By Ella

Morgan knows she can’t be herself on the tiny island where she’s grown up. Here, she’s straightforward, unremark-able, good at blending in, a persona much easier to stomach than the truth that no one—not her struggling mom, not her cluster of friends—knows: Morgan likes girls.

She’s determined to get through high school and escape as soon as possible to somewhere she can be herself. But all that changes when Keltie slips out of the sea and saves Morgan’s life. Keltie—who, with her odd, bright-colored clothes, disregard for social convention, and unconventional secret—is the worst thing possible for Morgan’s attempt at normalcy. Particularly when she begins to fall in love…

​The Girl from the Sea was the summery, small-town, queer graphic novel I didn’t know I needed! With beautiful, atmospheric artwork and a contemporary twist on the classic selkie story, I couldn’t help but be pulled into this book. I really loved the characters—Morgan is one of the absolutely most relatable characters I’ve read recently, and Keltie her perfect foil, with so much spark and personality that I couldn’t help but fall in love with her alongside Morgan. The entire story was sweet and vivid, and extraordinarily realistic, despite (or because of) the magical elements; Morgan’s family in particular felt completely authentic, with the right mix of conflict and love and individual character to bring it truly to life. Whimsical and full of magic, I highly recommend The Girl from the Sea to readers ages eleven and up. 

By Ella

Everyone seems to have their own opinion on Marlene’s frizzy hair. For Marlene’s mother, it’s that curly hair should be straightened every week at the salon, yanked and prodded by a much-hated stylist. To her family, it’s only remotely manageable and presentable when it’s styled her mother’s way, but even then, it’ll never live up to her cousin’s Diana’s gorgeous, flowing, straight golden locks. And for Marlene’s classmates? Her hair is just something else to make fun of her for.

Marlene just wishes that she didn’t always have to be so careful to keep her hair tame like the whole world seems to want her to—no running, no dancing, and definitely not any attempts to style it her own way. But with the help of her best friend Camilla and her beloved tía Ruby, Marlene begins to realize that her hair is most beautiful when she wears it the way she wants to—and that maybe she can show everyone else just how lovely it can be, too.

​Frizzy is absolutely wonderful. The sweet, pithy writing of Claribel A. Ortega (also the author of Witchlings) blends with Rose Bousamra’s beautiful, evocative illustrations to create a moving, lovely graphic novel about the prejudices of those around us and the capacity of each of us to be beautiful. Quirky and relatable, I couldn’t help but read Frizzy in one sitting—I was pulled into Marlene’s story from the first page thanks to her struggles with self-identity and how others perceive her, universal questions that gave the book such depth. Perhaps best of all was the realism of Marlene’s interactions with other characters, particularly her family; ranging from awful to heartwarming, they truly brought the story alive with dimensionality and authenticity. I highly recommend Frizzy to readers ages eight and up, particularly more reluctant readers or those looking for an affirming, realistic story. 

By Ella

Frances, a young seamstress in Paris, is sure she’s about to lose her job. She’s long dreamed of crafting unconven-tional, spectacular gowns, but without the credits or accomplishments she needs to be taken seriously, her inadvis-able foray into more creative designs has just made her traditionalist employer furious. But instead of ruining her career, Frances’s work attracts the attention of a wealthy customer who offers her a new position—one where her creativity isn’t hemmed in by someone else’s notions of what shouldn’t be done. To her surprise, the customer is the crown prince, Sebastian.

Sebastian has always loved dresses, and now more than ever—with his parents pushing him to find the perfect princess to marry—he needs to escape the palace to find people who see him for who he really is. When he glimpses Frances’s flamboyant handiwork, he knows immediately he wants to hire her himself—and when she agrees, it seems like a dream come true for both of them.

For the first time, Frances is able to make whatever dresses she likes. And while Sebastian still has to play the perfect prince during the day, courting princesses and pleasing his parents, at night he and Frances slip into the city and he becomes Lady Crystallia, wealthy and unconventional, whose dress sense is admired and whose true identity is a carefully kept secret.

But how long can this secret be kept? And if Frances remains a secret’s dressmaker, can she ever become the famous seamstress of her dreams? 
​
I absolutely loved The Prince and the Dressmaker. The stunning, atmospheric illustrations drew me immediately into Frances’s story; the tale flew by far quicker than I wanted it to! There was so much beauty to this story, both in the pictures and the plot itself; Frances’s quirky determination and Sebastian’s lonely hope sprang to life with vividness and sensitivity, blending together into a lovely, whimsical tale full of friendship and realism that feels as genuine as it does lovable. I particularly loved Sebastian’s understanding of his identity, which is fluid and natural instead of feeling predetermined or contrived. I highly recommend The Prince and the Dressmaker to anyone who loves queer graphic novels, particularly those with happy endings.
 
Note: I first picked up The Prince and the Dressmaker because of FalconX’s awesome review of it several years ago—you can read it here! 

By SK

Omar has lived in a Dadaab, a Somalian refugee camp, for most of his life, and he can hardly remember a time before he lived in the A3 block, in the tent he shares with his little brother Hassan across the road from their guardian, Fatuma, making meals out of the scant rations and waiting for the day when he, Hassan and Fatuma will be selected to leave for America, where everyone is rich. Where he won’t have to sleep on the ground anymore. Where he can get medicine for Hassan, who barely speaks and used to get terrifying seizures. Where his life can really start. 

When you live in a refugee camp, you spend a lot of time waiting. But that doesn’t mean Omar isn’t busy–he gathers water, plays soccer with his friends, tells stories to Hassan, and studies with his friends Jeri, Maryam, and Nimo. And he’s never stopped looking for his mother, who he hasn’t seen since fighting broke out in his village when he was a little boy. 

As he grows up, Omar experiences danger, disappointment, and the fear that he’ll never leave Dadaab. Yet he also learns that in a world where he sometimes feels powerless, the loyalty and love that connect him with Hassan and Fatuma, his friends, and his community have a power of their own. 

I don’t usually read graphic novels, but I thoroughly enjoyed this one, a story of growing up that is both universal and powerfully unique. The bright, evocative, emotional artwork is gorgeous, and the writing is crisp and concise, creating a vibrant, compelling, sometimes heartbreaking story about childhood in a refugee camp, based on coauthor Mohamed’s own life. (In fact, I realized partway through reading it that I was experiencing the same feeling of total immersion in a story, oblivious to anything around me, that I usually only get when reading standout books in prose!) The characters are deftly woven and immensely believable, and it’s a fast, satisfying, and deeply important read. At once a powerful personal story and an ode to the resilience and courage of the millions of people living in refugee camps today, I would highly recommend When the Stars Are Scattered to readers ages nine and up, especially for books groups and discussions. 

By SK

Aspiring writer Jo March is excited to start eighth grade, but she's also unsure what the year is going to bring--how might she have changed by the time school is over? After all, she feels like a much different "J" than she was last year. But with her sisters Meg, Beth, and Amy at her side, she knows she can face anything--even if Amy is irritating sometimes. 

And the year does turn out to be a good one. The four sisters have fun creating Halloween costumes, decorating hospital rooms for the holidays with their mom, Marmee, telling ghost stories, and more--even if worries about their dad, who's deployed overseas, and Beth, who's in remission, are always present. And when their neighbor's grandson Laurie moves in partway through the school year, they quickly discover a new friend to include in their adventures. Jo is even recruited for her school's newspaper club by a girl named Freddie, where she hones her writing skills and meets other writers. 

Jo and Freddie bond over their shared love of writing, and Jo begins to realize that she's attracted to her new friend, which feels....confusing. Things are made even more so when Laurie tells Jo that he likes her--she doesn't want to ruin their friendship, but she knows she simply isn't attracted to him. 

Jo's family has always been close and supportive--but will they treat Jo differently if she tells them she's gay? What if her world does change this year after all? And is change necessarily a bad thing?

There have been many adaptations of Little Women over the years, but while I was at first a bit dubious about the idea of having a version set in the modern day, I ended up really enjoying Jo. The characters are distinct, realistic, and relatable, and I really appreciated how Gros deftly makes them believable modern kids while staying true to Lousia May Alcott's original characters (I especially liked Jo, a talented budding writer and caring, loyal sister who's determined to be her true self). Similarly, many of the themes and story threads from Little Women are included, but their transposition into the current day feels natural and not at all jarring. I don't read graphic novels too often, but I quite enjoyed this one, and would recommend it to readers who usually read traditionally formatted books as well as graphic novel fans. I read it in a book group where we compared and discussed several different versions of Little Women (both books and movies), which was super interesting--I would highly recommend doing so to other book groups! Jo is an excellent pick for readers ages nine and up looking for a fast, fun, satisfying read. 

By Contributing Reviewer FalconX, Age 11

Everyone knows that the Crown Prince Sebastian is hosting a ball to look for the perfect bride. Young ladies squeal over invitations, shops are selling out of ball gowns, and seamstresses are working day and night to keep up with the demand. Frances, a seamstress, is asked to design a dress for Lady Sophia, who is in need of a dress for the ball. However, Lady Sophia is in a bad mood, and she says something to Frances: "Make me look like the devil's wench."

Frances, intrigued by this idea, designs a daringly short black dress of thin chiffon and lace, unlike the colorful sweeping skirts of the other ladies at the ball, and her dress is noticed by all. Including the Crown Prince Sebastian, hidden behind a curtain. Secretly, the prince dreams of wearing something like that.

Frances is offered the chance of a lifetime by Sebastian's personal assistant. She doesn't realize the person she's designing for is a boy, much less the Crown Prince. During the day, Sebastian plays the charming prince, finding a bride, while at night, he goes out in secret in dresses and a wig; and Paris knows him as Lady Crystallia, the "woman" whose dresses and fashion sense is admired everywhere.

Frances is one of the only two people that know Sebastian's secret. But as she keeps designing dresses for the prince, it gets harder and harder to keep his secret. How long can she keep it quiet for her friend before someone finds out?

The Prince and the Dressmaker was a beautifully illustrated graphic novel full of vivid pictures and amazing facial expressions. Jen Wang spins a tale of friendship, courage, and the confidence to embrace one's identity. Frances and Sebastian are characters you will never forget, making you cry and laugh all throughout the book. It mixes suspense, mystery, and just plain fun into the story, making it an unforgettable read. I loved how well the characters' personalities were displayed; through the illustrations, actions, and way they talked. This book explains that no matter who you are, you are free to dress, to act like who you want to be.

I would recommend this book to readers age twelve and up, who enjoy a good, sweet tale set in Paris.

Guest contributor: Sylvie Strawberry (age 14, Massachusetts)

Masha. Her dead mom, her dead grandmother. Her dad who proposed to a woman with a girl named Dani who bit Masha minutes after they met. How was Masha supposed to stay with a family who didn't notice her talents like her grandma had? Was she supposed to sit there and pretend life was all fun and games? That's when Masha remembered the Assistant Wanted ASAP ad in the paper. "Must have skills in hauling, obeying orders, cooking, and cleaning. Magical talent a bonus. Must be good with heights," it read. Then the last part. "Enter Baba Yaga's house to apply." Would Masha do it? Baba Yaga was a witch. An ugly witch who was famous for eating bad kids. She lived in a house on chicken legs, kept eels in jars, had long teeth, and was quiet one minute then extremely wicked and hungry the next. This was exactly what Masha was looking for as an assistant. Even if it meant kissing angry bears, washing a closet full of snakes, disappointing the witch, and finding Dani in Baba Yaga's bathroom, Masha will be tackling her new job no matter what. Join Masha on her journey as you read this spooky, funny, and surprising graphic novel full of wonderful pictures and never ending twists. Put your war face on like Masha as she enters a world full of danger and witchy disaster. And you'll wonder...Was it worth it becoming Baba Yaga's assistant?