By Ella

Rhaskos. A Thracian slave, worth far less than the animals he cares for. Separated from his mother, forced to serve a master who curses him and beats him. He draws horses in the dirt, and dreams of freedom.

Melisto. She caused her mother no end of trouble as a baby. She has never stopped. The future looks as bleak to her as a stretch of flawless fabric: what everyone expects, and so easily ignored. Serving Artemis as a Little Bear might be the first and last chance, however temporary, for her to be herself.

Against the backdrop of ancient Greece, told in poetry and prose and in fragments of the past, this is the tale of a boy and a girl whose futures are dark to them—and who might, through the impossible friendship they form, at last find the peace they have both been searching for.

Amber & Clay is unique and utterly absorbing, blending historical fiction, magic, and archaeology into something almost improbably powerful and beautiful. I’ve read a handful of books which use both prose and poetry, and honestly none of them have pulled it off very well; there always feels as though there is an abrupt shift when transitioning from one to another. But Schlitz’s prose is so lyrical and deliberate that the story flowed seamlessly from one style to another, and brought the book together more fully and made it feel more concrete rather than splintering it into sections. Not only that, but this ranks among one of the most excellent historical novels I have read (it’s set in Greece, particularly the Athens area, around the fifth century BCE)—not just for how it feels as though it stays utterly true to the time period, but because the feelings and conflicts and dreams of Rhaskos and Melisto are so bright and evocative in my mind that they might be living next door, not twenty-six centuries ago.

To be honest, of all the books I’ve reviewed, Amber & Clay is one of the hardest to describe. Its scope feels enormous, and yet deeply personal; its struggles, concrete and yet ephemeral. So much happens, but it isn’t the tale of the vast shifts of war and politics occurring in the background. It isn’t even a grandiose interpretation of what it must’ve been like, growing up without any chance at having rights. Instead of seeking to change the world, Rhaskos and Melisto both simply seek to live with it: to live in a society which they see not as unjust and discriminatory as we do now, but simply as how the world is. This crucial and too-unique nuance lends the story a vibrant realism which it might otherwise lack, and helps every detail of the story, its characters, and its setting shine with power and truth. Amber & Clay is, quite simply, extraordinary—I highly recommend it to readers ages eleven and up.

By Lina

“…all I want/is to stretch my wings/to ride the fickle currents/beyond the reach of any cage.” 
- Melanie Crowder, Audacity 

Clara Lemlich has never been free. Not free to read the books she hides from her father and studies late into the night, gathering scraps of knowledge when no one is watching. Not free to live as a full citizen of the Russian Empire, instead forced to live in poverty in the Pale of Settlement, which Jewish people are restricted to at the turn of the twentieth century. Not free to dream of a life where she is not forbidden from the beauty of written words, and where she could save lives as a doctor. 

When antisemitic violence forces her family to flee to America, the grueling journey brings them to New York City’s Lower East Side, a land of angular buildings and filthy tenements, and Clara is once again trapped by poverty and the duties of a good daughter, who must provide for her family as they struggle to survive. Where immigrant girls work quietly, meekly, in rows upon rows of factories, not protesting the exploitation they face because they know how easily they can be replaced, and because every penny counts. Where her dreams no longer seem quite so impossible. 

Clara bristles at the injustices the other factory workers seem to take in stride, and soon becomes involved in the developing labor movement in the area–but she quickly learns that protesting will put her dreams of an education in jeopardy. Should she ignore injustice in favor of a hard-won opportunity for education? Or should she give up her beloved ambitions to fight for a cause that has already grown close to her heart? 

I loved Audacity the first time I read it, and after a recent re-read, it remains one of my favorites. Its stunning, lyrical prose ranks it among one of the most beautifully written free-verse books I've read yet; while the writing is remarkably spare, the imagery and historical detail are evocative and absorbing.  Clara’s courage, kindness, and unflagging determination make her immensely sympathetic, and it’s a joy to watch her develop over the course of the story, as the young girl who splinted birds’ wings and hid from anti-Jewish mobs becomes an infamous labor leader whose concern for her fellow workers and immigrants is matched only by her fiery determination for action–now. I also appreciated how Audacity thoughtfully explores the risks and sacrifices activists must make, as Clara struggles to balance her family’s needs, the injustices she longs to combat, and real danger to herself and her fellow factory workers if they step out of line. 

I had never heard of Clara Lemlich, a real-life labor organizer, before reading this book, and I’ve since researched more about her–she’s a fascinating person, and I highly recommend learning more about her. (The historical notes and interviews with some of her family members at the end of the book are a great place to start!) While fictionalized, Audacity remains true to the essence of Clara’s work and early life. Eloquent and inspiring, I would highly recommend Audacity to readers ages eleven and up, especially for book groups or discussions. 

By Super Kitty

​Ten-year-old Ailey Lane is determined to get the part of the Scarecrow in his school's production of The Wiz, and not only because his dance moves are just begging for the spotlight, and he loves coming up with impromptu raps. It's because he always messes things up, and the more people he tells about tryouts, the more he realizes that no one expects him to get it right this time, either.

Everything is shaping up perfectly, though--until it's Ailey's turn at tryouts and he freezes up. Bad. He might be a class clown, but it's totally different having all those eyes on him when he's not just goofing off, and it's like they hit an erase button in his mind. Maybe everyone was right, after all.

Ailey decides he'll never dance again, and when his family asks him how auditions went, he expects a grown-up pep talk about persistence and practice and so on. But Grandpa surprises him--that night, he tells Ailey that when he was younger, he loved tap dancing, and was so good that Bojangles himself tapped with him once and loaned him his tap shoes, saying to bring them back when Grandpa was ready to give performing a shot. But he never mustered the courage to do it, and the shoes, which Bojangles said have a smidgen of magic, are tucked away in a closet, a mark of the regret that Grandpa has carried throughout his life. He has always wondered how far he might have gotten if he had been brave enough to do what he loved. He tells Ailey that he doesn't want him to have regrets, too.

Later that night, Ailey can't stop thinking about Grandpa's story, and he finds the shoes and tries them on. And Bojangles was definitely right about the "smidgen of magic," because when Ailey opens his eyes, he's in Harlem. Harlem in 1939, to be exact.

Which happens to be when and where Grandpa lived and tapped when he was a boy. When and where his greatest regret began.

When Ailey finds a talented boy called Taps performing on the street, he knows that he must have been brought here to give him the encouragement he needs. But nothing seems to go right--Taps definitely isn't convinced that his future grandson has come from the future, Ailey has no idea how to persuade him to take up Bojangles' offer, and there's still the problem of how to get home.

But the two boys have more in common than being family. Taps can tap dance like he was born for it, and Ailey can come up with raps without even trying. On their own, neither quite has the nerve to get up on stage--but maybe together, they can push each other to change their stars.

Ailey and Taps' enthusiasm is infectious, and although I personally am not particularly interested in tap dance, I thoroughly enjoyed The Magic in Changing Your Stars! I liked the combination of time travel and family, and how Ailey meets many members of his family from a few generations back that he's heard stories about--and a few kids and teens he knows as adults from his own time. Every character is named after famous Black people from history, especially performers, and the book includes a list of all of the people mentioned along with a short blurb about their achievements, which was an excellent extra layer. The book itself also has lots of historical tidbits, and many readers might not be able to resist learning more about them! I would recommend The Magic in Changing Your Stars to readers ages eight and up looking for an amusing, engaging celebration of family, friendship, and the courage it takes to do your best. 

By Super Kitty

Living in London with her father and aunts, Tally is perfectly content. But there is the war, of course, getting ever closer, and news of the Nazis every day in newspapers and on the wireless. Children are getting sent to the countryside to protect them from the coming air raids. Tally has no intention of leaving, but when her father gets the opportunity to send her to a boarding school in the country, he accepts, determined to keep her safe from the anticipated air raids on the city.

Tally does not want to go to boarding school--uniforms and field hockey and endless rules are the last things she wants to worry about, and she longs to stay with her family and friends. But when she arrives at Delderton, it turns out to be nothing like the schools she's read about in books. Students only go to classes if they want to, and the classes themselves are entirely different than she was expecting--drama and handicrafts and biology lessons in the woods are taught along with English and math. She meets children who dream of movie stars and revolutions and one with a pet axolotl. Instead of scolding and nagging, her housemother is writing a book about a German philosopher. And Tally begins to think that maybe, just maybe, Delderton is a place where she can be happy. 

Karil, crown prince of Bergania, has spent his whole life surrounded by royals and officials and ceremonies, and has never had friends or felt really free. He is destined to be king someday, but he's never found a place where he feels he truly belongs. And now, with the war close at hand and his father refusing to obey Hitler's orders, tensions at the royal court make things lonelier than ever. 

When Tally learns about the king of Bergania's daring stand against the Nazis, she moved by his courage and longs to visit his beautiful country. The opportunity arises when she learns of a youth folk dance festival that the country is hosting, and she gathers a group of students to choreograph a dance so that they can attend. There, she and the other students meet children from all over Europe, but for Tally, the closest friendship she forms is with someone who's not even supposed to speak to her--Karil, prince of Bergania.

Their friendship might be forbidden, but there are far more dangerous things occupying the minds of the country's leaders. And when Nazi forces infiltrate Bergania's government, it is up to Tally and her friends to help Karil escape to safety. 

Eva Ibbotson is one of my favorite writers, and this book completely lived up to my high expectations. Ibbotson grew up in Vienna, Austria, but fled during World War II as a child, and it's clear that she experienced many of the things described in The Dragonfly Pool--the descriptions and details she writes with have the feel not of careful research, but of personal experience. Her writing is beautiful, and the story is poignant and moving, but still has the characteristic humor and quirkiness which I've enjoyed in many of her other books. And Tally is a wonderful main character, caring and brave but still believable, and I loved the way her friendship with Karil develops. (I also appreciated the lack of romance--so many middle grade books with girls and boys who are friends focus on it, but in The Dragonfly Pool it's all but nonexistent.) I would highly recommend it to readers ages ten and up. 

By Super Kitty

On her twelfth birthday, Nisha receives her first diary--a beautiful book where she feels she can record all of her thoughts and wonderings. She struggles to speak in front of anyone other than her family, especially her twin brother Amil, or Kazi, her family's beloved cook, who gave her the notebook. But when she writes, words flow onto the page, telling the story of the sudden changes which have begun in the world around her. 

India has been freed from British rule, but in the summer of 1947, things only seem to be getting more complicated. Before, it didn't seem to matter what religion people were, but suddenly there is talk of India becoming two countries--one for Muslims and one for Sikhs, Hindus, and all other Indians. Everyone is taking sides, from the country's leaders to the students at Nisha and Amil's schools. But the only side Nisha wants to be on is her family's--Amil, Kazi, Papa, and Dadi, her grandmother. 

Dadi and Papa are Hindu. Kazi is Muslim, and so was Nisha's mother, who died when she and Amil were born. So where in this new world does Nisha belong?

As tensions escalate and violence begins to break out in their neighborhood, Dadi, Papa, Nisha and Amil escape and begin the long journey away from what is now Pakistan, away from their Kazi and their bungalow and everything Nisha and Amil have ever known. They cross the desert to what is now the new India on foot, desperate for water and facing the growing tensions between refugees of all religions, escaping their old homes to places they have never seen. They find hardship and danger on their road, people filled with cruelty and some who have lost everything. But there is also unexpected kindness in those they encounter, and the hope for a better future.

Written in a series of letters to her mother, Nisha's journey is sometimes heartbreaking yet ultimately hopeful, and although it's historical, it explores many issues which are still relevant today. I don't always prefer reading books written in a diary format--it can be difficult to immerse oneself in the story--but I loved the way that Veera Hiranandani weaves the story through Nisha's letters to a mother she never really met. The relationships within her family are believably imperfect, yet the relatively small cast of characters clearly truly care about one another, and the harsh journey they make together helps to bring them closer together. The story also explores a piece of history that I can't believe I didn't know more about--according to the Author's Note, the journey in The Night Diary "is the largest mass migration in history." Although the story itself is fictional, it is inspired by the journey made by the author's father when he was young, and her vivid details and descriptions bring Nisha's world to life. The Night Diary is written for a middle-grade audience, but older readers will enjoy it as well (though they may find the ending slightly too happy to be completely realistic), and they may be inspired to learn more about the historical events it describes. Overall, I would recommend The Night Diary to readers ages ten and up.  

By Piranha T.

As World War II progresses and bombs are dropped on London every night, thirteen-year-old Kenneth Sparks’ home become a war zone. Before long, he’s glad to leave on the SS City of Benares, a luxury ship chartered to bring ninety English children to Canada to escape the war. To Ken, the ship is like paradise. He has plenty to eat, a comfy bed to sleep in, and a room of toys to play with.

But when the City of Benares is torpedoed by German U-Boats, Ken and forty-five other children, passengers and sailors escape on Lifeboat 12. They have limited rations and even less water. As the days drag by and no land or rescue boat appears, Ken begins to wonder if they will simply die at sea.

Lifeboat 12 was historical fiction, but it was about real people and real events (and don’t worry—it does have a happy ending!). All the characters actually lived, and narrator Ken Sparks really was on Lifeboat 12. Parliament’s decision to send children to the British colonies is a little-known piece of history which I found quite interesting. Of course, Lifeboat 12 is fictionalized, but was firmly based in the accounts of survivors and newspapers.

When I first picked up Lifeboat 12, I didn’t know if I’d like it. I’m not usually a fan of historical fiction. However, this book pulled me in, and I think it would be a great book for fans of little-known history, like World War II’s Fly Girls. In the back of the book, Susan Hood also provides historical context which was quite interesting. At the same time, the book was written as fiction—in free verse poetry—so unlike many similar books, it was quite engaging. I recommend Lifeboat 12 to lovers of historical fiction ages ten and up. 

By guest contributor FalconX, age 12

Darleen is a twelve-year-old girl living in the early 1900s. Silent films are her family's business, and she stars in her own show: The Dangers of Darleen. Despite her age, she dangles off of cliffs, jumps from train car to train car, and flies off in mysterious hot air balloons.

​Although Darleen can pull off stunts with ease, is unafraid to be featured in theaters everywhere, and shows the world what a strong character she is, her heart lies with her father in their small farm house next to their family-owned film studio, Matchless. Her mother disappeared from her life when Darleen was younger, breaking the hearts of her daughter and husband. Darleen's mother was a tightrope performer, until she settled down with Darleen's father. But before the family had a long time together, Darleen's mother was gone due to inflamed lungs. Aunt Shirley and Uncles Charlie and Dan run the studio. Her father works in the laboratory developing the film.

Everything is going well, except their film studio needs more attention to rise above their competition. Aunt Shirley comes up with an idea to boost publicity. It's this: Darleen will get "kidnapped" at the grand opening of the brand new theater. Only, things don't go exactly as planned and Darleen ends up escaping a building, catching a snake, and finding out the dark secrets of someone she thought was a good person. She does this all with an orphan called Victorine, who is now her new friend. In the end, they thwart the villains, save the studio, and learn the truth about Darleen's strange dreams.

This charming historical fiction novel both educated about the world of early silent film and thrilled readers with the fast-paced adventure. Darleen thought she was only pretending to be Daring, but in the end, her unique skills saved everyone. I liked how there was a never-ending series of plot twists and discoveries that led to the eventual solution to the mystery. Although the ways of the 1900s were a bit different than now, Anne Nesbet still found strategies to make the story relatable and understandable. I would recommend this book to grades 4-8.

By Piranha T.

Francie knows there are other worlds besides the one she’s grown up in. Like the big city over the river, where children don’t have to scavenge the streets to find trash to sell to the local junkman, and people have enough to eat. But what would it even be like to live there? All she’s ever known is life on the streets, where her hardworking mother can barely make enough to support her family: Francie, her mother, her younger brother Neely, and their occasionally working father, widely acknowledged as an alcoholic. The world beyond the ragged streets of Brooklyn is unreachable to Francie and the others who live in New York’s slums.

Francie dreams of visiting the city, although she knows it is impossible. There is little hope of leaving Brooklyn, even as her family gathers pennies in a milk can, imagining gathering a whole fifty dollars to buy their own land. She has a hard life, but she accepts it. A Tree Grows in Brooklyn is the story of how she grows up, overcoming hardships, finding work, learning the ways of that world and the one outside Brooklyn, too.

A Tree Grows in Brooklyn is a partially autobiographical account of the author’s life in Brooklyn, New York just after the turn of the twentieth century. It is an amazing, compelling, and beautiful story. I don’t often prefer historical fiction, but this book was unusual; instead of focusing on the times themselves, it highlighted what happened in them. Although outside events were mentioned, this is a personal story, one of the rare books which makes you feel like the character and live her world as she would have a hundred years ago. Francie is a strong and sympathetic protagonist. This book makes you not just love it, but feel it, too. It is one of those classics which has stood the test of time, remaining accessible and real to the modern reader. I would highly recommend A Tree Grows in Brooklyn to readers ages eleven and up.

By Piranha T.

Coriander Hobie lives a perfect life, with a loving father and a beautiful mother, a life she believes will never change. But then a pair of silver shoes slip her into another world, and although she stays there for a very short time, it changes her life forever. Only a few days later, her mother mysteriously dies, leaving Coriander and her father to navigate the political turmoil of seventeenth-century London. And then her father disappears too, leaving Coriander with her stepmother, who despises her.

Yet her stepmother isn’t the only person who Coriander learns to fear. For when she enters that other world again, she discovers someone else searching for her—someone who truly wants her dead.

I, Coriander was a beautifully written, engrossing read with a plot which just keeps getting better. Although set in a historical time frame, I, Coriander is fantasy, and I’d recommend it to fans of either genre; Coriander’s voice feels very authentic to the seventeenth century, but it still has the feel of a fantasy novel. It’s one of those books which pulls you in and weaves a spell of magic around you, written like a fairytale, but the plot and characters are much deeper than in more old-fashioned books. I would highly recommend I, Coriander to readers ages eleven and up.
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Note: The audiobook, read by Juliet Stevenson, is amazing—if you like to listen to audiobooks, I would recommend this one! I also listened to one of Sally Gardner’s other books, The Red Necklace, a historical fantasy for slightly older readers, which I would recommend if you love I, Coriander. ​

By Super Kitty

Nine-year-old Cassie Logan knows the world isn’t fair. Like how she and her brothers have to walk miles to their school every day, rain or shine, while the children of white plantation owners get to ride the bus. Or how storeowners serve every white customer in the store before asking her what she wants to buy. No one seems to see her past the color of her skin. It’s not right, but in 1933, Mississippi doesn’t show any signs of changing.

Her family has something, though, which keeps them from losing hope. The land. For generations it’s given the Logans a source of income and pride that keeps them from being forced into sharecropping. But it can’t protect them from everything, and it draws the attention of people, powerful people, who would do anything to get their way.

The world isn’t fair, and everyone knows it. To accept the way things are is to be considered inferior, to be mistreated and abused. But change comes at a price, and to rebel is to put at risk everything close to your heart.
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Roll of Thunder, Hear My Cry won the Newbery Medal, and it’s one of those books which completely deserves it. The author creates a setting and cast which truly seem real, and doesn’t shy away from the deplorable things which happened during that period in history. Cassie’s narration is strong and believable, and her family and friends are all stunningly human. The effects of racism and intolerance are far-reaching, and the story makes clear just how horrific they can be. I would highly recommend this powerful, unflinchingly honest book to readers ages 11 and up.

By Piranha T.

Little Rock, Arkansas has been known throughout the country as a hotbed of the segregation and integration movements. In 1957, several African-American students, known as the Little Rock Nine, went to one of the high schools. A year later, high schools are closed all over Little Rock to ensure that they won’t be integrated.

Twelve-year-old Marlee Nisbett isn’t caught up in that piece of the drama, but her older sister Judy is. She’s sent away to their grandparent’s house, and Marlee, who has always been shy and reserved, feels as though her world has been torn apart. Only because of Judy has Marlee even remotely participated in school. Marlee, however, always feels like she’ll say the wrong thing, and usually doesn’t speak in class unless she has to.

But despite believing going to middle school will just make everything worse, Marlee meets Liz, a new girl. Though they have almost nothing in common, they become fast friends. Liz helps Marlee grow more confident with talking to other people as they work together on a project for school. It’s not long, though, before Liz has to leave—and it doesn’t take Marlee long to learn why. Liz is really African-American, trying to get a better education at a better school. Marlee, though, isn’t willing to give up on a friend who has helped her so much, and is determined that their friendship won’t end here. But in 1958 Little Rock, that’s not as easy as it sounds. If anyone learns what they’re doing, both their lives could be in danger—and the world which Marlee’s always known may be about to fall apart.
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When I started The Lions of Little Rock, I didn’t think it would become one of my favorite books, since historical fiction isn’t usually my favorite genre. But Marlee was an interesting, sympathetic heroine who I could understand every step of the way. Although the schools closing in 1958 and the issue of integration were major points in the plot, what drove the force of the story were the characters and their choices. It didn’t feel like a lesson from a history book, but I learned a lot. It was an excellent book, well-written, weaving in bits of history naturally and easily. I would highly recommend The Lions of Little Rock to readers ages ten and up.  

By Piranha T.

When Candice Miller moves into her grandmother’s old house in Lambert, South Carolina, she doesn’t expect to find a mystery in the attic. But she finds an old, dusty box there—an old box that’s labeled for her. And in the bottom of it, she discovers a letter, the beginning of a mystery which will bring her all over the city of Lambert. It explains a mystery from the 1950s, the disappearance of an African-American family, and the injustice that was done to them all those years ago.

But solving the mystery isn’t as simple as it sounds. It doesn’t take Candice long to realize that this letter is at the root of her grandmother’s disgrace in Lambert a decade earlier. So instead of telling her mother, she keeps it a secret from everyone but her new friend Brandon. Together, they navigate hidden puzzles, uncovering the past of Lambert, the man who wrote the letter in the first place, and the family who the letter is about. But to Candice, it’s more than just a puzzle. It’s about clearing her grandmother’s name, and living the future she wants to.

The Parker Inheritance was a fun, incredible book which had me thinking at many points how awesome the puzzles were. Candice and Brandon are clever characters who manage to think of things I can’t be sure I would have myself, and both are bookworms, mentioning lots of my favorite stories! Intertwined with the story are ‘flashback’ chapters, relating the life of the family mentioned in the letter and the events leading up to what made them leave.

This book went deeper, though, because it wasn’t just about the mystery and the past. It was also about segregation in the south, social justice, and persecution. Almost all the characters were African-American, often still dealing with similar issues to those related in the flashbacks from sixty years before. These messages weren’t as obvious as they are in other books we’ve reviewed, or in many historical fiction novels. But they were also just as powerful, because it made you think how it’s set in the present day. The Parker Inheritance is completely fictional, but all it tells feels real. It’s not the main course of the story—that’s about Brandon and Candice, and the letter in the attic. But it’s still a major part of the plot, something which leaves you thinking even after you’ve turned the last page.
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I would highly recommend The Parker Inheritance to kids ages ten and up.

By Piranha T. 

When the headmistress of Saint Etheldrada's School for Young Ladies and her brother are mysteriously murdered during dinner, their students decide not to contact the police. Instead, they take matters into their own hands and keep the crime secret. They have complete freedom - but only so long as no one catches them. And that takes more work than any of them expected. 

Faking their way through visits from investigating policemen, disastrous social gatherings, and curious lawyers, they begin to realize that there's even more to worry about. For if the murderer falls for their charade and thinks their headmistress is still alive, nothing's stopping them from trying again. 

The Scandalous Sisterhood of Prickwillow Place is a hilarious historical mystery set against the backdrop of Victorian England. It has a funny, distinct characters and a brilliant plotline for mystery lovers. I'd highly recommend The Scandalous Sisterhood of Prickwillow Place​ to readers ages ten and up. 

By Piranha T. and Super Kitty

Philias Fogg is not the sort to plan a fantastical trip around the world. A reclusive English gentleman, he divides his time between his home and the Reform Club, where he spends time with colleagues and plays whist. One night, however, a disagreement arises at the Reform Club—according to a newspaper article, it is now possible to go around the world in just eighty days, and although his companions think it impossible, Mr. Fogg bets that he can do it. Accompanied by his manservant Passepartout, he sets out immediately, traveling by steamship, train, elephant, sledge, and more, and overcoming all manner of storms, setbacks, and an inspector from Scotland Yard named Fix, who believes that he robbed the bank of England and is determined to stop him at all costs.

Around the World in Eighty Days is an entertaining read, although it does take a little bit to get into. There are funny characters, clever plot twists, and interesting facts about transportation and the world in general in the late 1800s. Full of humor, wit and adventure, we’d recommend Around the World in Eighty Days to readers ages 10 and up, not as much because it would be inappropriate, but because the language may be more difficult for younger readers to understand.

*Note: there are many different editions of Around the World in Eighty Days, in many different languages, so we did not include a publisher or copywrite, as it was translated from the original French to English several times.

Guest contributor: Athena Goddess, Massachusetts

White Bostonian Turner Buckminster moves to Maine. He meets crusty, inbred Mainers and learns to love them. One especially, a black girl, who dies. Turner also learns about boats and keeping his mouth shut and not, when it's important.

I know this part of Maine and I never knew the local white people had run the black people off their island. The author could have dramatized this grandly but he makes it seem so ordinary and simple for people to be mean to each other. This is scary. Because it's historical, they simply call the mean folk "scoundrels'. We would use stronger language now.

Some of the Mainers are nice, too, including the whales.