By Nico

As the only female student at Llyr’s prestigious Architectural College, life has been hard enough for Effy Sayre, thanks to the snide looks, constant disrespect, and painful rumors that would be unbearable even if the truth of them wasn’t haunting her. But Effy doesn’t even want to be there—her dreams have always been of the Literature College, studying the atmospheric, fairytale works of her favorite author, Emrys Myrddin. The only problem? The Literature College doesn’t accept female students at all.

Effy sees her chance to pursue her dreams—and escape the Architectural College’s torments—when she’s given an opportunity to redesign Myrddin’s house, soon after his death.

But not all is as it seems in Myrddin’s sprawling, decrepit home, balanced on the edge of a chaotic sea, inhabited by his enigmatic son, reclusive widow, and the back-country fairytales Effy has spent all her life being told aren’t true. Effy is on the verge of leaving behind this nightmare of a place, no matter what awaits her back home, when Preston, a literature student whom she takes an immediate dislike to, offers her an opportunity she can’t pass up—helping him research his theories about Myrddin’s most famous work in exchange for putting her name on her thesis, a work sure to be so groundbreaking that it might as well guarantee her a spot at the Literature College.

It seems simple enough. Find the truth. Become a literature student. Leave behind the life she never wanted.

If only the old stories weren’t true…

​A haunting fairytale of a book perfect for fans of The Hazel Wood, A Study in Drowning pulled me in from the first page. Crafting a gorgeous, semi-modern fantasy that blends myth and reality into something irresistible, Reid creates a fairytale twist that walks the line between too modern and too fantastic flawlessly. I’ve always loved books with elements of Welsh mythology, and the unique twist it gives to this world was perfect; although I liked the beginning, as soon as Effy reached Hiraeth Manor I was pulled fully into the story. In the midst of all the magic and mystery, Effy anchored this book. Her flaws, determination, and scars made me like her from the very first page, and her experiences place feminism and patriarchy firmly in the center of the story. Fast-paced and full of eerie twists, I highly recommend A Study in Drowning to readers ages thirteen and up. 

By Nico

Olga gets by on trickery and thievery, using her magic to part with money, food, or whatever else she needs to get by. But this way of life has never sat well with Olga or her compatriot, Pavel—so when she learns of a precious jewel hidden in an abandoned castle, she leaps at the chance to change their futures forever. No matter the ghost stories about the castle.

Olga and Pavel soon discover, though, that rather than being abandoned, the castle is home to a nightly ball full of joy and laughter—a ball whose guests disappear after every night, besides the castle’s master, an enchanter who Olga is convinced is far less kindly than he seems. But he may be her only chance of finding the legendary jewel—and, when the castle’s curse begins ensnaring Pavel, too, her only hope of saving him.

I loved Karah Sutton’s debut novel, A Wolf for a Spell, so I was thrilled to read The Song of the Swan. It didn’t disappoint. This book is an atmospheric fairytale of a story made even more beautiful by the gorgeous accompanying illustrations by Pauliina Hannuniemi. The worldbuilding felt so rich and vivid I could almost touch it, most notably the almost magnetic appeal of the castle, and I loved the magic, particularly with regard to the spiders. The unfolding mystery of the story left me constantly guessing what was going to happen next and left me utterly satisfied at the conclusion of the story. Olga was a great protagonist, but part of what made her shine most was her relationship with Pavel and her flaws, which often led her to difficult but entirely relatable decisions. I highly recommend The Song of the Swan to fantasy lovers ages ten and up. 

By Ella

​A century ago, the kingdom within the Mirrorwood was cursed. Its perfect prince was replaced by a demon one; a wall of thorns was raised to protect the outside world from his dark magic, though it can't prevent some of it from slipping through. The land lives in fear of that magic and the demon prince, and awaits the day when a beautiful princess will enter the Mirrorwood and break the curse at last. 

Fable is hardly a beautiful princess. She doesn't even have a face of her own--she's blighted, cursed by one of the Mirrorwood's twists of dark magic, and unless she wishes to fade into nothing, she has to constantly steal the faces of others. But it's a tenuous existence, even with her family's love and support--she's constantly afraid that a blighthunter will find her and kill her, or, even worse, punish her family for harboring someone blighted. 

When a determined blighthunter's apprentice, Vycorax, pursues Fable and her trusty cat into the Mirrrorwood, she knows she has to act--or risk never seeing her family again. Her only chance at a free, happy life is to slay the demon prince and break the curse herself, even if that means confronting the Mirrorwood's most dangerous beasts, bargaining with ancient powers, and trusting someone she's been taught her whole life to despise. 

But not all evil has horns. And in the Mirrorwood, nothing is as it seems...

Clever, absorbing, and uniquely imagined, I'm so glad I read The Mirrorwood! Mirrorwood! Although the premise easily could have fallen into a straightforward, cliche tale of heroism, Deva Fagan makes it so much deeper and more interesting, propelled by twists I never saw coming. I loved Fable and all the supporting characters, particularly Lyrian and Vycorax, who were layered and often did what I least expected them to, surprising me in the best possible way. The worldbuilding was light and evocative, and I particularly enjoyed reading about the Withering and the Subtle Powers, which helped give the Mirrorwood a unique flavor. I highly recommend The Mirrorwood to readers ages ten and up who enjoy middle-grade fantasy like The School Between Winter and Fairyland. 

By Ella

Alliana has been raised in her stepmother's inn, relegated to menial chores. For years after her father's death, she was able to keep dreaming of fairy tales with the support of Grand-mother Mari, whose tapestries and stories showed Alliana a world beyond their tiny village. But now a year has passed since Grandmother Mari's death, and the only magic left in Alliana's life is the baby nightdragon she discovers she can talk to. She knows better than to think her stepmother will let her attend the Farmlands Ball, her only chance of escaping her small hometown and to be enrolled in the Royal Academy.

​But everything changes when she meets Nela, a young witch who needs her help. For the first time since Grandmother Mari's death, Alliana has a chance to reach the future she's always dreamed of--but if her stepmother finds out, it could doom her to a life trapped at the inn.

Will Alliana be trapped beneath her stepmother's power forever? Or can she still find her own happily ever after?

Alliana, Girl of Dragons is a prequel/companion book to the Eva Evergreen duology (Eva Evergreen, Semi-Magical Witch and Eva Evergreen and the Cursed Witch)​​, and if you liked Eva Evergreen, you'll definitely like Alliana too--they share a magical, whimsical world, strong writing, and brilliant characters. I particularly enjoyed how Abe reshapes the Cinderella fairy tale into a story that fits perfectly with the Eva Evergreen books, including several prominent overlapping characters. Once again, the small details of the worldbuilding make the setting come alive, and I felt fully engrossed in Alliana's adventure. I recommend Alliana, Girl of Dragons ​to readers ages ten and up.

By Ella

For Julie, fairy tales have never been anything but real--as real as the twisting mess of vines known as the Wild that she hides under her bed. Her mom Rapunzel and a bunch of other fairy-tale heroes and villains escaped from the Wild centuries ago, back when it was grown to its full size, and ever since it's been confined to odd corners of Julie and Rapunzel's house. Sure, it's a nuisance--Julie would rather get out of bed in the morning without discovering the Wild had transformed her shoes or backpack while she was asleep--but as long as it stays there, whatever Rapunzel and all the other fairy-tale characters seem to be worried about can't happen. 

That is, until a wish releases the Wild again. It swallows Julie's Massachusetts hometown in a mass of dangerous, magical trees--and steals her mom and grandmother into its depths. And Julie plunges into the Wild to save them. 

But the Wild is a darker and more dangerous place than Julie ever could have imagined, where familiar people are caught in endless tales and nothing stays in its apparent shape for long. Julie must navigate stories that try to ensnare her, outwit witches, griffins, and giants, and uncover the truth about her mother's past to save her family and her home--and maybe find her own happily ever after. The Wild is determined to stop her, though, trying to force Julie into different stories and break her resolve, and she has to ask herself: what if the price of success is the one thing she's always wanted more than anything? 

I've loved some of Sarah Beth Durst's other books (including The Stone Girl's Story and Spark), and so when I came across Into the Wild, I was hoping it would be just as good. It was. Durst weaves together fairy tales and the modern day into a fully believable story brimming with determination, love, and imagination. All the characters are interesting and well-executed, particularly the fairy-tale characters. I highly recommend Into the Wild to readers ages nine and up. 

​By Piranha T. 

Two qualities are revered above all others in Ayortha: beauty and a strong singing voice. And though Aza has a voice befitting royalty--and has learned the trick of throwing it so that it seems as though her songs are coming from anywhere she likes--physical beauty has never been one of her attributes, as she is reminded seemingly every day, when she's cruelly shunned by visitors to her family's inn. 

When Aza is invited to a royal wedding, she thinks of it as an honor which will soon pass. Instead, she is pulled into the role of Lady in Waiting to the new queen, who has a plan for Aza's skills. The queen feels her singing voice will not live up to society's expectations, and so she commands Aza to be her voice for her--to project her voice so that it seems as though the queen herself is singing. 

Aza doesn't like the deception, but the queen leaves her no choice. Reluctantly, Aza does as she asks--but not all is as it seems. And if Aza can't unravel the web of deceptions and magic in Ayortha's capital soon, it will cost her her life. 

A fairy-tale of a story threaded with elements of 'Sleeping Beauty', Fairest is a fantasy full of snatches of Aza's songs. I liked Aza and the conflicts, both external and internal, of her and the other characters, which made the story feel authentic. I particularly enjoyed how Gail Carson Levine brings in the stringent and unfair beauty ideals of fairy tales in a story reminiscent of 'Sleeping Beauty', one of the worst offenders on this particular topic. Fairest is set in the same world as Ella Enchanted, but despite overlap in places and a few characters, they remain wholly independent of one another, and you can easily read Fairest without any prior knowledge of Ella Enchanted. I recommend Fairest to readers ages ten and up looking for an interesting, absorbing fairy tale retelling. 

By Piranha T.
 
Alex Mosher knows he’s never been like other kids. When he sees a dog on the street, instead of playing with it, he dreams up tales of it as a harbinger of death. And while other kids try to forget their nightmares, he writes them down in journals he calls his nightbooks, crafting horror stories just like the ones he loves to watch and read. The kids at school tease him for his obsession with creepy things. At last, Alex decides he’s done with being different, and descends to the basement of his apartment building to burn his nightbooks.

But on the way down, he gets captured by a witch named Natacha, and becomes caught up in a story much more terrifying than the ones he’s always written. Natacha only keeps him alive for his stories, one each night—creepy stories from the nightbooks Alex intended to destroy.

​But Alex knows he isn’t the first kid to get lured into Natacha’s apartment. And now he’s only one of two left. Natacha will keep him alive for his stories, but for how long? And more importantly—can he escape first?

I’m not usually a fan of creepy stories, but after reading J. A. White’s Thickety quartet, I decided to give Nightbooks a try. I’m glad I did. Nightbooks is an interesting and multilayered novel, somewhere between Hansel and Gretel and The Arabian Nights, full of quirks and interesting characters. There were a few twists which took me completely by surprise, in a good way! I like Alex and the supporting cast, from the witch Natacha to her ornery cat, Lenore. Although there were certainly creepier elements in Nightbooks, I think this is definitely a book which can be enjoyed by readers who don’t always like horror as well as those who do. I recommend Nightbooks to readers ages ten and up who like books about stories and unique twists on fairy tales. 

By Piranha T. 

Zima knows to put the safety of her pack above all else—and to avoid both the dangerous humans who are intruding upon her forest and Baba Yaga, the witch who every wolf knows will spell them if she gets the chance. But when Zima’s brother is hurt, she must appeal to Baba Yaga to heal him.

The witch agrees, for a price. She needs a wolf’s acute sense of smell to help restore the rightful tsar to the throne, and so she switches bodies with Zima in exchange for healing her brother.

Baba Yaga instructs Zima to stay put in her hut while she’s gone, but when a human girl named Nadya arrives bearing news of a plot to destroy the forest, Zima knows she must act. She sets off, with Nadya by her side, to foil the tsar’s dark plan.

Can she succeed in time? Or will her home—and her family—be destroyed?

A Wolf for a Spell is a beautiful, layered fantasy which reads like a fairy tale, perfect for fans of The Door by the Staircase and Begone the Raggedy Witches. Karah Sutton weaves a complex tale of magic, mystery, and hope full of elements of Russian folktales, creating an atmospheric story perfectly represented by Pauliina Hannuniemi’s beautiful illustrations throughout. The characters, particularly Zima, are all strong and distinct, and the plot is unusual and twisty. I highly recommend A Wolf for a Spell to readers of fantasy ages nine and up. 

By Piranha T.

“The exile of the princes of Lacharra didn’t begin with swords or spells. It began inside the castle kitchen with a quest for cloves.
It began with me.”
                  -from The Flight of Swans by Sarah McGuire

​When the King of Lacharra returns to the castle with a pale-haired woman without a name and eyes full of deception, only twelve-year-old Princess Andaryn doesn’t fall to the enchantments she weaves about the royal family. And when Ryn defies her, hoping in the doing to free her family from the Queen’s devious power, it instead gives her the chance to kill Ryn's six older brothers under false pretenses.

In desperation, Ryn makes the only bargain the Queen is willing to strike. She will be silent for six years—one for each of her brothers—if she allows them to go free.

And the Queen does set them free, but in the form of six black swans. They will regain their human forms only on the night of the full moon, and, after six years, will remain that way forever.

Only Ryn knows what the Queen has done, and she is unable to tell the story to any other. As the years pass and she travels across the land, she is pursued by the Queen’s fearsome Hunters and she herself pursues what she hopes will be a way to save her brothers. But as she learns more about the curse, she begins to wonder: who is the Queen, really?

The Flight of Swans is an effortless, brilliant fantasy novel. Based off the fairy tale Six Swans, this is one of my favorite fairy-tale retellings, adhering to the original story while expanding in unexpected directions. Sarah McGuire crafts a mysterious, multilayered landscape and world, with unusual magic, interesting history, and intriguing creatures. The Queen herself is a mystery who kept me wondering until the end, with her strange history and cunning mind. And Ryn is a courageous, bold protagonist who won’t stop at anything to save her brothers, who reminded me of heroines like Kara Westfall and Ella from Ella Enchanted. This book was engaging and fast-paced, despite taking place over a long period of time, with a twisting plot which kept me guessing. I highly recommend The Flight of Swans to readers ages twelve and up who love awesome main characters, complex worlds, and brilliant retellings of fairy tales! 

By Piranha T. 

In a far-off land, an enchantress consults her magic mirror about a complicated and difficult question: What makes a princess excellent? The enchantress has become godmother to a baby princess, and she wants to ensure the girl is as perfect as possible. But what characteristics might her godmother encourage in her? Should she be tidy? Beautiful? Kind to animals? Polite? These traits don’t seem like quite enough. At a loss, the enchantress casts her magic mirror into a journey across space and time to bring back tales of excellent princesses, and to tell her what qualities shine most brightly within them.

And the mirror does indeed find tales of princesses. It travels from great stone castles to modern-day skyscrapers, deserts to sea-surrounded islands, and the princesses it finds are more than just excellent. They navigate dangerous forests to find cures for their sisters, traverse nighttime deserts to warn their homelands of a coming threat, tame crocodiles and sail tumultuous seas. They are thoughtful, brave, resourceful, and kind. And perhaps among their stories, the enchantress will find the answer to the question the mirror set out for.

Eight Princesses and a Magic Mirror is a beautifully illustrated, magical book, at once a novel and a collection of short stories. The eight tales of princesses, set around the world, stand alone as stories, and yet are intertwined with the journey of the mirror between them, throughout the ages, leading from a far-off time of magic and kings to a modern-day city. The princesses are independent, interesting, and unique, ready to do what needs to be done without help from princes, and their stories connect perfectly with the main plotline and the enchantress. Additionally, Lydia Corry’s whimsical illustrations throughout the book add to the feel of the stories. I recommend Eight Princesses and a Magic Mirror to fans of Girls to the Rescue, or anyone who loves fairy tales and strong female characters ages seven and up.

By Piranha T.

The raggedy witches have never been part of Mup Taylor’s peaceful life. She’s grown up in the mundane world, where magic isn’t common, surrounded by her perfectly normal mam and dad, her younger brother Tipper, and her beloved Aunty. Aunty has always warned Mup against the witches, and told her that if she sees them, she must tell Aunty and no one else. But the night Mup sees them out her car window, Aunty has died—and her family has no protection left against the raggedy witches.

Mup is quickly torn from familiarity into a world of strange and powerful magic where people can become animals, and an unjust queen forces rebels to speak in rhyme. But she’s a part of this world, too, because it’s where her mam was born. And the queen—who restricts all magic, and commands the powerful raggedy witches—wants her, because Mup’s mam is her daughter.

In an unfamiliar world where Mup doesn’t know who or what to trust, and raggedy witches seem to lurk in every shadow, Mup has a single goal: to keep her family together. But that might just be the hardest quest of all.

​Begone the Raggedy Witches is a modern novel and a fairytale at the same time. Celine Kiernan skillfully manages to create a very real world which feels very deep and multilayered, yet is simple enough to easily grasp, and adds to the story instead of complicating it. The cast, including Mup, is interesting and realistic. Those elements of realism are part of what makes Begone the Raggedy Witches stand out, because they integrate seamlessly into the fairytale-like story invoked by the plot and writing; the feel of this book often reminded me of A Path Begins. I highly recommend Begone the Raggedy Witches to lovers of fairytales and whimsical stories ages ten and up. 

Note: If you enjoy Begone the Raggedy Witches, check out our interview with the author, Celine Kiernan! 

By Piranha T.

Many years ago, Mayka was carved by a great stonemason out of mountain granite, and brought to life by the marks etched into her body. Now, many years after the stonemason’s death, she and the other creatures he carved live on the slopes of a remote mountain. Mayka is the only stone girl, forever twelve years old, her age carved into her as part of her story which brings all stone beings to life. Her life there seems permanent, as none of the stone creatures can die of age.

But one day, one of her friends stops moving. The years have eroded his stone, and the marks that brought him to life are worn away. Mayka knows that if no one recarves their marks, one by one, each of them will meet the same fate.

So Mayka sets off to Skye, a city in the center of the valley where there are said to be many stonemasons. She expects her mission to be simple, but instead, she discovers a place of complicated history and dangerous secrets. Not only that, but those secrets could put not just Mayka, but all her friends, in peril.

The Stone Girl’s Story is a fantasy book which reads almost like a fairytale. Sarah Beth Durst crafts a complex world with unusual magic, and Mayka’s narrative feels completely authentic for someone made of stone! The complexity of the world and magic reminds me of Spark and City of Islands, both of which I’d recommend if you enjoy this book. Mayka is an interesting and unique main character, and she also tells stories, something I love, being a reader and writer myself. I would highly recommend The Stone Girl’s Story to readers ages ten and up. 

Note: Check out our interview with Sarah Beth Durst, author of The Stone Girl's Story! 

By Piranha T.

Twelve-year-old Mary Hayes is ready to escape. Ever since her family died in a fire, she’s lived in an orphanage, and finally, tonight, she’s devised a way to run away. But she’s foiled by something which can only be called magic. And the next morning, a mysterious woman named Madam Z comes and adopts Mary.

Suddenly, Mary is whisked away to a warm house, where there are delicious meals and she has no obligations. It feels too good to be true, especially when Mary ventures to Iris, a nearby town filled with conjurers and magicians. For there, she meets Jacob, an illusionist’s son who can analyze nearly every ‘magic’ trick in Iris to something decidedly less interesting. For the first time in years, Mary has a friend.

But things don’t seem like they can be the happily ever after Mary hopes for. Madam Z tells her magic doesn’t exist, but there are strange things in the forest at night. One of the magicians in the village predicts Mary is about to be betrayed. And there’s a door by the staircase, a door she can’t find a way to open.

Together, Mary and Jacob begin uncovering the secrets of both Iris and Mary’s new home. But there is another, darker secret too: Who is Madam Z, and what does she want with Mary?

The Door by the Staircase is a mysterious, engaging fantasy, drawing from Russian folklore, with the feel of an original fairytale. Katherine Marsh creates a setting full of secrets, mysteries, and hidden power, which totally pulled me in. Although it seems like it could be creepy (and still may be, to younger readers), I didn’t find it so in the least; instead, it held some of that fairytale-strangeness and unpredictability, in a way which felt completely natural and part of the story. And the end held a brilliant twist which turned the entire course of the story in a way I hadn’t anticipated. Mary was an interesting, sympathetic protagonist who I grew to really like. This book made me think of several others: The Emerald Atlas, for the orphanages both the protagonists come from; for older readers, Shadow and Bone, for the undertones of Russian folklore, and Begone the Raggedy Witches, for the elements of fairytales. To readers ages eleven and up who love myth-based books written like fairytales, I would highly recommend The Door by the Staircase. 

By Piranha T.

Eleven-year-old Trinket’s father was a teller and a bard. He would tell stories for a living, traveling the countryside, but he would always return to Trinket and her mother, and their house by the sea. But for five years, he hasn’t returned. And Trinket is determined to find him.

With the help of Thomas the Pig Boy and a map which her father left when he disappeared, Trinket travels across the countryside, finding the seven stories she needs to become a true bard herself. She tangles with Gypsies and a seer girl, helps rescue a child stolen by selkies, aids a skilled young dancer bargain with faeries, and has many other adventures besides. But as her search turns up no trace of her father, she begins to wonder if she’ll ever find a trace of him—until she hears a story which changes everything she believed.

​The Seven Tales of Trinket was a fairytale-like tale of a girl searching for her father intertwined with Gaelic folklore. Shelley Moore Thomas creates a vivid world of magic in the stories Trinket finds, from faeries to banshees to selkies and more, very much in the flavor of the Celtic myths much of the story was drawn from. I loved the stories and adventures Trinket had, which were vivid and multilayered, all standing easily alone but intertwined into her adventure in different ways. I would recommend this to readers nine and up, especially those who love folklore or The Book of Three by Lloyd Alexander, or anyone who loves a lyrical, enchanting stories of family, quests and adventure.

By Piranha T.

​Nix, a mischievous forest sprite, is tasked with protecting the woods while the other fairies are gone. And all goes smoothly, until one of the dreaded ‘peoples’ from the village, someone who has no right to be in the woods, takes up residence in an abandoned cottage. Nix is determined to scare off the intruder before the fairies return, but time runs short, and the people is particularly stubborn. Nix plays all his best tricks, but will even those be enough to scare off the intruder?

Wicked Nix was a fun fairytale-like story. Humorous, light, but at the same time very deep, this book is a unique fairy story which can be enjoyed by old and young readers alike. I would recommend Wicked Nix to readers ages eight and up looking for a delicious fairytale fantasy.