By Ella

"On a warm April morning, a week after the terrible day on which Grand-mère Sylvie died, Sylvie walked away from her home...She did not look back and she did not cry. She did not deserve tears. 

​She had made a terrible mistake."

                                - from Healer and Witch 

Sylvie's Grand-mère has always had a strange, unaccountable gift for healing, able to save lives when Sylvie's mother cannot. But Sylvie has never seen this ability--or even the stranger power she herself has inherited--as witchcraft, or even as dangerous. Not until, in the wake of Grand-mère Sylvie's death, she seeks to heal her mother's grief, and instead steals her memories of Grand-mère Sylvie--and of Sylvie herself. 

​Sylvie is determined to find someone to teach her how to properly use her gift so that she might return her mother's memories. With Martin, the farrier's son, by her side, Sylvie sets off into the world beyond her tiny, rural hometown. But sixteenth-century France is a dangerous place for a girl with odd powers, full of questions and inquisitors and those who would use her gift to their own ends. Sylvie must decide what life she is willing to lead--and who, in all the world, she can trust to show her her way. 

Healer and Witch is an exquisitely written, beautiful historical fantasy novel that weaves many disparate threads into a single, stunning storyline. Although I initially picked up this book for its lovely cover, Werlin's writing pulled me in instantly:  simple and unadorned, it perfectly evokes the time and Sylvie's character as a girl who is far from naive, but nonetheless is largely ignorant of the world. Sylvie's journey toward understanding, self-discovery, and in a way independence in a land that would rather stifle, confine, and condemn her for her abilities and simply for being a woman weaves the heart of this book, giving the story an emotional depth and complexity that truly make it shine. The setting also feels particularly well-imagined, including the characters who Sylvie meets along her way. Overall, I highly recommend Healer and Witch ​to readers ages ten and up, particularly those who like historical fantasy or enjoyed the depth and writing style of The Troubled Girls of Dragomir Academy. 

By Ella

Alliana has been raised in her stepmother's inn, relegated to menial chores. For years after her father's death, she was able to keep dreaming of fairy tales with the support of Grand-mother Mari, whose tapestries and stories showed Alliana a world beyond their tiny village. But now a year has passed since Grandmother Mari's death, and the only magic left in Alliana's life is the baby nightdragon she discovers she can talk to. She knows better than to think her stepmother will let her attend the Farmlands Ball, her only chance of escaping her small hometown and to be enrolled in the Royal Academy.

​But everything changes when she meets Nela, a young witch who needs her help. For the first time since Grandmother Mari's death, Alliana has a chance to reach the future she's always dreamed of--but if her stepmother finds out, it could doom her to a life trapped at the inn.

Will Alliana be trapped beneath her stepmother's power forever? Or can she still find her own happily ever after?

Alliana, Girl of Dragons is a prequel/companion book to the Eva Evergreen duology (Eva Evergreen, Semi-Magical Witch and Eva Evergreen and the Cursed Witch)​​, and if you liked Eva Evergreen, you'll definitely like Alliana too--they share a magical, whimsical world, strong writing, and brilliant characters. I particularly enjoyed how Abe reshapes the Cinderella fairy tale into a story that fits perfectly with the Eva Evergreen books, including several prominent overlapping characters. Once again, the small details of the worldbuilding make the setting come alive, and I felt fully engrossed in Alliana's adventure. I recommend Alliana, Girl of Dragons ​to readers ages ten and up.

By Ella

​Ever since second grade, twelve-year-old Lilla and her best friends, Vivi and Knox, all wish on dandelions at the end of the school year--and whoever blows the hardest gets to declare a summer challenge for the others. Vivi and Knox are the only ones who are really competing, of course; where Vivi is determined and Knox is funny, Lilla is just quiet. She'd rather say nothing and make everyone happy than risk throwing herself out there. 

But when Vivi declares it the Summer of Brave, that's exactly what she wants Lilla to do. And this summer, there's a lot not to be brave about. 

There's her parents' divorce, of course, where they're intent on what they think is best for her rather than asking her what she really wants. And she can't help but lie about the prestigious high school they're already intent on getting her admitted to, because how can she tell them she doesn't want to go when they're so proud of her qualifying for an application? And then there's a catcalling college student who's a supervisor at her summer volunteer job, whose harassment everyone dismisses as no big deal. 

Lilla's sure that talking about these things will just make her life more difficult. But maybe telling the truth is what she needs most. 

Unflinching, realistic, and beautiful, Summer of Brave manages to say so much in a relatively short book, and I loved every word of it. Navigating friendships, feminism, academic pressure, divorce, girls in STEM, and so much more is tied together into a quiet, brave story which gains its power from both when Lilla speaks up and when she feels she must remain silent. Many books about being brave seem to present it from a single angle, which includes becoming constantly, effortlessly confident, but this book doesn't--Lilla remains quiet and shy while still becoming brave, a powerful and too-rare nuance which was part of why I loved her character so much. I also loved how Lilla feels the seemingly conflicting pressures to be 'girly' and smart/groundbreaking, and her struggle with what everyone seems to think is the 'right' way to be a girl. This story never feels preachy or contrived; instead, it paints a realistic portrait of the many layers of Lilla's life with compelling honesty. In addition to Lilla, the supporting characters, especially Vivi, Knox and Lilla's parents, were very realistic, and even when I didn't agree with them, I understood where they were coming from. I highly recommend Summer of Brave ​to readers ages ten and up, particularly those who enjoy thoughtful realistic fiction. ​

By Lina

​When thirteen-year-old Ava is surfing with her best friend Phoenix, nothing else matters. She can forget it all---her mother making her volunteer at the hospital she works at to gain experience in a career she doesn't want, the bullies at the beach who think a teenage Persian American doesn't belong on their shore, her father's mailed birthday present coming unsurprisingly late again, the nagging, neverending feeling that she doesn't belong. It all fades away, replaced by sparkling waves and the one person who makes her feel at home, who she can count on to trade mixtapes and surfing tips with, and who encourages her love of singing. Laughing with her friends on the beach, singing, Rumi's poems--they remind her that she, too, has a place in this world. 

When Phoenix's lymphoma resurfaces, Ava must draw on every bit of resilience and hope within her to help him fight for survival. It feels like everything is falling apart--but as she and Phoenix have always reminded each other, surfboards ready, poised for the next wave: if you don't take the drop, you miss the ride. 

Eloquent, heart-wrenching, and tender, Wave is a standout for several reasons. Firstly, Ava is a believable, multilayered protagonist; despite differing ages, decades, and interests, her insecurities and victories ring piercingly true to me as she grapples with the tension between her own vision for her life and future and those which others push her toward. The characters are deftly drawn and distinct, and the relationships between them truly make Wave shine; the connection Ava develops with an elderly, poetry-loving patient is particularly touching, while her bond with Phoenix centers and grounds the story---just as it does Ava herself. I've never surfed (personally, I think it sounds terrifying!), but Farid's exquisite free verse turns the ocean into a friend, a sparkling world so beautiful that I found myself rereading passages again and again, and feeling the sea to be a home, just as it is to Ava. And the story's moving, lyrical exploration of grief and healing mark it as a modern Bridge to Terabithia, one perfect for book groups and discussions. In a word: gorgeous. I would highly recommend Wave to readers ages eleven and up.

​By Ella

Scarlett McCain might go by a different name for every bank she robs, but it's no accident that whether Jane Oakley, Jenny Blackwood, or some other name entirely is plastered across the papers, the red-haired outlaw never ends up behind bars. Whether she's sneaking in under the cover of dark or walking brazenly into the bank manager's office in broad daylight, Scarlett always has a plan, and she's quick enough on her feet that if that doesn't work out, well, she'll just think up a new one. Sure, it's not always easy, but challenges make life more interesting, and everyone besides Scarlett is too afraid of the Wilds that surround the handful of Surviving Towns that she never gets pursued very far.

That is, not until now, when she picks up an optimistic, oblivious boy named Albert Browne from the ruins of a bus crash. Scarlett isn't one for sentimentality--she's survived this long by working alone and moving fast--but she grudgingly agrees to guide Albert to the nearest town.

But what she expected to just be a brief few days before heading out on her next job turn into much more when they're pursued deep into the Wilds after her latest job, and not by the usual unmotivated pack of guards and dogs that she'd expect from the bank she'd robbed. No, these are hardcore, trained hunters who are more than a match even for Scarlett's wit and inginuity. And as they race to outrun their pursuers and the things they aren't telling each other, Scarlett begins to ask herself: what if they aren't looking for her, after all? What if, instead, they're looking for...Albert?

Set in a futuristic, fractured version of modern Britain, The Outlaws Scarlett and Browne is an action-packed, remarkable, and funny story which I absolutely loved. If the opening sentences aren't enough to pull you in, the first chapter surely will; Jonathan Stroud (also the author of the excellent fantasy novel The Amulet of Samarkand, among others) makes Scarlett so improbably relatable and funny, and her narrative so perfectly poised and unique, that I found this book quite simply irresistible. Scarlett and Albert are in many ways polar opposites--Scarlett alert, driven, and sarcastic, and Albert dreamy, hopeful, and oblivious--and so they bounce off each other in a way which feels gratifying and authentic in every possible way, in addition to being absolutely hilarious. When written down, neither of their personalities seem so revolutionary, but the way Stroud pulls them off is, and at no point did my interest lag with them driving the story. The mix of clever twists, action, adventure, and the unusual details of the settings together make the story move quickly and completely absorb the reader, and it's carried wonderfully throughout the book. I highly recommend The Outlaws Scarlett and Browne to readers ages ten and up looking for an awesome and brilliant adventure story.

By Ella

The Arcanum Training Institute is the school for young Marvellers--magic-users from around the world whose power is encompassed in one of the five Paragons, or orders of magic. For centuries, Conjurers have been excluded from the Marveller world, their magic criticized and alienated. But now, Arcanum has opened its doors to Conjurers--and eleven-year-old Ella Durand will be the first to attend. 

Ella has long dreamed of attending Arcanum, and the school itself is all she's ever imagined--full of moving towers, odd enchantments, and delicious food. Even though not everyone is thrilled about Ella's presence at Arcanum, she slowly begins to find her place. But the school--and the Marveller world--has its own secrets, and when a dangerous criminal escapes from a Conjurer prison, it's up to Ella to clear both her name, and that of all Conjurers. 

The Marvellers is a layered, lovely fantasy novel full of strong characters and evocative worldbuilding. I particularly loved Ella and her two friends, Brigit and Jason, a trio who I'm thrilled to spend more time with later in the series! The whole book both embodies and puts a new twist on the classic magic school trope; even with the Marveller world's prejudice towards Conjurers, Arcanum feels like a place anyone could be part of. At the same time, the school has its own mysteries and hard-kept secrets, and its many layers cement it as a spectacular setting--one that is open and welcoming, but remains deeply and believably flawed. I highly recommend The Marvellers to readers ages nine and up, particularly those who enjoy magic schools, clever plots, and engrossing worldbuilding. 

By Ella

At the Black Moon Ceremony each year, every twelve-year-old Witchling in the Twelve Towns is chosen for a Coven. Seven Salazar has dreamed her entire life of being placed in Hyacinth House alongside her best friend, Poppy, where they would race toads together and learn new magic and never again have to deal with her relentless bully, Valley Pepperhorn. Only all Seven's plans don't work out, because at the Black Moon Ceremony, she isn't chosen for Hyacinth House--or any other coven. Seven, Valley, and a Witchling named Thorn are left as Spares, covenless and magicless, the worst possible fate. 

Determined not to lose her future so easily, Seven invokes the Impossible Task. If she and her fellow Spares succeed and fell a monstrous Nightbeast, they'll keep their magic and be sealed as a proper coven. If not? They'll be turned into toads. 

Seven is less than thrilled to be forced to work with Valley, but she doesn't have much of a choice if she wants to complete the Impossible Task. Especially since as she, Valley, and Thorn learn more about the Nightbeast and try to track it down, they discover that another witch is hiding it. And maybe some even more dangerous secrets, too...

Witchlings is a light, funny, and fast-paced fantasy novel that could appeal to fans of the quirkiness and strong characters of The Last Fallen Star, Strangeworlds Travel Agency, and Eva Evergreen, Semi-Magical Witch. Ortega's characters are spot-on, full of personality and layered relationships that make them feel both developed and extremely real. Seven, Thorn, and Valley stick out in particular--the ways they connect and bounce off each other make them fun to read about and utterly relatable. I also love the world of Witchlings, which is full of interesting and unique details that together create a setting that seems to extend well past the boundaries of the story. I recommend Witchlings to readers ages nine and up, particularly those who enjoy quest fantasy with a fresh twist.  

​By Ella

Every magical school needs a good beastkeeper--and Inglenook School of Magic is no exception. Twelve-year-old Autumn Malog's family has cared for Inglenook's beasts for generations, and she's grown up looking after dragons protecting their well-cared-for gardens and striking up a friendship with the boggart, one of Inglenook's most mysterious and temperamental creatures. But ever since her twin brother, Winter, went missing last year, everything has been different. Everyone else believes he's dead, devoured long ago by the ferocious Hollow Dragon, but Autumn has never been convinced. She's certain he's alive somewhere, and she's spent every moment since trying to figure out what really happened to him. And she's sure she saw him in one of Inglenook's mirrors...

Autumn doesn't have any real clues, though--not until Cai Morrigan, the Inglenook student prophecized to defeat the Hollow Dragon, agrees to help her find Winter. But nothing is as it seems, and as Autumn and Cai follow a trail of clues leading from the Hollow Dragon's forest to within the walls of Inglenook School, they must also uncover its far deeper secrets before it is too late--for Winter, and for all of them. 

The School Between Winter and Fairyland is a fast-paced fantasy novel that puts a new twist on the classic tale of the Chosen One. The worldbuilding is excellent, full of small details--like the gardening dragons--that make the setting unique and interesting. I particularly liked the different creatures that Autumn's family cares for, which are all drawn from various mythology but with a new spin on their characteristics and personalities. The characters are also excellent, particularly Cai--I've read a lot of stories with Chosen Ones, but Fawcett's twist on this trope is different in the best possible way! I recommend The School Between Winter and Fairyland to readers ages nine and up, particularly those who enjoy books about magic schools. 

By Ella

The Last Fallen Moon is the sequel to The Last Fallen Star by Graci Kim, and the second book in the Gifted Clans trilogy. 

[Look out--there are spoilers for book 1!]

Riley Oh just saved the world--it seems like she should have a chance to celebrate. But since in the process nearly everyone she knows lost their memories of her and the Gom clan no longer has their healing gift...well, let's just say that not everyone is thrilled about what Riley has done. 

Determined to fix at least one of her mistakes, Riley enters the Spiritrealm, or the world of the dead, to recruit a new patron for the Gom clan and restore their healing powers. Only the Spiritrealm is in the midst of its own problems, and with the help of a mysterious, white-haired boy named Dahl, Riley has to figure out what's really going on and stop a particularly nefarious plot before the Spiritrealm and Mortalrealm are endangered. 

I loved The Last Fallen Star, so I was thrilled to read the sequel. I loved it! With the same hilarious characters, fast pace, and intricate plot as book one, The Last Fallen Moon lived up to my expectations and introduced me to a whole new side to Riley's world that was constantly funny, interesting, and unique. I particularly liked getting to know both old and new characters better during this story, especially Hattie and Dahl. I highly recommend The Last Fallen Moon to readers ages nine and up looking for a strong, exciting series full of mythology and magic. 

By Lina

Natasha Koskinen is going to survive. It doesn't matter that another Flood is coming, the ten mystical storms that precipitate its arrival like the tick of a clock. She's done it before--the orphaned daughter of a disgraced flyer who died too young made her way into the Royal Flyers, the elite aerial acrobat troupe considered the crowning pride of the city, then worked her way to becoming principle flyer. She has fought tooth and nail for a place in a city where she once had no one left. So when she learns that the flyers have lost their once-guaranteed place on the ships the crown is building to survive the Flood, she's aghast--but knows immediately that she'll do whatever it takes to get her and her flyers on one of those ships. Even if the only way is courting the enigmatic Prince Nikolai is himself. 

Ella Neves is going to die. (No, don't worry--she doesn't mind.) She doesn't know exactly how--a palace guard's sword? rotting in the royal dungeon?--but she knows that once she makes it into the Flyers' troupe, she'll gain close proximity to the crown prince, make a plan, and then Nikolai is going to pay, blood for blood, for the life of the girl that once meant the world to her. No matter the cost. Anyway, there'll be no one left to mourn her.

Ella's target is Natasha's only shot at survival. But as the Flood gets closer, so do the two flyers. And as the waters rise and their city begins to fracture with political conflicts and popular resistance, Ella realizes that maybe there's more to life than revenge. And Natasha begins to understand that being dead set on survival might be preventing her from ever really living at all. 

Evocative, atmospheric, and thoughtful, Girls at the Edge of the World has quickly become one of my all-time favorite fantasy novels. Bright, multifaceted characters, luminous worldbuilding, and a deft philosophical undercurrent make it a standout--at once a story of struggling, shining girls in a darkening world, a defiant queer romance, and an ode to living life to the fullest and the things that make it worth living at all. It's a fast read, the writing light but deft, and while there are familiar elements to the storyline, the plot and characters feel fresh and original, dodging clichés with unexpected twists and a distinctly witty, thoughtful narrative. It's also a piercing, contemplative look at heteropatriarchy, religion, colonialism, and how economic and class divides are displayed and exacerbated by climate change--all without being remotely preachy or contrived. I especially loved the flyers themselves, a blend of art and athletics, stardom and symbolism constantly training to bring the city together and earn their own survival; there's believable competitiveness and drive within the troupe, but also fierce loyalty and palpable caring between its members. I would highly recommend Girls at the Edge of the World to readers ages twelve and up; it's an excellent pick for book clubs as well. 

​By Ella

Breaking Badlands is the third and final book in the Talespinners series by Scott Reintgen, preceded by Saving Fable (book one) and Escaping Ordinary (book two). 

[Look out--there are spoilers for the first two books!]

Indira Story has now saved the land of Imagination twice, and she's ready for a vacation. But that's before she gets swept up in a mysterious group known as the Antiheroes, who ask her to go on a dangerous mission to infiltrate Antagonist Academy before the leader of the villain school can execute a plan which would be disastrous not only for Good and Evil in all stories, but the very land of Imagination. Although Indira is at first certain this new mission will be a piece of cake, not all is as it seems. She's defended Imagination from all sorts of nefarious dangers--but can she protect it from herself? 

So often with humorous, brilliant books--particularly when the jokes made are specialized--I find the sequels something of a letdown. I begin them hoping they will be everything their predecessors were, and they never quite are. But just like the second Talespinners book, Escaping Ordinary, Breaking Badlands does something truly remarkable: in my opinion, it not only meets the strengths of book one, it's even better. Breaking Badlands delivers everything which was great about the first two books and makes it all even better, perhaps in part because the cast is all familiar, making it a new and wonderfully clever adventure inhabited by characters who are already old friends. It expertly wraps up the subplots and characters from the previous books, all while shining with new twists, settings, and humor. As a fan of well-drawn villains, the setting of Antagonist Academy was particularly enjoyable to me. I highly recommend the entire Talespinners series to anyone who loves stories and the characters who inhabit them ages nine and up. 

By Lina

Sixth-grader Peter is good at lots of things, from making jokes to quoting lines from his favorite classic movies. But fitting in? Not so much--having autism spectrum disorder makes it hard to fly under the radar when you're surrounded by elementary school bullies. When his parents announce their latest solution—spending the summer with a grandmother he’s never met on the remote Johnson Island—he has no reason to believe that summer on some island in the middle of nowhere will be any different than the misery of elementary school. 

However, life on Johnson Island isn’t nearly as terrible as Peter (or Pete, as everyone on the island seems to insist on calling him) was expecting—especially once he meets witty, sarcastic twins Kat and Sofia, who appreciate his sense of humor and retro movie t-shirts. Before he knows it, he’s playing manhunt and having water gun fights with the other island kids, and learning about all of Johnson Island’s quirky traditions—and for the first time, he begins to feel that he belongs. The islanders have been financially struggling ever since weed management company Meta-Gro abruptly ended all research at their facility there, but the community has remained tight-knit and welcoming. And while yes, Gram makes Pete learn to swim and do chores (weeding every day!), it’s really not so bad with two new friends at his side. 

Yet there’s something strange about Johnson Island—and when a spontaneous bet leads Pete and the twins to discover the secret behind Meta-Gro’s hurried removal from the island, they’re forced to face off with a failed experiment worthy of any of Pete’s favorite movies. Except….can a quirky, nerdy underdog really be the one to save the day? 
​
A perfect read to for the beginning of summer, The Summer My Grandmother’s Yard Tried to Kill Me is a delightful debut! Pete’s well-rounded character, quirky narration and consistent sense of humor make him irresistible; it’s incredibly satisfying to watch him grow and ultimately triumph over the course of the story as he learns the importance of accepting and celebrating yourself for who you are. Details such as Pete’s impressive knowledge of classic movies, the islanders’ unique, often amusing slang words and phrases, and the island traditions bring the story to life. It’s a fast, fun, engaging read; older middle grade readers will enjoy reading it on their own, while it’s also a great story for younger ones to read with their parents. And I thoroughly enjoyed it as a high schooler as well! Full of deft humor, quirky, caring friendships, and winning characters, I would highly recommend The Summer My Grandmother’s Yard Tried to Kill Me to readers ages eight and up. 

Note: Check out our interview with the author, Harry Harvey! 

By Ella

​If Barclay Thorne had his way, his life would be spent peacefully hunting for mushrooms in his hometown of Dullshire, never straying into the dangerous Woods that lie on the brink of his peaceful, wonderfully boring village. The Woods, after all, represent everything he and Dullshire hate most--lawlessness, nonconformity, and magic. 

Dullshire has lots of rules, but among all of them, that one's the most important: absolutely no magic. It's because of the magical Beasts--and the Lore Keepers, misguided humans who live in the Woods and actually bond with the foul creatures--that Barclay is an orphan. Ever since, he's been determined to do his absolute best to follow every one of Dullshire's rules, though there are some, like never running, that he has some trouble with. 

Still, it's Barclay's worst nightmare come true when a mushroom hunting mission goes wrong, and one of the beasts bonds--with him. Cast out of Dullshire, his mushroom hunting future gone in a blink, Barclay is determined to dissolve his bond with the beast and get his life back on track, even if that means seeking out the dangerous and powerful Lore Keepers in the Woods. 

But when Barclay discovers a plot that endangers the new place he's starting to wonder if he can find for himself, it's up to him to accept who he might just be becoming before Dullshire itself is destroyed. 

The Accidental Apprentice is a light, humorous fantasy novel that nimbly avoids any expected clichés with unexpected freshness and creativity. Barclay's stubbornness is commendable, his resolve relatable, and his development both a joy to read about and full of realism. I loved this world, from Dullshire to the depths of the Woods, and some of the supporting characters particularly stuck out to me. I highly recommend The Accidental Apprentice to readers ages eight and up looking for a whimsical, funny fantasy novel full of adventure. 

​By Ella
​
The last thing twelve-year-old Flick expects when she moves to the village of Little Wyverns--a far cry from the city life she's grown up with--is a travel agency. And not just any travel agency. Strangeworlds isn't the kind that brings you to the places Flick has always dreamed of going: other continents, countries, cities. Once you've joined the mysterious Strangeworlds Society, you can travel through portals hidden in suitcases into other worlds.

At first, Flick is dubious. After all, if magic were truly real, wouldn't everyone know? But then the Strangeworld Travel Agency's young Head Custodian, Jonathan, shows her some of the other worlds. And Flick discovers, to her astonishment and delight, that it's all true. There are worlds out there--nonsensical worlds filled with eerie forests, scorched deserts, and the most peculiar of impossibilities. Worlds which she can now step into.

And she's going to, because Jonathan needs her help. His father disappeared into one of the suitcases months ago, and he needs Flick's help to find him.

Together, Flick and Jonathan set out on a journey leaping from world to world. But something has been happening to the different places they visit. Things have been changing. And it's up to Jonathan and Flick to figure out what--even as she realizes that all is not as it seems.

Strangeworlds Travel Agency is a fun fantasy novel with the quirky, almost old-fashioned tone of books like The Emerald Atlas and The Box and the Dragonfly. It effortlessly leaps between the modern day and the strangest of strange worlds, carried by two characters--Flick and Jonathan--who make that leap just as effectively, never seeming jarred or out of place in either setting. No matter what Flick does at the travel agency or in other worlds, it always feels natural when she returns home to her irritating younger brother and unpacking moving boxes. I also love the worlds Flick and Jonathan travel into, which are varied, mysterious, and often completely unexpected--they truly made this book come alive. I recommend Strangeworlds Travel Agency to readers ages nine and up looking for immersive, likable fantasy novels.

By Piranha T.
 
For Rahul Kapoor, the beginning of seventh grade isn’t looking good. Yes, it will mean he’ll be able to see his best friend Chelsea even more regularly than he has over the summer. But he’ll also be at the mercy of bullies like Brent, who make fun of him for being Indian American. When he talks to his grandfather, Bhai, a week into the school year, he gives Rahul a piece of advice: find something, and become the best at it. Then nobody will be able to stop him.

No matter how hard Rahul tries, though, none of the activities he tries are quite right—until one of his teachers convinces him to join the Mathletes. Although he’s always dismissed its members as nerds, he begins to realize that math really can be fun. But what if he still can’t become ‘the best at it’? And even if it can, will it really help him figure out who he is?

The Best at It is an awesome, deeply relatable realistic fiction novel. Rahul is an incredibly sympathetic and real protagonist—his journey to accept all the parts of who he is really resonated with me, and I think it would with most middle schoolers, too. I highly recommend The Best at It to readers ages ten and up.