By Ella

Nic Blake is a Manifestor—which, up until now, hasn’t meant a whole lot other than always needing to move when Unremarkable, non-magical humans figure out that there’s something weird about her and her dad. But today is Nic’s twelfth birthday, and she’s hoping that the hellhound pup her dad gives her isn’t the only present he’s planning. She’s been asking him to teach her how to use her magic for years, and maybe now he’ll deem her old enough.

But before she can start pestering her dad again, Nic’s life is utterly upended when her favorite author and a mysterious women crash into her life—and bring the Remarkable police not far behind them. With her dad imprisoned for a crime Nic’s certain he couldn’t have committed and no idea who to go to, Nic teams up with her Unremarkable best friend and a twin brother she never knew she had to clear her dad’s name the only way she knows how—by finding the weapon the Remarkables think he stole before he's sentenced to a terrible fate.

Pursued by the Remarkable police, Nic and her friends must uncover the truth about everyone from a resentful ex-Chosen One to a group of dangerous, magic-wielding Unremarkables if she wants to save her dad in time—but that might mean learning truths about herself she’d have rather stayed hidden.

​Witty, fast-paced, and exciting, Nic Blake and the Remarkables: The Manifestor Prophecy was utterly awesome. Nic is a fiery, fierce, adventurous heroine who I couldn’t help but love; her determination and passion drive the story through all its twists, and I’m so glad I get to follow her through more books in the series! The supporting cast particularly shone as well, especially the adults like Nic’s parents and the ex-Chosen One (one of my personal favorites!), who felt in some ways as fleshed out and vivid as the story’s protagonists. From the first few chapters there was clearly so much depth to their history and stories, and I can’t wait to get to know all of them better in the sequel. As someone who loves subverted tropes, I particularly enjoyed Thomas’s reimagining of the classic Chosen One into something unique and far more interesting, bringing extra depth to a tale that raised interesting questions about the way we tell stories. Indeed, the unexpected depth to what easily could’ve been a straightforward story was part of why I loved it so much; as in Thomas’s other books, she doesn’t shy away from the reality of being a Black kid in America, an honesty seen too rarely in contemporary fantasy novels that only became more powerful through Nic’s indignance that that the Remarkables didn’t use their magic to help Unremarkables in the larger world. Although very different from Angie Thomas’s other books, it shares their self-awareness, powerfully realistic characters, and engrossing writing—all the hallmarks of what make Thomas’s books so amazing. Action-packed and clever, I highly recommend The Manifestor Prophecy to readers ages nine and up. ​

By Ella

Ellen likes everything to be organized and planned out ahead. And thanks to her parents and her best friend, Laurel, that’s never been a problem, just like it’s never been a big deal that she likes girls and is autistic. But lately, Laurel has been spending less and less time with her, and Ellen isn’t sure what to do. The class trip to Barcelona seems like the perfect time to reconnect with her best friend.

But Ellen’s careful plans go awry almost immediately. Laurel hangs out with her new friends instead of Ellen, and even though she invites her to hang out, Ellen feels out of place with the other girls. A new nonbinary classmate who Ellen can’t help but like leaves her questioning the categories she’s always used to think about the world. And on top of it all, the trip’s schedule turns out completely differently than Ellen expected when they get separated into teams to go on a treasure hunt across Barcelona—and Laurel isn’t on Ellen’s team.

This summer won’t be anything like Ellen expected, but maybe she’ll be able to find somewhere new she belongs—and discover a few things about herself, too.

​Thoughtful, sensitive, and engrossing, I loved Ellen Outside the Lines. A. J. Sass’s debut, Ana on the Edge, was one of my absolute favorites last year, and Ellen Outside the Lines fully lived up to the expectations that book set. Ellen was an awesome protagonist—her voice was so strong throughout the novel, and her questions and struggles felt utterly familiar and sympathetic. I loved the setting, too, particularly as Ellen and her friends explored Barcelona; the vivid descriptions and sprinkling of Spanish and Catalan made me feel as though I was walking the streets right beside her. Sweet, relatable, and exciting, I highly recommend Ellen Outside the Lines to readers ages nine and up. 

By Ella

Frances, a young seamstress in Paris, is sure she’s about to lose her job. She’s long dreamed of crafting unconven-tional, spectacular gowns, but without the credits or accomplishments she needs to be taken seriously, her inadvis-able foray into more creative designs has just made her traditionalist employer furious. But instead of ruining her career, Frances’s work attracts the attention of a wealthy customer who offers her a new position—one where her creativity isn’t hemmed in by someone else’s notions of what shouldn’t be done. To her surprise, the customer is the crown prince, Sebastian.

Sebastian has always loved dresses, and now more than ever—with his parents pushing him to find the perfect princess to marry—he needs to escape the palace to find people who see him for who he really is. When he glimpses Frances’s flamboyant handiwork, he knows immediately he wants to hire her himself—and when she agrees, it seems like a dream come true for both of them.

For the first time, Frances is able to make whatever dresses she likes. And while Sebastian still has to play the perfect prince during the day, courting princesses and pleasing his parents, at night he and Frances slip into the city and he becomes Lady Crystallia, wealthy and unconventional, whose dress sense is admired and whose true identity is a carefully kept secret.

But how long can this secret be kept? And if Frances remains a secret’s dressmaker, can she ever become the famous seamstress of her dreams? 
​
I absolutely loved The Prince and the Dressmaker. The stunning, atmospheric illustrations drew me immediately into Frances’s story; the tale flew by far quicker than I wanted it to! There was so much beauty to this story, both in the pictures and the plot itself; Frances’s quirky determination and Sebastian’s lonely hope sprang to life with vividness and sensitivity, blending together into a lovely, whimsical tale full of friendship and realism that feels as genuine as it does lovable. I particularly loved Sebastian’s understanding of his identity, which is fluid and natural instead of feeling predetermined or contrived. I highly recommend The Prince and the Dressmaker to anyone who loves queer graphic novels, particularly those with happy endings.
 
Note: I first picked up The Prince and the Dressmaker because of FalconX’s awesome review of it several years ago—you can read it here! 

By Ella

The Ever Storms is the third book in the ongoing Wilderlore series; the previous books in the series are The Accidental Apprentice (book 1) and The Weeping Tide (book 2).

Look out—there are spoilers for earlier books in the series in the review!

After facing off with Audrian Keyes and saving the Wilderlands and the Elsewheres—twice—Barclay Thorne is ready for a break. But instead, he and his fellow apprentices, Viola and Tadg, are bound for the Symposium, a series of courses at one of the Lorekeepers’ most prestigious schools in the heart of the Desert.

As an Elsie and outsider to the Lorekeeper world, Barclay is pretty sure he’s going to be scrambling to keep up. And that’s even without the Tourney, an infamous prank war between the Symposium’s students which his friends expect him to be part of, too.

But when a series of mysterious sandstorms known as the Ever Storms appear across the desert, Barclay and his friends might be the only ones who can find their source and stop them before they give rise to something even more disastrous.

I truly love the Wilderlore series, and The Ever Storms was just as good as its predecessors. Witty and magical, this is a perfect middle-grade read for anyone who loves sprawling fantasy series that sparkle with uniqueness and yet take advantage of the familiar. I love Foody’s worldbuilding—every Wilderland is full of interesting details and vivid descriptions, and the Beasts and their powers are both varied and so intriguing. Barclay and his friends, particularly as the series progresses, are such good characters—all distinct and funny, their interactions, relationships, and interactions are consistently engrossing and likable, and I’m so glad to get to know some of them better in this book. I already can’t wait for book 4! I highly recommend The Ever Storms to readers ages nine and up, particularly those who love fantasy series like Septimus Heap and Poppy Pendle. 

​By Ella

The Secrets of the Stormforest is the third book in L D Lapinski's middle-grade fantasy Strangeworlds Travel Agency series. It is preceded by Strangeworlds Travel Agency and The Edge of the Ocean, both of which we also loved--we chose the series overall as one of our favorites of 2022! 

​
[Look out--there are spoilers for books 1 & 2 below!]

Ever since Flick Hudson discovered the Strangeworlds Travel Agency and met Jonathan Mercator, who oversees the travel through the multiverse via portals trapped in suitcases, her life has become extraordinary. But now, as Flick begins to understand the truth about the travel agency and the dangers facing the many worlds, she discovers that not just Strangeworlds, but the entire multiverse, might be in danger. 

Now, with Jonathan and Avery by her side, Flick must race to find a suitcase with the power to destroy the multiverse--before it is used to tear apart every magical place she's ever found. 

I adored Flick and Jonathan's previous adventures, each full of quirky twists, awesome characters, and a sense of inarguable magic. The Secrets of the Stormforest's only flaw is that it's the final book in the trilogy! With everything that made books one and two so wonderful, plus unfolding secrets, impending disaster, and a series of stunning plot twists I never would have expected, there was so much to love about this story. As in the earlier books, Lapinski's characters are extraordinary; I felt so much for Flick, Jonathan, Avery, and the entire cast over the course of this book, who are made utterly relatable by their vulnerability, flaws, bravery, and connections to one another. Everything came together with beautiful, sometimes heartbreaking perfection, and threads both anticipated and unexpected from the previous books wove into a story I didn't want to end. I highly recommend the Strangeworlds Travel Agency series to anyone who loves heartwarming, exciting adventures, strong characters, and immersive worldbuilding, ages nine and up. 

​By Ella

It's been a long time since twelve-year-old Gabriela felt right in the world. Between not having any friends at school, their beloved single mom's depression, and Gabriela's increasing discomfort in their own body, life has just become harder lately. 

But when they meet Abbie and Héctor at the beginning of the new school year, who introduce them to the LGBTQ+ community for the first time, Gabriela begins to find the language to put to how they've always felt--and to understand who they really are. 

The One Who Loves You the Most is a warm, sweet novel that explores identity, friendship and family in a relatable, engaging way. I loved the characters of Gabriela, Abbie and Héctor--they all felt authentic and relatable, and their friendship forms the core of the story. I recommend The One Who Loves You the Most to readers ages ten and up who like realistic fiction with LGBTQ+ characters. 

By Ella

The Sunbearer Trials occur once every decade to renew the sacrifice the sun made centuries ago and keep the selfish, power-hungry Obsidian gods at bay. Ten talented semidioses are selected to compete for twin honors: the winner, to carry the sun’s light across the land; and the loser, to sacrifice themself to keep the sun shining. The winner is always the child of one of the Gold dioses, who train all their lives for the Sunbearer Trials and live far removed from the humans they protect. When Jade semidioses like Teo are chosen, they’re practically considered a shoo-in for the sacrifice. 

Teo isn’t exactly looking forward to watching the Sunbearer Trials—he sees them as yet another way for the Golds to show off their superiority. Plus, it seems all too likely that the only Gold he likes—his best friend, Niya—is going to be chosen for the Trials, and he can’t quite reassure himself that she won’t become the sacrifice. 

It’s the last thing he’s expecting when he’s chosen for the Sunbearer Trials himself. 

Now, Teo must race against privileged Golds—including his ex-best friend, Aurelio, who everyone thinks will become the next Sunbearer—for glory, fame, and simply survival. And even with his fellow competitors Niya and Xiu, another Jade, on his side, the chances of one of them becoming the sacrifice seems higher with every passing trial. 

As the trials seem determined to not go according to plan and Teo realizes that every outcome will be painful, he has to fight harder than ever for the survival of him and his friends—no matter how noble losing might be. 

I've wanted to read Cemetery Boys, Aiden Thomas's debut, since it first came out, but somehow I found myself picking up The Sunbearer Trials first--and I'm so glad I did. I absolutely loved it. From the first page, I felt utterly absorbed in the setting; although complex, it never became too complicated or confusing, instead adding atmosphere and a beautifully queernormative society that only made this book an even more amazing read. Teo is such an incredibly relatable, funny, and deep character who I truly would follow wherever the story goes next; his struggles, decisions, relationships, and determination are both believable and inescapably realistic, and he's the kind of hero I feel like I don't see often enough. This book also features one of the most distinct secondary casts I can remember reading recently--there are about half a dozen competitors (and quite a number of gods) who aren't one of the principal characters, and yet their motivations, personalities, and relationships are so extraordinarily vibrant, distinct, and well-defined that they all very well could have been. Although there are many familiar fantastical threads that run through The Sunbearer Trials, Thomas turns every one of them into something unique and distinct, and I was constantly surprised by twists and turns of the story, turning it into something I hadn't expected but couldn't help but love. I highly recommend The Sunbearer Trials to readers ages twelve and up, particularly those who love LGBTQ fantasy and strong, distinct characters.

By Ella

​A century ago, the kingdom within the Mirrorwood was cursed. Its perfect prince was replaced by a demon one; a wall of thorns was raised to protect the outside world from his dark magic, though it can't prevent some of it from slipping through. The land lives in fear of that magic and the demon prince, and awaits the day when a beautiful princess will enter the Mirrorwood and break the curse at last. 

Fable is hardly a beautiful princess. She doesn't even have a face of her own--she's blighted, cursed by one of the Mirrorwood's twists of dark magic, and unless she wishes to fade into nothing, she has to constantly steal the faces of others. But it's a tenuous existence, even with her family's love and support--she's constantly afraid that a blighthunter will find her and kill her, or, even worse, punish her family for harboring someone blighted. 

When a determined blighthunter's apprentice, Vycorax, pursues Fable and her trusty cat into the Mirrrorwood, she knows she has to act--or risk never seeing her family again. Her only chance at a free, happy life is to slay the demon prince and break the curse herself, even if that means confronting the Mirrorwood's most dangerous beasts, bargaining with ancient powers, and trusting someone she's been taught her whole life to despise. 

But not all evil has horns. And in the Mirrorwood, nothing is as it seems...

Clever, absorbing, and uniquely imagined, I'm so glad I read The Mirrorwood! Mirrorwood! Although the premise easily could have fallen into a straightforward, cliche tale of heroism, Deva Fagan makes it so much deeper and more interesting, propelled by twists I never saw coming. I loved Fable and all the supporting characters, particularly Lyrian and Vycorax, who were layered and often did what I least expected them to, surprising me in the best possible way. The worldbuilding was light and evocative, and I particularly enjoyed reading about the Withering and the Subtle Powers, which helped give the Mirrorwood a unique flavor. I highly recommend The Mirrorwood to readers ages ten and up who enjoy middle-grade fantasy like The School Between Winter and Fairyland. 

By Ella

Rhaskos. A Thracian slave, worth far less than the animals he cares for. Separated from his mother, forced to serve a master who curses him and beats him. He draws horses in the dirt, and dreams of freedom.

Melisto. She caused her mother no end of trouble as a baby. She has never stopped. The future looks as bleak to her as a stretch of flawless fabric: what everyone expects, and so easily ignored. Serving Artemis as a Little Bear might be the first and last chance, however temporary, for her to be herself.

Against the backdrop of ancient Greece, told in poetry and prose and in fragments of the past, this is the tale of a boy and a girl whose futures are dark to them—and who might, through the impossible friendship they form, at last find the peace they have both been searching for.

Amber & Clay is unique and utterly absorbing, blending historical fiction, magic, and archaeology into something almost improbably powerful and beautiful. I’ve read a handful of books which use both prose and poetry, and honestly none of them have pulled it off very well; there always feels as though there is an abrupt shift when transitioning from one to another. But Schlitz’s prose is so lyrical and deliberate that the story flowed seamlessly from one style to another, and brought the book together more fully and made it feel more concrete rather than splintering it into sections. Not only that, but this ranks among one of the most excellent historical novels I have read (it’s set in Greece, particularly the Athens area, around the fifth century BCE)—not just for how it feels as though it stays utterly true to the time period, but because the feelings and conflicts and dreams of Rhaskos and Melisto are so bright and evocative in my mind that they might be living next door, not twenty-six centuries ago.

To be honest, of all the books I’ve reviewed, Amber & Clay is one of the hardest to describe. Its scope feels enormous, and yet deeply personal; its struggles, concrete and yet ephemeral. So much happens, but it isn’t the tale of the vast shifts of war and politics occurring in the background. It isn’t even a grandiose interpretation of what it must’ve been like, growing up without any chance at having rights. Instead of seeking to change the world, Rhaskos and Melisto both simply seek to live with it: to live in a society which they see not as unjust and discriminatory as we do now, but simply as how the world is. This crucial and too-unique nuance lends the story a vibrant realism which it might otherwise lack, and helps every detail of the story, its characters, and its setting shine with power and truth. Amber & Clay is, quite simply, extraordinary—I highly recommend it to readers ages eleven and up.

By Ella

Note: For this review, I used pronouns consis-tent with Ana's perceived gender identity at the beginning of the book. 

Twelve-year-old Ana Jin might be last year's US Juvenile girl's figure skating champion, but that doesn't mean she likes the dresses most skaters are forced to wear during competitions. Far from it--and when Ana discovers that the program she's expected to perform at nationals this year is princess-themed, she can't figure out why it feels so wrong to her. Sure, Ana has never liked wearing dresses, but no one else at the rink seems to have a problem with it. Why should she?

But everything changes when Ana meets Hayden, a transgender boy who's just starting to learn how to skate. Especially when he mistakes her for a boy--and Ana doesn't correct him. Somehow, this feels way better than everyone just assuming she's a girl. But what does that even mean? 

As the nationals qualifier draws nearer, Ana must figure out who she really is--and decide whether the world knowing her identity is worth sacrificing years of training in an uncompromisingly gendered sport. 

​I can't believe it took me two years to read Ana on the Edge. Thoughtful, lovely, and utterly affirming, Ana's journey is both beautiful and fast-paced, and even if I had wanted to put it down (I didn't!), I don't think I could have managed to. I absolutely loved this book. From the first page, Sass waves together figure skating, friendship, family, change, and understanding one's own identity into a story so relatable and realistic that I feel as though I could meet Ana on the street. The characters are all layered and complex, and their interactions and conflicts were spot-on. I particularly loved Ana, whose gradual understanding of her nonbinary identity felt incredibly true, and whose questions, concerns, and feelings over the course of this story made me fall in love with her. The window on the world of ultra-competitive figure skating was also very interesting, and the nuance of Ana's worries about how her mom will pay for her increasingly expensive coaching made it feel both immediate and very real. This is one of the very best realistic fiction novels I've read in a long time. Heartwarming, authentic, and beautifully true, I highly recommend Ana on the Edge to readers ages ten and up, particularly those who love realistic fiction or are considering their own gender identity. 

By Ella

​Becoming assistant to mapmaker Paiyoon has been Sai's first and only chance to escape the life she was born into. But in a birth-based society where your ancestry determines your future, Sai has to keep her con father and home in the marshes outside the city of Mangkon a secret--or risk Paiyoon's employment and the only chance she's ever had to earn enough to escape her father and the low status afforded to her by her birth. 

When she and Paiyoon are given a place on an expedition intended to map the southernmost reaches of the world, Sai is thrilled. Here, at last, is her chance to escape her life and Mangkon and use her wages to start over somewhere where no one knows her. 

But Sai isn't the only member of the ship not telling the whole truth, and when she discovers the expedition may be headed for the mythical Sunderlands, land of dragons, riches, and the impossible, Sai must decide what she's willing to give up to reach the future she's worked so hard for. 

The Last Mapmaker is an expertly paced, imaginative fantasy novel which I couldn't stop reading until the final page. Sai is the rare protagonist who doesn't always do the right thing, but always does it in a way so understandable and relatable that a reader can't help but sympathize with her decisions; I love how her choices and feelings drive the course of the story. Without using excessive description, Soontornvat's writing makes this world bloom in my mind, and I had a very strong sense of place throughout this book. I loved the details of the setting, particularly Mangkon and the legends about the mysterious Sunderlands. I highly recommend The Last Mapmaker to readers ages nine and up, particularly those who enjoy fantasy novels with strong heroines and complex characters. 

​By Ella

Everyone in the village is sure that Luka Lupu--clever, kind, and full of wisdom--will be a sorcerer one day, and help protect Illyria against the ferisome Dread. Even his sister, Marya, believes that, although no one would listen to her if she didn't. Stubborn, opinionated, and, worst of all, a girl, the Lupus have no expectations for Marya. Her parents only hope that when the sorcerers who test promising boys for magical potential find it in their Luka, Marya will not be too great of an embarrassment. 

But even these low expectations are dashed when the sorcerer's test goes horribly wrong, and Marya is sent off to Dragomir Academy--a place intended to instill good manners into troubled girls. 

At first, Marya finds herself at Dragomir as she always has been: incompetent and full of mistakes, somehow unable to heed the rules. Troubled. But as time passes and Marya learns more about Dragomir and her fellow students, she begins to wonder whether facts she's been taught all her life are true after all--and what Dragomir Academy is really intended for. 

The Troubled Girls of Dragomir Academy is simultaneously an engrossing, nuanced story full of magic and mystery and a deep, thoughtful exploration of the stories our society tells us--and who, ultimately, they truly serve. Anne Ursu weaves a tale led by a strong, flawed protagonist who finds herself coming to terms with a world that would rather she stay silent, and a society designed to keep her that way. This reflective, almost philosophical undertone--perhaps best epitomized by the lingering question, 'who does the story serve?'--creates an undercurrent of questioning and cross-examining patriarchy and predominant narratives that both inspires and empowers, and never even considers veering into a preachy, overt, or otherwise contrived vein. Much like the slightly older Girls at the Edge of the World, it evolves and intertwines with the narrative, giving the story new resonance without ever stealing away its strong and resounding voice and plot. I also love the story and plot itself; its unexpected twists, straightforward yet evocative language, distinctive characters, and beautifully paced unfolding mystery kept me swept up in the story until long after the final page. I highly recommend The Troubled Girls of Dragomir Academy to readers ages ten and up. 

By Ella

Holly the squirrel once had grand dreams of being a heroic familiar like generations of brave animals before her, and saving the world by the side of her wizard. But when she drank from the magic pool that gives familiars their powers, her ability--conjuring pastries--wasn't deemed good enough for the wizards. Instead, she was sent to the Shelter for Rejected Familiars, where animals like her live. 

Ever since, Holly has been intent on welcoming new arrivals to the Shelter for Rejected Familiars, whose abilities to turn to stone, float, or move the universe two feet to the left simply didn't live up to the wizards' expectations. She's found a community here, and she's determined to enjoy it, even if she'll never fully shake her old dreams of heroism and accomplishment. 

When another Shelterling brings back news of a spell that could fix them and give them the magic powers they all deserve, Holly is determined to make it work. But as she and her friends defeat dragons, navigate tunnels, and travel across the sea to gather the necessary ingredients, she begins to wonder: what if they don't need better powers to be extraordinary after all? 

I've adored every book I've read by Sarah Beth Durst (Spark, The Stone Girl's Story, and The Girl Who Could Not Dream are a few favorites), and her newest novel, The Shelterlings, utterly lived up to my hopes. With strong characters, clever twists, and an ever-present hint of humor, I sped through Holly's story and loved every word of it. Durst is a master of worldbuilding and adding uniqueness to every story, and her angle on the classic trope of familiars was particularly enjoyable. I also loved the characters, particularly Holly, Gus, and Periwinkle! I highly recommend The Shelterlings to readers ages nine and up, particularly those who like fantasy adventure novels. 

​By Ella

Everyone believes that Quinton Peters is dead, but his younger sister, Amari, has never been convinced. He just disappeared--she's sure he's out there somewhere. So when she discovers a suitcase from Quinton with her name on it--and an invitation inside from somewhere called the Bureau of Supernatural Affairs--she's certain that whatever it means, it holds the key to discovering what really happened to Quinton. 

But the Bureau, an organization which keeps magic and the magical world hidden from everyone else, isn't exactly handing out information about the disappearance of one its top agents--even if Amari is his sister. It quickly becomes clear that if Amari is going to learn what really happened to Quinton, she's going to have to compete for a spot in the Bureau against far more experienced candidates--not all of whom think Amari deserves a place here at all. 

Amari must forge some unlikely friendships and uncover the plans of one of the most dangerous magicians of all time if she wants to find a place at the Bureau, and learn what really happened to Quinton. But doing so may destroy her tentative acceptance in the Bureau--and keep her from seeing the most perilous deception of all. 

I've heard so much about Amari and the Night Brothers​, and I'm so glad I finally read it--it not only lived up to my high expectations, but exceeded them. Many of Amari's story elements are familiar, but Alston's strong characters and absorbing world-building make them feel utterly new, creating an exciting page-turner that left me wishing I already had book two. I utterly loved this world--full of small, quirky details and stunning descriptions, I was completely engrossed in the Bureau of Supernatural Affairs. Its flaws and prejudices made it deeper and layered, and helped it feel far more realistic than an idealistically perfect society. Amari's determination and love for Quinton truly drive this story, and I'm glad I'll be able to enjoy more books about her--and the supporting cast (particularly Elsie and Dylan), who are equally awesome! This story had more than one twist that truly surprised me, and I loved how the mystery of what really happened to Quinton unfolds. I highly recommend Amari and the Night Brothers to readers ages ten and up who love fantasy books full of clever plotting and strong characters.