'm so glad I read The Mirrorwood! Mirrorwood! Although the premise easily could have fallen into a straightforward, cliche tale of heroism, Deva Fagan makes it so much deeper and more interesting, propelled by twists I never saw coming. I loved Fable and all the supporting characters, particularly Lyrian and Vycorax, who were layered and often did what I least expected them to, surprising me in the best possible way. The worldbuilding was light and evocative, and I particularly enjoyed reading about the Withering and the Subtle Powers, which helped give the Mirrorwood a unique flavor. I highly recommend The Mirrorwood to readers ages ten and up who enjoy middle-grade fantasy like The School Between Winter and Fairyland. 

By Ella

Note: For this review, I used pronouns consis-tent with Ana's perceived gender identity at the beginning of the book. 

Twelve-year-old Ana Jin might be last year's US Juvenile girl's figure skating champion, but that doesn't mean she likes the dresses most skaters are forced to wear during competitions. Far from it--and when Ana discovers that the program she's expected to perform at nationals this year is princess-themed, she can't figure out why it feels so wrong to her. Sure, Ana has never liked wearing dresses, but no one else at the rink seems to have a problem with it. Why should she?

But everything changes when Ana meets Hayden, a transgender boy who's just starting to learn how to skate. Especially when he mistakes her for a boy--and Ana doesn't correct him. Somehow, this feels way better than everyone just assuming she's a girl. But what does that even mean? 

As the nationals qualifier draws nearer, Ana must figure out who she really is--and decide whether the world knowing her identity is worth sacrificing years of training in an uncompromisingly gendered sport. 

​I can't believe it took me two years to read Ana on the Edge. Thoughtful, lovely, and utterly affirming, Ana's journey is both beautiful and fast-paced, and even if I had wanted to put it down (I didn't!), I don't think I could have managed to. I absolutely loved this book. From the first page, Sass waves together figure skating, friendship, family, change, and understanding one's own identity into a story so relatable and realistic that I feel as though I could meet Ana on the street. The characters are all layered and complex, and their interactions and conflicts were spot-on. I particularly loved Ana, whose gradual understanding of her nonbinary identity felt incredibly true, and whose questions, concerns, and feelings over the course of this story made me fall in love with her. The window on the world of ultra-competitive figure skating was also very interesting, and the nuance of Ana's worries about how her mom will pay for her increasingly expensive coaching made it feel both immediate and very real. This is one of the very best realistic fiction novels I've read in a long time. Heartwarming, authentic, and beautifully true, I highly recommend Ana on the Edge to readers ages ten and up, particularly those who love realistic fiction or are considering their own gender identity. 

​By Ella

Everyone in the village is sure that Luka Lupu--clever, kind, and full of wisdom--will be a sorcerer one day, and help protect Illyria against the ferisome Dread. Even his sister, Marya, believes that, although no one would listen to her if she didn't. Stubborn, opinionated, and, worst of all, a girl, the Lupus have no expectations for Marya. Her parents only hope that when the sorcerers who test promising boys for magical potential find it in their Luka, Marya will not be too great of an embarrassment. 

But even these low expectations are dashed when the sorcerer's test goes horribly wrong, and Marya is sent off to Dragomir Academy--a place intended to instill good manners into troubled girls. 

At first, Marya finds herself at Dragomir as she always has been: incompetent and full of mistakes, somehow unable to heed the rules. Troubled. But as time passes and Marya learns more about Dragomir and her fellow students, she begins to wonder whether facts she's been taught all her life are true after all--and what Dragomir Academy is really intended for. 

The Troubled Girls of Dragomir Academy is simultaneously an engrossing, nuanced story full of magic and mystery and a deep, thoughtful exploration of the stories our society tells us--and who, ultimately, they truly serve. Anne Ursu weaves a tale led by a strong, flawed protagonist who finds herself coming to terms with a world that would rather she stay silent, and a society designed to keep her that way. This reflective, almost philosophical undertone--perhaps best epitomized by the lingering question, 'who does the story serve?'--creates an undercurrent of questioning and cross-examining patriarchy and predominant narratives that both inspires and empowers, and never even considers veering into a preachy, overt, or otherwise contrived vein. Much like the slightly older Girls at the Edge of the World, it evolves and intertwines with the narrative, giving the story new resonance without ever stealing away its strong and resounding voice and plot. I also love the story and plot itself; its unexpected twists, straightforward yet evocative language, distinctive characters, and beautifully paced unfolding mystery kept me swept up in the story until long after the final page. I highly recommend The Troubled Girls of Dragomir Academy to readers ages ten and up. 

By Ella

Celia Cleary has always known that on her 4,444th day alive, she'll inherit the power of prophecy, just like generations of Clearys  before her. She's been looking forward to it, too. But none of her grandmother's stories have prepared her for the shock of finally having her first vision--and watching the boy down the street, Jeffery, die. 

Celia knows she has to save him. She might not know him well, but she's always been sure she should use her prophetic powers for good. So, despite her grandmother's warn-ings, she saves him--and immediately sees another vision of him dying. And another. 

Apparently death is set on its quarry, but Celia isn't going to let this happen--particularly as she gets to know Jeffery better, and might even begin to feel some-thing for him. But as her seventh-grade year dissolves into fortune-telling chaos, and Celia learns more about her power, she must decide whether she can keep outwitting death forever--or if some things simply can't be changed. 

The Problem with Prophecies is a clever, magical, and ultimately bittersweet tale of friendship, growing up, and family. I loved the Cleary family's gifts and the stories Celia's grandmother tells about their ancestors, which are both hilarious and clever (the excerpted page from 'the Cleary Family Guide Book' on the back cover may be one of my favorite book jacket accents) and always firmly secured in the modern day. Scott Reintgen (who also wrote the fantastic middle-grade Talespinners series) deftly creates a tale both lightly humorous and moving; I can't wait to see what he writes next! I recommend The Problem with Prophecies ​to readers ages ten and up, particularly those who enjoy fantasy grounded in the real world. 

​By Ella

Everyone believes that Quinton Peters is dead, but his younger sister, Amari, has never been convinced. He just disappeared--she's sure he's out there somewhere. So when she discovers a suitcase from Quinton with her name on it--and an invitation inside from somewhere called the Bureau of Supernatural Affairs--she's certain that whatever it means, it holds the key to discovering what really happened to Quinton. 

But the Bureau, an organization which keeps magic and the magical world hidden from everyone else, isn't exactly handing out information about the disappearance of one its top agents--even if Amari is his sister. It quickly becomes clear that if Amari is going to learn what really happened to Quinton, she's going to have to compete for a spot in the Bureau against far more experienced candidates--not all of whom think Amari deserves a place here at all. 

Amari must forge some unlikely friendships and uncover the plans of one of the most dangerous magicians of all time if she wants to find a place at the Bureau, and learn what really happened to Quinton. But doing so may destroy her tentative acceptance in the Bureau--and keep her from seeing the most perilous deception of all. 

I've heard so much about Amari and the Night Brothers​, and I'm so glad I finally read it--it not only lived up to my high expectations, but exceeded them. Many of Amari's story elements are familiar, but Alston's strong characters and absorbing world-building make them feel utterly new, creating an exciting page-turner that left me wishing I already had book two. I utterly loved this world--full of small, quirky details and stunning descriptions, I was completely engrossed in the Bureau of Supernatural Affairs. Its flaws and prejudices made it deeper and layered, and helped it feel far more realistic than an idealistically perfect society. Amari's determination and love for Quinton truly drive this story, and I'm glad I'll be able to enjoy more books about her--and the supporting cast (particularly Elsie and Dylan), who are equally awesome! This story had more than one twist that truly surprised me, and I loved how the mystery of what really happened to Quinton unfolds. I highly recommend Amari and the Night Brothers to readers ages ten and up who love fantasy books full of clever plotting and strong characters. 

By Ella

"On a warm April morning, a week after the terrible day on which Grand-mère Sylvie died, Sylvie walked away from her home...She did not look back and she did not cry. She did not deserve tears. 

​She had made a terrible mistake."

                                     - from Healer and Witch 

Sylvie's Grand-mère has always had a strange, unaccountable gift for healing, able to save lives when Sylvie's mother cannot. But Sylvie has never seen this ability--or even the stranger power she herself has inherited--as witchcraft, or even as dangerous. Not until, in the wake of Grand-mère Sylvie's death, she seeks to heal her mother's grief, and instead steals her memories of Grand-mère Sylvie--and of Sylvie herself. 

​Sylvie is determined to find someone to teach her how to properly use her gift so that she might return her mother's memories. With Martin, the farrier's son, by her side, Sylvie sets off into the world beyond her tiny, rural hometown. But sixteenth-century France is a dangerous place for a girl with odd powers, full of questions and inquisitors and those who would use her gift to their own ends. Sylvie must decide what life she is willing to lead--and who, in all the world, she can trust to show her her way. 

Healer and Witch is an exquisitely written, beautiful historical fantasy novel that weaves many disparate threads into a single, stunning storyline. Although I initially picked up this book for its lovely cover, Werlin's writing pulled me in instantly:  simple and unadorned, it perfectly evokes the time and Sylvie's character as a girl who is far from naive, but nonetheless is largely ignorant of the world. Sylvie's journey toward understanding, self-discovery, and in a way independence in a land that would rather stifle, confine, and condemn her for her abilities and simply for being a woman weaves the heart of this book, giving the story an emotional depth and complexity that truly make it shine. The setting also feels particularly well-imagined, including the characters who Sylvie meets along her way. Overall, I highly recommend Healer and Witch ​to readers ages ten and up, particularly those who like historical fantasy or enjoyed the depth and writing style of The Troubled Girls of Dragomir Academy. 

By Ella

Alliana has been raised in her stepmother's inn, relegated to menial chores. For years after her father's death, she was able to keep dreaming of fairy tales with the support of Grand-mother Mari, whose tapestries and stories showed Alliana a world beyond their tiny village. But now a year has passed since Grandmother Mari's death, and the only magic left in Alliana's life is the baby nightdragon she discovers she can talk to. She knows better than to think her stepmother will let her attend the Farmlands Ball, her only chance of escaping her small hometown and to be enrolled in the Royal Academy.

​But everything changes when she meets Nela, a young witch who needs her help. For the first time since Grandmother Mari's death, Alliana has a chance to reach the future she's always dreamed of--but if her stepmother finds out, it could doom her to a life trapped at the inn.

Will Alliana be trapped beneath her stepmother's power forever? Or can she still find her own happily ever after?

Alliana, Girl of Dragons is a prequel/companion book to the Eva Evergreen duology (Eva Evergreen, Semi-Magical Witch and Eva Evergreen and the Cursed Witch)​​, and if you liked Eva Evergreen, you'll definitely like Alliana too--they share a magical, whimsical world, strong writing, and brilliant characters. I particularly enjoyed how Abe reshapes the Cinderella fairy tale into a story that fits perfectly with the Eva Evergreen books, including several prominent overlapping characters. Once again, the small details of the worldbuilding make the setting come alive, and I felt fully engrossed in Alliana's adventure. I recommend Alliana, Girl of Dragons ​to readers ages ten and up.

By Ella

​Ever since second grade, twelve-year-old Lilla and her best friends, Vivi and Knox, all wish on dandelions at the end of the school year--and whoever blows the hardest gets to declare a summer challenge for the others. Vivi and Knox are the only ones who are really competing, of course; where Vivi is determined and Knox is funny, Lilla is just quiet. She'd rather say nothing and make everyone happy than risk throwing herself out there. 

But when Vivi declares it the Summer of Brave, that's exactly what she wants Lilla to do. And this summer, there's a lot not to be brave about. 

There's her parents' divorce, of course, where they're intent on what they think is best for her rather than asking her what she really wants. And she can't help but lie about the prestigious high school they're already intent on getting her admitted to, because how can she tell them she doesn't want to go when they're so proud of her qualifying for an application? And then there's a catcalling college student who's a supervisor at her summer volunteer job, whose harassment everyone dismisses as no big deal. 

Lilla's sure that talking about these things will just make her life more difficult. But maybe telling the truth is what she needs most. 

Unflinching, realistic, and beautiful, Summer of Brave manages to say so much in a relatively short book, and I loved every word of it. Navigating friendships, feminism, academic pressure, divorce, girls in STEM, and so much more is tied together into a quiet, brave story which gains its power from both when Lilla speaks up and when she feels she must remain silent. Many books about being brave seem to present it from a single angle, which includes becoming constantly, effortlessly confident, but this book doesn't--Lilla remains quiet and shy while still becoming brave, a powerful and too-rare nuance which was part of why I loved her character so much. I also loved how Lilla feels the seemingly conflicting pressures to be 'girly' and smart/groundbreaking, and her struggle with what everyone seems to think is the 'right' way to be a girl. This story never feels preachy or contrived; instead, it paints a realistic portrait of the many layers of Lilla's life with compelling honesty. In addition to Lilla, the supporting characters, especially Vivi, Knox and Lilla's parents, were very realistic, and even when I didn't agree with them, I understood where they were coming from. I highly recommend Summer of Brave ​to readers ages ten and up, particularly those who enjoy thoughtful realistic fiction. ​

​By Ella

Scarlett McCain might go by a different name for every bank she robs, but it's no accident that whether Jane Oakley, Jenny Blackwood, or some other name entirely is plastered across the papers, the red-haired outlaw never ends up behind bars. Whether she's sneaking in under the cover of dark or walking brazenly into the bank manager's office in broad daylight, Scarlett always has a plan, and she's quick enough on her feet that if that doesn't work out, well, she'll just think up a new one. Sure, it's not always easy, but challenges make life more interesting, and everyone besides Scarlett is too afraid of the Wilds that surround the handful of Surviving Towns that she never gets pursued very far.

That is, not until now, when she picks up an optimistic, oblivious boy named Albert Browne from the ruins of a bus crash. Scarlett isn't one for sentimentality--she's survived this long by working alone and moving fast--but she grudgingly agrees to guide Albert to the nearest town.

But what she expected to just be a brief few days before heading out on her next job turn into much more when they're pursued deep into the Wilds after her latest job, and not by the usual unmotivated pack of guards and dogs that she'd expect from the bank she'd robbed. No, these are hardcore, trained hunters who are more than a match even for Scarlett's wit and inginuity. And as they race to outrun their pursuers and the things they aren't telling each other, Scarlett begins to ask herself: what if they aren't looking for her, after all? What if, instead, they're looking for...Albert?

Set in a futuristic, fractured version of modern Britain, The Outlaws Scarlett and Browne is an action-packed, remarkable, and funny story which I absolutely loved. If the opening sentences aren't enough to pull you in, the first chapter surely will; Jonathan Stroud (also the author of the excellent fantasy novel The Amulet of Samarkand, among others) makes Scarlett so improbably relatable and funny, and her narrative so perfectly poised and unique, that I found this book quite simply irresistible. Scarlett and Albert are in many ways polar opposites--Scarlett alert, driven, and sarcastic, and Albert dreamy, hopeful, and oblivious--and so they bounce off each other in a way which feels gratifying and authentic in every possible way, in addition to being absolutely hilarious. When written down, neither of their personalities seem so revolutionary, but the way Stroud pulls them off is, and at no point did my interest lag with them driving the story. The mix of clever twists, action, adventure, and the unusual details of the settings together make the story move quickly and completely absorb the reader, and it's carried wonderfully throughout the book. I highly recommend The Outlaws Scarlett and Browne to readers ages ten and up looking for an awesome and brilliant adventure story.

By Ella

Theodosia and the Staff of Osiris is the sequel to Theodosia and the Serpents of Chaos, and the second installment in the Theodosia series. 

[Look out--there are spoilers for the first book!]

After saving England from the sinister actions of the Serpents of Chaos, trouble has died down for Theodosia Throckmorton, daughter of the head curator of a London archaeology museum. Clearly, though, some peaceful time to catalog artifacts and remove some nasty lingering curses is too much to hope for, because after uncovering an artifact she is fairly certain is the legendary Staff of Osiris--imbued with the power to raise the dead--in the museum's basement, a small platoon of mummies appear in the foyer. The police are convinced her father stole them, but Theodosia believes they were summoned by the Staff of Osiris--and that the Serpents of Chaos are well aware of the mummies' unusual behavior. 

Determined to clear her family name, outwit the Serpents of Chaos, and avoid her grandmother's latest succession of prospective governesses, Theodosia sets out to solve this latest mystery before the Serpents of Chaos succeed in their latest plan--and use the Staff of Osiris for something far more sinister than moving the dead. 

Once more, Theodosia Throckmorton does not disappoint. Somewhat like a fantasy version of Flavia de Luce, she manages to be witty, sharp, and indisputably an eleven-year-old in the best possible way, making this series constantly surprising, unexpected, and brilliantly clever. Combining fantasy, mystery, historical fiction, and ancient Egyptian archaeology, Theodosia has a bit of everything, and it's all pulled off brilliantly well. I highly recommend Theodosia and the Staff of Osiris and the Theodosia series to readers ages ten and up who enjoy mysteries and fantasy novels.