By Ella

The Ever Storms is the third book in the ongoing Wilderlore series; the previous books in the series are The Accidental Apprentice (book 1) and The Weeping Tide (book 2).

Look out—there are spoilers for earlier books in the series in the review!

After facing off with Audrian Keyes and saving the Wilderlands and the Elsewheres—twice—Barclay Thorne is ready for a break. But instead, he and his fellow apprentices, Viola and Tadg, are bound for the Symposium, a series of courses at one of the Lorekeepers’ most prestigious schools in the heart of the Desert.

As an Elsie and outsider to the Lorekeeper world, Barclay is pretty sure he’s going to be scrambling to keep up. And that’s even without the Tourney, an infamous prank war between the Symposium’s students which his friends expect him to be part of, too.

But when a series of mysterious sandstorms known as the Ever Storms appear across the desert, Barclay and his friends might be the only ones who can find their source and stop them before they give rise to something even more disastrous.

I truly love the Wilderlore series, and The Ever Storms was just as good as its predecessors. Witty and magical, this is a perfect middle-grade read for anyone who loves sprawling fantasy series that sparkle with uniqueness and yet take advantage of the familiar. I love Foody’s worldbuilding—every Wilderland is full of interesting details and vivid descriptions, and the Beasts and their powers are both varied and so intriguing. Barclay and his friends, particularly as the series progresses, are such good characters—all distinct and funny, their interactions, relationships, and interactions are consistently engrossing and likable, and I’m so glad to get to know some of them better in this book. I already can’t wait for book 4! I highly recommend The Ever Storms to readers ages nine and up, particularly those who love fantasy series like Septimus Heap and Poppy Pendle. 

By Ella

​Becoming assistant to mapmaker Paiyoon has been Sai's first and only chance to escape the life she was born into. But in a birth-based society where your ancestry determines your future, Sai has to keep her con father and home in the marshes outside the city of Mangkon a secret--or risk Paiyoon's employment and the only chance she's ever had to earn enough to escape her father and the low status afforded to her by her birth. 

When she and Paiyoon are given a place on an expedition intended to map the southernmost reaches of the world, Sai is thrilled. Here, at last, is her chance to escape her life and Mangkon and use her wages to start over somewhere where no one knows her. 

But Sai isn't the only member of the ship not telling the whole truth, and when she discovers the expedition may be headed for the mythical Sunderlands, land of dragons, riches, and the impossible, Sai must decide what she's willing to give up to reach the future she's worked so hard for. 

The Last Mapmaker is an expertly paced, imaginative fantasy novel which I couldn't stop reading until the final page. Sai is the rare protagonist who doesn't always do the right thing, but always does it in a way so understandable and relatable that a reader can't help but sympathize with her decisions; I love how her choices and feelings drive the course of the story. Without using excessive description, Soontornvat's writing makes this world bloom in my mind, and I had a very strong sense of place throughout this book. I loved the details of the setting, particularly Mangkon and the legends about the mysterious Sunderlands. I highly recommend The Last Mapmaker to readers ages nine and up, particularly those who enjoy fantasy novels with strong heroines and complex characters. 

By Ella

Holly the squirrel once had grand dreams of being a heroic familiar like generations of brave animals before her, and saving the world by the side of her wizard. But when she drank from the magic pool that gives familiars their powers, her ability--conjuring pastries--wasn't deemed good enough for the wizards. Instead, she was sent to the Shelter for Rejected Familiars, where animals like her live. 

Ever since, Holly has been intent on welcoming new arrivals to the Shelter for Rejected Familiars, whose abilities to turn to stone, float, or move the universe two feet to the left simply didn't live up to the wizards' expectations. She's found a community here, and she's determined to enjoy it, even if she'll never fully shake her old dreams of heroism and accomplishment. 

When another Shelterling brings back news of a spell that could fix them and give them the magic powers they all deserve, Holly is determined to make it work. But as she and her friends defeat dragons, navigate tunnels, and travel across the sea to gather the necessary ingredients, she begins to wonder: what if they don't need better powers to be extraordinary after all? 

I've adored every book I've read by Sarah Beth Durst (Spark, The Stone Girl's Story, and The Girl Who Could Not Dream are a few favorites), and her newest novel, The Shelterlings, utterly lived up to my hopes. With strong characters, clever twists, and an ever-present hint of humor, I sped through Holly's story and loved every word of it. Durst is a master of worldbuilding and adding uniqueness to every story, and her angle on the classic trope of familiars was particularly enjoyable. I also loved the characters, particularly Holly, Gus, and Periwinkle! I highly recommend The Shelterlings to readers ages nine and up, particularly those who like fantasy adventure novels. 

By Ella

Jake has just gotten used to being the first openly gay kid at his middle school, though he only recently told his parents. There just never seemed to be a good time, no matter how accepting he knew they'd be. 

But ​Jake's dad is the type to...overcompensate. And when Jake comes home from school, he discovers a pride flag in front of their house he's pretty sure could be seen from an airplane. 

Not everyone's pleased--but there's a lot of support, too. And Jake begins to wonder: what if he can throw the first pride parade in his small Ohio town? 

With the help of his best friend and the mayor's son, Jake might just convince his hometown to celebrate who he really is--and, in the process, figure out what pride really means. 

Small Town Pride ​is a sweet story about friendship, identity, and being yourself. I liked Jake and his friends' efforts to start a pride parade and their enthusiasm; their determination was palpable throughout. The fact that this was set in a small town was also awesome--instead of setting it in a city, the backdrop of a place where everyone knows each other and not much has changed for a long time both made Jake's struggles more realistic, and made it more fun to read about. I recommend Small Town Pride to readers ages nine and up. 

By guest reviewer Jo March

​​No one new every comes to Fawn Creek, Louisiana. The same thirteen kids have been in the same class all the way through seventh grade. Twelve, now that the infamous Renni Dean has left. And now another change is on the horizon: Orchid Mason, the new girl.

Soon, everyone in school is talking about Orchid. Orchid wears a flower in her hair. Orchid has lived in New York, Paris, and Venice, places the kids from Fawn Creek could only dream of. Orchid goes to the woods every day after school. No one knows where she lives.

Nothing every changes in Fawn Creek. Will Orchid be the thing that breaks that spell?

This is definitely one of the books I'll remember reading this year. Erin Entrada Kelly paints a true picture of the humid, leafy Louisiana town, and creates a lovably flawed and complex cast of characters. This book is about a single event that will change their lives forever; and its ending is so sweet and ambiguous that you'll feel that whatever happens to the characters next, it will be something that they make for themselves. Definitely recommend to anyone ages 9-14 (and older!).

By Ella

The Arcanum Training Institute is the school for young Marvellers--magic-users from around the world whose power is encompassed in one of the five Paragons, or orders of magic. For centuries, Conjurers have been excluded from the Marveller world, their magic criticized and alienated. But now, Arcanum has opened its doors to Conjurers--and eleven-year-old Ella Durand will be the first to attend. 

Ella has long dreamed of attending Arcanum, and the school itself is all she's ever imagined--full of moving towers, odd enchantments, and delicious food. Even though not everyone is thrilled about Ella's presence at Arcanum, she slowly begins to find her place. But the school--and the Marveller world--has its own secrets, and when a dangerous criminal escapes from a Conjurer prison, it's up to Ella to clear both her name, and that of all Conjurers. 

The Marvellers is a layered, lovely fantasy novel full of strong characters and evocative worldbuilding. I particularly loved Ella and her two friends, Brigit and Jason, a trio who I'm thrilled to spend more time with later in the series! The whole book both embodies and puts a new twist on the classic magic school trope; even with the Marveller world's prejudice towards Conjurers, Arcanum feels like a place anyone could be part of. At the same time, the school has its own mysteries and hard-kept secrets, and its many layers cement it as a spectacular setting--one that is open and welcoming, but remains deeply and believably flawed. I highly recommend The Marvellers to readers ages nine and up, particularly those who enjoy magic schools, clever plots, and engrossing worldbuilding. 

By Ella

At the Black Moon Ceremony each year, every twelve-year-old Witchling in the Twelve Towns is chosen for a Coven. Seven Salazar has dreamed her entire life of being placed in Hyacinth House alongside her best friend, Poppy, where they would race toads together and learn new magic and never again have to deal with her relentless bully, Valley Pepperhorn. Only all Seven's plans don't work out, because at the Black Moon Ceremony, she isn't chosen for Hyacinth House--or any other coven. Seven, Valley, and a Witchling named Thorn are left as Spares, covenless and magicless, the worst possible fate. 

Determined not to lose her future so easily, Seven invokes the Impossible Task. If she and her fellow Spares succeed and fell a monstrous Nightbeast, they'll keep their magic and be sealed as a proper coven. If not? They'll be turned into toads. 

Seven is less than thrilled to be forced to work with Valley, but she doesn't have much of a choice if she wants to complete the Impossible Task. Especially since as she, Valley, and Thorn learn more about the Nightbeast and try to track it down, they discover that another witch is hiding it. And maybe some even more dangerous secrets, too...

Witchlings is a light, funny, and fast-paced fantasy novel that could appeal to fans of the quirkiness and strong characters of The Last Fallen Star, Strangeworlds Travel Agency, and Eva Evergreen, Semi-Magical Witch. Ortega's characters are spot-on, full of personality and layered relationships that make them feel both developed and extremely real. Seven, Thorn, and Valley stick out in particular--the ways they connect and bounce off each other make them fun to read about and utterly relatable. I also love the world of Witchlings, which is full of interesting and unique details that together create a setting that seems to extend well past the boundaries of the story. I recommend Witchlings to readers ages nine and up, particularly those who enjoy quest fantasy with a fresh twist.  

​By Ella

Every magical school needs a good beastkeeper--and Inglenook School of Magic is no exception. Twelve-year-old Autumn Malog's family has cared for Inglenook's beasts for generations, and she's grown up looking after dragons protecting their well-cared-for gardens and striking up a friendship with the boggart, one of Inglenook's most mysterious and temperamental creatures. But ever since her twin brother, Winter, went missing last year, everything has been different. Everyone else believes he's dead, devoured long ago by the ferocious Hollow Dragon, but Autumn has never been convinced. She's certain he's alive somewhere, and she's spent every moment since trying to figure out what really happened to him. And she's sure she saw him in one of Inglenook's mirrors...

Autumn doesn't have any real clues, though--not until Cai Morrigan, the Inglenook student prophecized to defeat the Hollow Dragon, agrees to help her find Winter. But nothing is as it seems, and as Autumn and Cai follow a trail of clues leading from the Hollow Dragon's forest to within the walls of Inglenook School, they must also uncover its far deeper secrets before it is too late--for Winter, and for all of them. 

The School Between Winter and Fairyland is a fast-paced fantasy novel that puts a new twist on the classic tale of the Chosen One. The worldbuilding is excellent, full of small details--like the gardening dragons--that make the setting unique and interesting. I particularly liked the different creatures that Autumn's family cares for, which are all drawn from various mythology but with a new spin on their characteristics and personalities. The characters are also excellent, particularly Cai--I've read a lot of stories with Chosen Ones, but Fawcett's twist on this trope is different in the best possible way! I recommend The School Between Winter and Fairyland to readers ages nine and up, particularly those who enjoy books about magic schools. 

By Ella

The Last Fallen Moon is the sequel to The Last Fallen Star by Graci Kim, and the second book in the Gifted Clans trilogy. 

[Look out--there are spoilers for book 1!]

Riley Oh just saved the world--it seems like she should have a chance to celebrate. But since in the process nearly everyone she knows lost their memories of her and the Gom clan no longer has their healing gift...well, let's just say that not everyone is thrilled about what Riley has done. 

Determined to fix at least one of her mistakes, Riley enters the Spiritrealm, or the world of the dead, to recruit a new patron for the Gom clan and restore their healing powers. Only the Spiritrealm is in the midst of its own problems, and with the help of a mysterious, white-haired boy named Dahl, Riley has to figure out what's really going on and stop a particularly nefarious plot before the Spiritrealm and Mortalrealm are endangered. 

I loved The Last Fallen Star, so I was thrilled to read the sequel. I loved it! With the same hilarious characters, fast pace, and intricate plot as book one, The Last Fallen Moon lived up to my expectations and introduced me to a whole new side to Riley's world that was constantly funny, interesting, and unique. I particularly liked getting to know both old and new characters better during this story, especially Hattie and Dahl. I highly recommend The Last Fallen Moon to readers ages nine and up looking for a strong, exciting series full of mythology and magic. 

By Ella

For Julie, fairy tales have never been anything but real--as real as the twisting mess of vines known as the Wild that she hides under her bed. Her mom Rapunzel and a bunch of other fairy-tale heroes and villains escaped from the Wild centuries ago, back when it was grown to its full size, and ever since it's been confined to odd corners of Julie and Rapunzel's house. Sure, it's a nuisance--Julie would rather get out of bed in the morning without discovering the Wild had transformed her shoes or backpack while she was asleep--but as long as it stays there, whatever Rapunzel and all the other fairy-tale characters seem to be worried about can't happen. 

That is, until a wish releases the Wild again. It swallows Julie's Massachusetts hometown in a mass of dangerous, magical trees--and steals her mom and grandmother into its depths. And Julie plunges into the Wild to save them. 

But the Wild is a darker and more dangerous place than Julie ever could have imagined, where familiar people are caught in endless tales and nothing stays in its apparent shape for long. Julie must navigate stories that try to ensnare her, outwit witches, griffins, and giants, and uncover the truth about her mother's past to save her family and her home--and maybe find her own happily ever after. The Wild is determined to stop her, though, trying to force Julie into different stories and break her resolve, and she has to ask herself: what if the price of success is the one thing she's always wanted more than anything? 

I've loved some of Sarah Beth Durst's other books (including The Stone Girl's Story and Spark), and so when I came across Into the Wild, I was hoping it would be just as good. It was. Durst weaves together fairy tales and the modern day into a fully believable story brimming with determination, love, and imagination. All the characters are interesting and well-executed, particularly the fairy-tale characters. I highly recommend Into the Wild to readers ages nine and up. 

​By Ella

Breaking Badlands is the third and final book in the Talespinners series by Scott Reintgen, preceded by Saving Fable (book one) and Escaping Ordinary (book two). 

[Look out--there are spoilers for the first two books!]

Indira Story has now saved the land of Imagination twice, and she's ready for a vacation. But that's before she gets swept up in a mysterious group known as the Antiheroes, who ask her to go on a dangerous mission to infiltrate Antagonist Academy before the leader of the villain school can execute a plan which would be disastrous not only for Good and Evil in all stories, but the very land of Imagination. Although Indira is at first certain this new mission will be a piece of cake, not all is as it seems. She's defended Imagination from all sorts of nefarious dangers--but can she protect it from herself? 

So often with humorous, brilliant books--particularly when the jokes made are specialized--I find the sequels something of a letdown. I begin them hoping they will be everything their predecessors were, and they never quite are. But just like the second Talespinners book, Escaping Ordinary, Breaking Badlands does something truly remarkable: in my opinion, it not only meets the strengths of book one, it's even better. Breaking Badlands delivers everything which was great about the first two books and makes it all even better, perhaps in part because the cast is all familiar, making it a new and wonderfully clever adventure inhabited by characters who are already old friends. It expertly wraps up the subplots and characters from the previous books, all while shining with new twists, settings, and humor. As a fan of well-drawn villains, the setting of Antagonist Academy was particularly enjoyable to me. I highly recommend the entire Talespinners series to anyone who loves stories and the characters who inhabit them ages nine and up. 

​By Ella
​
The last thing twelve-year-old Flick expects when she moves to the village of Little Wyverns--a far cry from the city life she's grown up with--is a travel agency. And not just any travel agency. Strangeworlds isn't the kind that brings you to the places Flick has always dreamed of going: other continents, countries, cities. Once you've joined the mysterious Strangeworlds Society, you can travel through portals hidden in suitcases into other worlds.

At first, Flick is dubious. After all, if magic were truly real, wouldn't everyone know? But then the Strangeworld Travel Agency's young Head Custodian, Jonathan, shows her some of the other worlds. And Flick discovers, to her astonishment and delight, that it's all true. There are worlds out there--nonsensical worlds filled with eerie forests, scorched deserts, and the most peculiar of impossibilities. Worlds which she can now step into.

And she's going to, because Jonathan needs her help. His father disappeared into one of the suitcases months ago, and he needs Flick's help to find him.

Together, Flick and Jonathan set out on a journey leaping from world to world. But something has been happening to the different places they visit. Things have been changing. And it's up to Jonathan and Flick to figure out what--even as she realizes that all is not as it seems.

Strangeworlds Travel Agency is a fun fantasy novel with the quirky, almost old-fashioned tone of books like The Emerald Atlas and The Box and the Dragonfly. It effortlessly leaps between the modern day and the strangest of strange worlds, carried by two characters--Flick and Jonathan--who make that leap just as effectively, never seeming jarred or out of place in either setting. No matter what Flick does at the travel agency or in other worlds, it always feels natural when she returns home to her irritating younger brother and unpacking moving boxes. I also love the worlds Flick and Jonathan travel into, which are varied, mysterious, and often completely unexpected--they truly made this book come alive. I recommend Strangeworlds Travel Agency to readers ages nine and up looking for immersive, likable fantasy novels.

By SK

Omar has lived in a Dadaab, a Somalian refugee camp, for most of his life, and he can hardly remember a time before he lived in the A3 block, in the tent he shares with his little brother Hassan across the road from their guardian, Fatuma, making meals out of the scant rations and waiting for the day when he, Hassan and Fatuma will be selected to leave for America, where everyone is rich. Where he won’t have to sleep on the ground anymore. Where he can get medicine for Hassan, who barely speaks and used to get terrifying seizures. Where his life can really start. 

When you live in a refugee camp, you spend a lot of time waiting. But that doesn’t mean Omar isn’t busy–he gathers water, plays soccer with his friends, tells stories to Hassan, and studies with his friends Jeri, Maryam, and Nimo. And he’s never stopped looking for his mother, who he hasn’t seen since fighting broke out in his village when he was a little boy. 

As he grows up, Omar experiences danger, disappointment, and the fear that he’ll never leave Dadaab. Yet he also learns that in a world where he sometimes feels powerless, the loyalty and love that connect him with Hassan and Fatuma, his friends, and his community have a power of their own. 

I don’t usually read graphic novels, but I thoroughly enjoyed this one, a story of growing up that is both universal and powerfully unique. The bright, evocative, emotional artwork is gorgeous, and the writing is crisp and concise, creating a vibrant, compelling, sometimes heartbreaking story about childhood in a refugee camp, based on coauthor Mohamed’s own life. (In fact, I realized partway through reading it that I was experiencing the same feeling of total immersion in a story, oblivious to anything around me, that I usually only get when reading standout books in prose!) The characters are deftly woven and immensely believable, and it’s a fast, satisfying, and deeply important read. At once a powerful personal story and an ode to the resilience and courage of the millions of people living in refugee camps today, I would highly recommend When the Stars Are Scattered to readers ages nine and up, especially for books groups and discussions. 

By Piranha T.

​Seventh grader Zoey Albro has never had it easy. On top of homework, she has to take care of her three younger siblings every day after school while her mom works at the pizza parlor. But she can’t really complain. At least right now, her mom has a steady job, and Lenny seems like one of her mom’s better boyfriends. The trailer they live in with him is clean, and even if it’s impossible to get a moment of peace from her siblings to do normal things like finishing homework or hanging out with friends, it’s a lot better than the other places Zoey has lived.

If she were an octopus, Zoey often tells herself, everything would be easier. They’re her favorite animal, and she knows all about them: how they have special muscles to change the texture of their skin, their ability to get into smaller places than other animals…they can even camouflage themselves with their environment. Sure, when they’re nervous, they turn bright red, but not even an octopus can be perfect.

But she isn’t an octopus, and she can’t camouflage herself when she doesn’t want to be seen. Her social studies teacher, Ms. Rochambeau, is always nagging at her to hand in homework, but now she has another focus. She wants Zoey to join debate team—which she knows will be full of all the kids who hand in their homework and don’t have to worry about what they’ll eat for breakfast tomorrow morning. It’s the last place Zoey, even with her octopus camouflage, could ever blend in.

Yet it’s at debate team that Zoey begins to find an unexpected place. It’s from what she’s learned at debate team that she begins to question the world around her. And it’s because of debate team that she might just find the courage to stand up and raise her voice.

Because not even an octopus should blend in forever.

The Benefits of Being an Octopus was an eye-opening, deep, and moving read. There is so much in this book I didn’t expect, beyond the themes of class and social judgement. It discusses everything from gun rights to what it means to be a kid struggling in a world where it feels like nothing is open to you. Zoey is such a strong character, full of determination and grit while still being held back by the people and the world surrounding her. She is extremely realistic, and sees the world in such a different, powerful way than most other characters in middle-grade novels, and I loved reading this story through her eyes. The supporting cast is also very realistic—particularly the first time I read this, at the same age as Zoey, this book rang true to me. Overall, I highly recommend The Benefits of Being an Octopus to readers who love thought-provoking books ages nine and up.

​By Piranha T. 

Indira Story has spent her life in the town of Origin, a character-in-waiting who wants nothing more than to be chosen for a story. So when the Author Borealis arrive and Indira is chosen to go to Fable--home to the school which has trained every Protagonist in literary history--it's like a dream come true. 

But when Indira arrives at Protagonist Preparatory, she's set on the side character track--a far cry from the hero she's always dreamed of being. She's determined to do her best anyway, and impress her teachers, who are all famous protagonists in their own right from Romeo to Odysseus. If she works hard, Indira is sure she can become a protagonist, too. 

Somehow, though, even her best efforts don't seem to be working. She's failing at being just a side character. Indira's future is looking bleak when strange things start happening at Protagonist Preparatory, and she starts putting the pieces together--pieces which someone nefarious is trying very hard to keep hidden. 

Will Indira have it in her to be the hero she's always dreamed of--or will she fail, leaving Fable to a disastrous fate? 

If any part of the above story description sounds the least bit familiar, or even a little cliché, that's the point. Saving Fable plays on the most stereotypical, most traditional, most familiar tropes and mixes them up with a world populated by characters and full of clever literary puns, and the result is extraordinary. There are many books which play off story elements of heroes and books--some favorites of mine include Finding Serendipity and The Thieving Collectors of Fine Children's Books--but Reintgen pulls it off here with spectacular and outstanding flair, full of brilliant jokes and constant humor which is so incredibly self-aware. The brilliant writing craft references, which essentially make up the whole world of Saving Fable, are particularly notable in my opinion, in part because they are so incredibly brilliant but also because they create such an atmospheric, detailed, and truly hilarious world; whether it's references to famous protagonists, brainstorming, or simply the classic hero-versus-antagonist plot, they never fall flat and made me laugh my way through this whole book.

​But part of what makes this book stand out is that you don't have to get all of these jokes to love it--they're more of an undercurrent which makes it even more spectacular. The characters, including Indira, are also awesome, and all seemed to sparkle with something of their own; together with a fully realized world and a bright and even surprising plot, they created a full and complete story which I couldn't put down. I highly recommend Saving Fable to fans of fantasy ages nine and up, particularly those who have read enough books to recognize both the funny and familiar in its story. 

Note: If you like Saving Fable, check out our interview with author Scott Reintgen!