By Lina 

The princess with flaming hair, signifying war; the coveted bride with blushing cheeks, representing bloodshed; the girl who, despite the battles fought over her hand in marriage, never speaks a single line---who really is Lavinia of Virgil's epic The Aeneid? In Le Guin's imagination, she is thoughtful, caring, quiet, fiercely intelligent: a leader in her own right, who loves her people and her freedom, and refuses to be bound to the future others choose for her.

In Lavinia, the titular character traces the story of her life, one ignored or overlooked for centuries. She tells of a happy childhood, the only daughter of King Latinus, wandering the forests and fields of Latium with her best friend; of the sudden arrival of suitors vying for her hand in marriage, and thus the end of her freedom; of the Trojan stranger, foretold of in omens, who arrives on their shore; of the fated war fought with her own future as its prize. And she tells the story that comes after, of her happiness and heartbreak, victories and betrayals, and of her fierce, unyielding determination to protect her people and those she loves. 

Lavinia can certainly be enjoyed by those who haven't read The Aeneid---it's a great story, beautifully told, either way---but for those who have, it's simply stunning, a retelling of a classic tale that faithfully follows the threads and characters of the original while deftly smoothing out its inconsistencies, frustrations, and occasional illogicality. I felt as though I was not so much reading a new version of an ancient epic as experiencing Virgil's story through different, perhaps more thoughtful eyes, making it equal parts fascinating and delightful to follow Lavinia's classic tale: or, perhaps more accurately, to discover it. Given the casual misogyny of the original, it's immensely satisfying to read feminist Le Guin's take on The Aeneid, which, while faithful to the original, often approaches its content in a markedly different way. Lavinia is a compelling, independent character who never falls into the trap of some modern historical fiction which grafts modern opinions onto historical characters; even her cruel mother Amata, it is gently suggested, has suffered at the hands of patriarchy perhaps more than Virgil was willing to admit---or able to notice. 

Le Guin's mastery of building fantasy worlds is well-suited to evoking the still-rustic land of Latium before it was Rome, a place steeped in ancient tradition and folklore, guided by fate and strange omens as much as political strategy; she leaves the lines between history, ancient invention, and modern interpretation delightfully opaque. The final touch is the introduction of Virgil himself as a character, which, rather than detracting from the main story, enhances it with quiet questions of fate and perspective and who tells enduring tales, and gently reminds readers---and Lavinia herself---of the many layers of existence and opinion needed to tell a tale. Riveting and evocative, I would highly recommend Lavinia to readers ages fourteen and up. 

By Piranha T. 

Taran is the Assistant Pig-Keeper of the oracular pig Hen Wen--a duty which he feels should be noble and meaningful, but instead leads to nothing remotely interesting. He longs to leave his home at Caer Dallben and adventure out into the world, where he imagines a world where heroes like Prince Gwydion keep evil at bay, and peril is never distant. 

But when Hen Wen escapes, and Taran follows her, he quickly learns that his dreams of sword-wielding heroism are not quite as he thought. Not only that, but Hen Wen may be in mortal danger--for the Horned King, the latest champion of the nefarious Arawn, is also searching for her as he seeks to rule all of the land of Prydain. And only Hen Wen knows the secret to defeating him. 

Now Taran must find Hen Wen before the Horned King--all while avoiding the dark beings sent to find her first. He finds help, too, though: from the hero Gwydion, who is very different from how he imagined him; from Fflewddur Fflam, a bard with a penchant from embellishing the truth; and from Eilonwy, a strong-willed girl who knows a bit about magic. But will it be enough to find Hen Wen in time, and save Prydain? 

The Book of Three is one of my enduring fantasy favorites, and when I reread it this summer, I found it just as good as I remembered. Alexander's prose is engrossing, his characters well-defined. Eilonwy in particular I feel the need to bring attention to; although far from perfect, and less so in successive books, she is one of the few female characters in fantasy of this era who has an interesting personality and a life beyond the male characters, although they do invariably stereotype her into the habitual and tight gender roles of this world. The land of Prydain (based on Welsh mythology) is interesting as well; for those who enjoy the inspiration of Welsh mythology in books like Over Sea, Under Stone, this series is particularly recommended. I recommend The Book of Three (and the successive books in the five-volume Chronicles of Prydain) to readers ages ten and up who enjoy high fantasy novels. 

By Piranha T.

In Middle-Earth, a world full of wizards and humans, dwarves and elves, and many darker creatures who dwell in the shadows where none but evil dare to tread, there is one race not troubled with light and dark or terrible wars. The hobbits of the Shire live peacefully in their round-doored hobbit-holes, enjoying uneventful serenity, with an emphasis on frequent, delicious meals. They are not the types to go on adventures or gallivant about with dwarves or wizards. And especially not hobbits from a family so respectable, so down-to-earth, as the Bagginses.

Yet when the wizard Gandalf and thirteen dwarves appear at Bilbo Baggins’ front door one afternoon, he finds himself caught up in a strange business which can only be described as an adventure. Long ago, the dragon Smaug descended from the north and destroyed the halls ruled by the dwarf Thorin’s forefathers, Lonely Mountain, a place once full of numberless riches and excellent craftmanship. Now, it is a tomb to the dead, and Smaug sits atop the dwarves’ ancestral gold. The dwarves, led by Thorin Oakenshield, have planned a dangerous quest: to slay the dragon and, at last, win back what once was theirs. And they wish for Bilbo Baggins to be the final member of their company.

Despite his initial misgivings, Bilbo accompanies the dwarves and Gandalf on the journey to Lonely Mountain. The path is long and perilous, crossing dangerous mountains, vast plains, a forest darkened by shadowy beasts, and at last the desolation of Smaug which surrounds the mountain itself.

Hobbits have never been a people for adventuring. But perhaps Bilbo will be the crucial piece in the journey to Lonely Mountain.

I find myself now rereading The Hobbit, and I can see quite clearly why it is such a fantasy classic. J. R. R. Tolkien’s story is not only full of danger and adventure, but also spots of humor, interesting characters, and excellent writing. Although this book is more sedately paced than more modern fantasy novels, it isn’t less engaging, as it is often seen as; instead, it is simply written in a different style.

As someone who loves excellent worldbuilding, Middle-Earth is high on my list. The lands this book travels through are distinct and multilayered, as are the creatures who dwell there. Each race—mainly humans, hobbits, dwarves, and elves—is distinct and well-defined. Tolkien clearly knew this universe very well, including its history; to those who love distinct fantasy worlds, I also highly recommend The Silmarillion, a prequel Tolkien wrote concerning the history of Middle-Earth. Tolkien’s novels of Middle-Earth are some of my favorites. I highly recommend The Hobbit to readers ages ten and up.

By Piranha T.

Earthsea: a land of many islands and vast oceans, ancient names and fierce dragons, skillful seafarers and powerful sorcerers. The first book in the Earthsea Cycle chronicles the tale of one of its greatest mages, and his terrible mistake.

Sparrowhawk is young when he casts a heavy mist about his village to protect it from eastern raiders and is sent to Roke Island, a school where the highest arts of magic are taught, to be trained in the uses of power. Arrogant and skilled in the ways of mages, Sparrowhawk summons a spirit from the dead, and in the doing releases a nameless shadow set on his death. By the time he is healed from the wounds it inflicts, he no longer cares for pride or shows of power, for the shadow he conjured is out in the world, and though it is far from Roke Island, he knows he will never be free of it until it is destroyed. He travels across Earthsea in search of its name and the means of its destruction, a quest which will bring him to uncharted waters, scheming dragons, and the truth of the shadow which he knows he must defeat.

A Wizard of Earthsea is one of those classic fantasy books which, like Patricia A. McKillip’s Riddle-Master Trilogy or J. R. R. Tolkien’s Lord of the Rings, doesn’t disappoint. It has an amazing world, brilliant character development, a unique storyline, and beautiful writing. I’ve read many fantasy novels, and this one remains one of my favorites, along with the others in the Earthsea Cycle (although some of the subsequent volumes are better suited to readers of twelve or thirteen years). It’s one of those books which sweeps you up and you don’t want to stop reading until the end, and it’s perfect for dedicated high fantasy fans. I highly recommend A Wizard of Earthsea to readers ages eleven and up. ​

By Piranha T.

Francie knows there are other worlds besides the one she’s grown up in. Like the big city over the river, where children don’t have to scavenge the streets to find trash to sell to the local junkman, and people have enough to eat. But what would it even be like to live there? All she’s ever known is life on the streets, where her hardworking mother can barely make enough to support her family: Francie, her mother, her younger brother Neely, and their occasionally working father, widely acknowledged as an alcoholic. The world beyond the ragged streets of Brooklyn is unreachable to Francie and the others who live in New York’s slums.

Francie dreams of visiting the city, although she knows it is impossible. There is little hope of leaving Brooklyn, even as her family gathers pennies in a milk can, imagining gathering a whole fifty dollars to buy their own land. She has a hard life, but she accepts it. A Tree Grows in Brooklyn is the story of how she grows up, overcoming hardships, finding work, learning the ways of that world and the one outside Brooklyn, too.

A Tree Grows in Brooklyn is a partially autobiographical account of the author’s life in Brooklyn, New York just after the turn of the twentieth century. It is an amazing, compelling, and beautiful story. I don’t often prefer historical fiction, but this book was unusual; instead of focusing on the times themselves, it highlighted what happened in them. Although outside events were mentioned, this is a personal story, one of the rare books which makes you feel like the character and live her world as she would have a hundred years ago. Francie is a strong and sympathetic protagonist. This book makes you not just love it, but feel it, too. It is one of those classics which has stood the test of time, remaining accessible and real to the modern reader. I would highly recommend A Tree Grows in Brooklyn to readers ages eleven and up.

By Super Kitty

Ten-year-old Jesse Aarons gets up early each summer morning to run, sprinting as hard as he can as he trains to become the speediest kid in the third, fourth, and fifth grades. If he can win the races his classmates hold at recess, he won’t just be ‘some kid who likes to draw.’ It won’t matter that his sisters are always squabbling, his short-tempered mother makes him do most of the work around the house, and his father works such long hours that it feels like he’s never home. If he can get strong enough, Jess will be the fastest. Important. Special.

But just as the races are about to begin, a new kid—a new girl—joins the races and beats every boy competing—including Jess. Leslie Burke is considered by most to be pretty strange, and at first Jess wants nothing to do with her. But both of them are lonely, and as the weeks go by, they begin to form a friendship that will change their lives. Leslie has an incredible imagination, and one afternoon she and Jess invent Terabithia, a world of their own where they transform from outcast kids to courageous rulers.

Leslie tells Jess wonderful stories and leads him on fantastical imaginary adventures, but her most important gift to him is confidence in himself. When the two of them are together, Jess feels like nothing can stop them. But when he’s forced to face his greatest fear—alone—will Leslie’s guidance be enough?
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A Newbery Medal winner, Katherine Paterson’s story of friendship and loss has become a modern classic. Bridge to Terabithia touches on a wide array of themes and emotions, exploring grief, hope, and finding your place in the world—all through the eyes of a ten-year-old. Jess’ struggle for self-acceptance and a sense of belonging makes him a strong and believable lead character, and Leslie is all but irresistible, an extraordinary girl with a radiant imagination. Moving and powerful, Bridge to Terabithia is an excellent choice for book groups, and I would highly recommend it to readers ages ten and up. 

By Piranha T.

The story begins with an airplane crashing in the middle of the Sahara, and with the strange person the author finds there: a tiny stranger, who asks him to draw a sheep. The two slowly befriend one another and he learns the tale of the Little Prince: who came from a tiny planet with three volcanoes and a single beautiful flower but journeyed from it through the stars and finally to Earth, where he meets a fox and a snake and discovers the things which truly make life what it is.
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The Little Prince is one of those books which ensures you will never look at the world the same way again. It has a kind of magic, not in the words on the page but the deeper ones that lie beneath them. Despite this, it isn’t dull, or even with a set lesson like many kinds of fables; it is a story, beautifully written and sometimes slightly amusing, and though you cannot read it without finding the lesson beneath it, the author does not seem to expect that a lesson is all you will get out of it, nor is it; there is more to it than just the story and just the truth woven into it, something beyond description which almost all other stories like this lack, the thing which really changes the way a reader thinks about the story and makes it a book which you could read and read again. I would highly recommend this book to readers ages nine and up.

A note from Piranha T - This review was supposed to be posted on Monday, but due to a technical glitch it wasn't posted until today. Sorry!

By Super Kitty

Nine-year-old Cassie Logan knows the world isn’t fair. Like how she and her brothers have to walk miles to their school every day, rain or shine, while the children of white plantation owners get to ride the bus. Or how storeowners serve every white customer in the store before asking her what she wants to buy. No one seems to see her past the color of her skin. It’s not right, but in 1933, Mississippi doesn’t show any signs of changing.

Her family has something, though, which keeps them from losing hope. The land. For generations it’s given the Logans a source of income and pride that keeps them from being forced into sharecropping. But it can’t protect them from everything, and it draws the attention of people, powerful people, who would do anything to get their way.

The world isn’t fair, and everyone knows it. To accept the way things are is to be considered inferior, to be mistreated and abused. But change comes at a price, and to rebel is to put at risk everything close to your heart.
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Roll of Thunder, Hear My Cry won the Newbery Medal, and it’s one of those books which completely deserves it. The author creates a setting and cast which truly seem real, and doesn’t shy away from the deplorable things which happened during that period in history. Cassie’s narration is strong and believable, and her family and friends are all stunningly human. The effects of racism and intolerance are far-reaching, and the story makes clear just how horrific they can be. I would highly recommend this powerful, unflinchingly honest book to readers ages 11 and up.

By Super Kitty

When Billy Colman, a boy growing up in the wild Ozark mountains, discovers an ad selling coon hounds, he feels as though his prayers have been answered. For years he’s longed for dogs to hunt with, and finally he has a chance to get them: it takes two years of careful saving, but at last he earns enough to buy the two puppies he’s been dreaming of. He names them Big Dan and Little Ann, and the three of them form a bond which other people wonder at. Unlikely friends they may seem, but soon Billy and his dogs become some of the most talented hunters in the mountains, gaining recognition by huntsmen young and old, and even winning a coon-hunting championship. But the untamed mountains are as dangerous as they are breathtaking, and the connection between boy and dogs is destined to be cut short…
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Where the Red Fern Grows is a moving, beautiful book, a classic which I think stands out for several reasons. Unlike many books today, there are relatively few characters mentioned by name, but those who are feel extraordinarily believable and real, clearly portraying Billy’s childhood world of a small but close family in the remote, sometimes perilous Ozarks. I admittedly have little interest in dogs, hunting, and the like, yet I was pulled in by the narration and writing even before the story had really begun. The tension and excitement of hunting with hounds translated vividly into writing, bringing the stunning setting into clear focus. At moments, I felt almost as though I was there with the characters, surrounded the sounds of a forest late at night. This is the story of a boy and his hounds, of hunting and tracking, and ultimately of the friendship between humans and their beloved canine companions, one that I would recommend to readers ten and up.

By Piranha T. and Super Kitty

Philias Fogg is not the sort to plan a fantastical trip around the world. A reclusive English gentleman, he divides his time between his home and the Reform Club, where he spends time with colleagues and plays whist. One night, however, a disagreement arises at the Reform Club—according to a newspaper article, it is now possible to go around the world in just eighty days, and although his companions think it impossible, Mr. Fogg bets that he can do it. Accompanied by his manservant Passepartout, he sets out immediately, traveling by steamship, train, elephant, sledge, and more, and overcoming all manner of storms, setbacks, and an inspector from Scotland Yard named Fix, who believes that he robbed the bank of England and is determined to stop him at all costs.

Around the World in Eighty Days is an entertaining read, although it does take a little bit to get into. There are funny characters, clever plot twists, and interesting facts about transportation and the world in general in the late 1800s. Full of humor, wit and adventure, we’d recommend Around the World in Eighty Days to readers ages 10 and up, not as much because it would be inappropriate, but because the language may be more difficult for younger readers to understand.

*Note: there are many different editions of Around the World in Eighty Days, in many different languages, so we did not include a publisher or copywrite, as it was translated from the original French to English several times.

By Piranha T. and Super Kitty

“In the land of Ingary, where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be the eldest of three.” So starts Howl’s Moving Castle, an amusing, clever, and fast-paced favorite among Piranha T. and Super Kitty.

Sophie Hatter is one such burdened individual, staying hidden away in her stepmother’s hat shop. She knows that nothing exciting will ever happen to her, but her life takes a turn for the worse—and the more exciting—when the nefarious Witch of the Waste notices her and transforms her into an old lady. Knowing that she can’t stay where she is, Sophie goes from her home and out into the world.

Her life gets very complicated all at once when she makes a bargain with a fire demon, tangles with the greatly feared Wizard Howl and his apprentice, and at the same time tries to free herself from the Witch of the Waste’s curse. For she’s about to discover that not only Howl, but herself as well, are much more interesting than first meets the eye.

We have read several things by Diana Wynne Jones, and have enjoyed all of them, but none have come close to Howl’s Moving Castle. It is one of those books that we have been recommending to everyone we know, kids and adults alike. Weaving in elements of classic fairytales (and sometimes making fun of them), Diana Wynne Jones creates an all-time favorite with Howl’s Moving Castle. We’d recommend it to ages nine and up, to kids, teenagers and adults as well! And if you're into audiobooks, we'd recommend the narration by Jenny Sterlin. It's great!

Note: Howl’s Moving Castle was made into an animated film by Hayao Miyazaki. The book is very, very different—so whether you loved the movie or despised it, READ THE BOOK! This is one of those cases where the movie is not just different from the book, they are almost separate stories. 

By Piranha T.

Ten-year-old Robert Linnet is the first to remark, “Why don’t we run away?” An after all, why not? The four Linnet children are stuck with their grandmother, who thinks children should be seen and not heard, while their father is away in Egypt. So, Nan, Robert, Timothy and Betsy escape. Soon they find their Uncle Ambrose, who they grow to love, and his gardener, Ezra. And there they stay.

However, the real fun begins when they meet Lady Alicia—a kind old lady whose son and husband disappeared long ago. The Linnets decide to find the missing Valerians, but will they find them? Of will the possible witch Emma Cobley and her unusual black cat thwart their plots before they can even really begin their search?

I liked Linnets and Valerians because even though it was also a fun story about children running away, there was also excitement and magic, even though you may not get that idea from the cover. However, it was also an adventure with plenty of excitement and fun. I would highly recommend ­Linnets and Valerians to readers ages nine and up.
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Note to older readers: just because I say ages nine and up does not mean older readers should snub it—I enjoyed it quite a lot and think older readers will as well.

By Piranha T.

The Robber Hotzenplotz begins one morning when Kasperl’s grandmother is sitting outside, using the coffee mill she got for her birthday. Before she knows what has happened, the Robber Hotzenplotz steals the coffee mill. However, although he is so tricky he has not yet been caught by the police, Kasperl and her friend, Seppel, devise a plan to get back the coffee mill. Although at first they do not realize it, the Robber Hotzenplotz has more tricks up his sleeve then the two friends suspected—as well as help from a wicked magician with something a little more than unusual in his cellar.

​The Robber Hotzenplotz is an amusing, fast-paced story with several funny plot twists and fun characters. It was originally published in Germany and it is definitely hard to pronounce some of the names, but the plot is entertaining and I did not get mixed up because of them. I highly recommend The Robber Hotzenplotz to readers ages 9 and up. 

By Piranha T.

When Simon, Jane and Barney Drew embark on a train to Cornwall, England, none of them suspect what they will find there. Staying with their parents and their mysterious Great-Uncle Merry in a cottage by the cliffs, they discover an ancient manuscript in the house’s attic. It tells of the hiding place of an old grail, which is a key part to defeating the rising forces of evil, the Dark. With the help of their Great-Uncle Merry, who knows more about the Dark than anyone expected, they begin to follow a trail of clues that were left over nine centuries ago. But when it comes to the final moments of the quest, can they save the grail and stop the Dark?

Over Sea, Under Stone is one of the best books I have ever read. It is the first book in The Dark is Rising Sequence, a five-book series which I loved every word of. I enjoyed Over Sea, Under Stone because it was a good fantasy with some magic, and I liked how it was about ordinary children having adventures, although, as I may have pointed out, their adventures were not at all ordinary. I would highly recommend Over Sea, Under Stone to readers ages eight and up.

The audiobook version was also great - my whole family enjoyed the entire series!