By Nico

For as long as she can remember, Cordelia and her fellow triplets have been hidden deep in the enchanted forest, protected by their mom from the dangers she insists are beyond its walls--dangers she's too secretive to tell them the truth about. But Cordelia has always found her own ways to escape, because she can turn into any animal she chooses, and flying over the wall in bird-shape to explore the forest is one of her favorite pastimes. 

All that changes when unfamiliar soldiers encroach on Cordelia's home, kidnapping her mom and older brother and leaving the triplets fleeing deep into the forest. It turns out that one of them is the heir to the throne of the kingdom beyond the forest--but no one knows which of them is eldest, and their mom refuges to divulge the truth. And with good reason: ever since the magical Raven Crown broke, battle after battle has broken out over who holds the throne, and no ruler has survived more than a few years. 

Fleeing is the only way for Cordelia and her siblings to survive, but she swiftly realizes that their mom was keeping other secrets, too--and that ending the kingdom's constant conflict might be the only way to ensure her family's safety. Can Cordelia transform not just into animals, but into a hero? 

​I've loved some of Stephanie Burgis's earlier middle-grade fantasy novels, including The Dragon with a Chocolate Heart, and so I was excited to read this one! I wasn't disappointed. The magic system managed to be both familiar and unique, with Burgis's strong descriptions and very practical day-to-day applications making it feel distinct and creative. I particularly liked Cordelia's ability to transform--the way her abilities were altered and limited by the different shapes she took, and the fluidity of her transformations, were especially intriguing. She and her siblings were all strong characters, and the way they played off one another was delightful; although they easily could've felt like classic 'very different' siblings, their dynamic was so realistic it brought them to life. I recommend The Raven Heir to readers ages nine and up, particularly those who like sibling relationships and fantasy quests. 

By Ella

The Golden Frog Games is the sequel to Witchlings, and the second book in Claribel A. Ortega’s ongoing Witchlings series.

[Look out—there are spoilers for book 1 below!]

Being one of the most famous Spares in the Twelve Towns is a lot to live up to. Especially for Seven, who’s heralded not just as the Spare who defeated the Nightbeast but as the future Town Uncle—a Town Uncle who, despite all her best efforts, can hear the voices of dangerous monstruos far louder than the animals that are supposed to be speaking to her. But ever since she, Valley, and Thorn made history as the first true Spare coven, they’ve been the face of all the Spares in the Twelve Towns. And Seven is sure that admitting she’s failing at her most basic Uncle duties is exactly what the growing number of anti-Spare agitators need to prove that Spares were always supposed to be powerless.

Amid a rise in anti-Spare sentiment, Seven hopes that the Golden Frog Games—an anticipated tournament where the Twelve Towns compete in everything from frog racing to magical clothing—will allay the worst of the tension, thanks to Seven’s covenmate and friend Thorn being a prime contender in the costura division. But when a fellow competitor is turned to stone, with Thorn the prime suspect, it’s up to Seven, Valley, and Thorn to find the hexer before they hurt anyone else.

I loved Witchlings, so I was super excited for the sequel—and it didn’t disappoint! Brimming with quirky worldbuilding, humor, and adventure, I didn’t want to put this story down. As before, the characters are awesome—Seven, Thorn, and Valley are one of my favorite literary trios, both for their individual personalities and the way they interact with each other. They feel like such a natural group of friends, and I love reading about them! The new cast was also great (I particularly liked Graves), always bringing energy and quirkiness to the narrative. I particularly loved seeing Seven and her friends stand up to anti-Spare prejudice in this book, and her struggle and determination in the face of it; realistic and thoughtful, it helped make the world of Witchlings come alive. I highly recommend The Golden Frog Games (and the Witchlings series) to readers ages ten and up. 

By Ella

Rhaskos. A Thracian slave, worth far less than the animals he cares for. Separated from his mother, forced to serve a master who curses him and beats him. He draws horses in the dirt, and dreams of freedom.

Melisto. She caused her mother no end of trouble as a baby. She has never stopped. The future looks as bleak to her as a stretch of flawless fabric: what everyone expects, and so easily ignored. Serving Artemis as a Little Bear might be the first and last chance, however temporary, for her to be herself.

Against the backdrop of ancient Greece, told in poetry and prose and in fragments of the past, this is the tale of a boy and a girl whose futures are dark to them—and who might, through the impossible friendship they form, at last find the peace they have both been searching for.

Amber & Clay is unique and utterly absorbing, blending historical fiction, magic, and archaeology into something almost improbably powerful and beautiful. I’ve read a handful of books which use both prose and poetry, and honestly none of them have pulled it off very well; there always feels as though there is an abrupt shift when transitioning from one to another. But Schlitz’s prose is so lyrical and deliberate that the story flowed seamlessly from one style to another, and brought the book together more fully and made it feel more concrete rather than splintering it into sections. Not only that, but this ranks among one of the most excellent historical novels I have read (it’s set in Greece, particularly the Athens area, around the fifth century BCE)—not just for how it feels as though it stays utterly true to the time period, but because the feelings and conflicts and dreams of Rhaskos and Melisto are so bright and evocative in my mind that they might be living next door, not twenty-six centuries ago.

To be honest, of all the books I’ve reviewed, Amber & Clay is one of the hardest to describe. Its scope feels enormous, and yet deeply personal; its struggles, concrete and yet ephemeral. So much happens, but it isn’t the tale of the vast shifts of war and politics occurring in the background. It isn’t even a grandiose interpretation of what it must’ve been like, growing up without any chance at having rights. Instead of seeking to change the world, Rhaskos and Melisto both simply seek to live with it: to live in a society which they see not as unjust and discriminatory as we do now, but simply as how the world is. This crucial and too-unique nuance lends the story a vibrant realism which it might otherwise lack, and helps every detail of the story, its characters, and its setting shine with power and truth. Amber & Clay is, quite simply, extraordinary—I highly recommend it to readers ages eleven and up.

By Ella

Holly the squirrel once had grand dreams of being a heroic familiar like generations of brave animals before her, and saving the world by the side of her wizard. But when she drank from the magic pool that gives familiars their powers, her ability--conjuring pastries--wasn't deemed good enough for the wizards. Instead, she was sent to the Shelter for Rejected Familiars, where animals like her live. 

Ever since, Holly has been intent on welcoming new arrivals to the Shelter for Rejected Familiars, whose abilities to turn to stone, float, or move the universe two feet to the left simply didn't live up to the wizards' expectations. She's found a community here, and she's determined to enjoy it, even if she'll never fully shake her old dreams of heroism and accomplishment. 

When another Shelterling brings back news of a spell that could fix them and give them the magic powers they all deserve, Holly is determined to make it work. But as she and her friends defeat dragons, navigate tunnels, and travel across the sea to gather the necessary ingredients, she begins to wonder: what if they don't need better powers to be extraordinary after all? 

I've adored every book I've read by Sarah Beth Durst (Spark, The Stone Girl's Story, and The Girl Who Could Not Dream are a few favorites), and her newest novel, The Shelterlings, utterly lived up to my hopes. With strong characters, clever twists, and an ever-present hint of humor, I sped through Holly's story and loved every word of it. Durst is a master of worldbuilding and adding uniqueness to every story, and her angle on the classic trope of familiars was particularly enjoyable. I also loved the characters, particularly Holly, Gus, and Periwinkle! I highly recommend The Shelterlings to readers ages nine and up, particularly those who like fantasy adventure novels. 

By Ella

​If Barclay Thorne had his way, his life would be spent peacefully hunting for mushrooms in his hometown of Dullshire, never straying into the dangerous Woods that lie on the brink of his peaceful, wonderfully boring village. The Woods, after all, represent everything he and Dullshire hate most--lawlessness, nonconformity, and magic. 

Dullshire has lots of rules, but among all of them, that one's the most important: absolutely no magic. It's because of the magical Beasts--and the Lore Keepers, misguided humans who live in the Woods and actually bond with the foul creatures--that Barclay is an orphan. Ever since, he's been determined to do his absolute best to follow every one of Dullshire's rules, though there are some, like never running, that he has some trouble with. 

Still, it's Barclay's worst nightmare come true when a mushroom hunting mission goes wrong, and one of the beasts bonds--with him. Cast out of Dullshire, his mushroom hunting future gone in a blink, Barclay is determined to dissolve his bond with the beast and get his life back on track, even if that means seeking out the dangerous and powerful Lore Keepers in the Woods. 

But when Barclay discovers a plot that endangers the new place he's starting to wonder if he can find for himself, it's up to him to accept who he might just be becoming before Dullshire itself is destroyed. 

The Accidental Apprentice is a light, humorous fantasy novel that nimbly avoids any expected clichés with unexpected freshness and creativity. Barclay's stubbornness is commendable, his resolve relatable, and his development both a joy to read about and full of realism. I loved this world, from Dullshire to the depths of the Woods, and some of the supporting characters particularly stuck out to me. I highly recommend The Accidental Apprentice to readers ages eight and up looking for a whimsical, funny fantasy novel full of adventure. 

By SK

Ten-year-old self-proclaimed natural-born cynic Flora Belle Buckman has studied enough of her beloved comics to know that it is imperative to be prepared for the Terrible Things that can happen to a person. So when her next-door neighbor's birthday present, a Ulysses Super-Suction, Multi-Terrain 2000x vacuum cleaner, accidentally suctions up a hapless squirrel, she doesn't hesitate--she administers CPR. To the squirrel. 

Except....he's not quite an ordinary squirrel anymore. He looks like a squirrel (albeit a slightly bald one, thanks to the vacuum cleaner), and thinks like a squirrel ("Food?"), but now the newly dubbed Ulysses has the powers of a superhero from one of Flora's comics: He can fly! Lift enormous objects! Type! He even writes poetry. 

If Flora knows one thing about superheroes, it's that they always have a job to do, and people to save. And Ulysses' new powers do spark an unexpected chain of events, setting Flora on a wild adventure filled with a variety of quirky characters, including a dramatic divorced romance novelist (who also happens to be Flora's mother); a doctor of philosophy from Blundermeecen; Flora's father, who shares her love of comics; her improbably named, poetry-loving neighbor Tootie; and William Spiver, Tootie's pedantic, eccentric great-nephew who insists that he is temporarily blind. They will face opposition, archenemies, and giant donuts. They will realize that the universe is a very random, very beautiful place. And in the end, Ulysses might just save the day. 

I first read Flora and Ulysses when I was eight or nine, and I remember enjoying it then--but when I recently reread it for a book group, I utterly adored it. The characters are pitch-perfect and irresistibly quirky, and it's an absolute joy to watch them grow and connect over the course of the story. Kate DiCamillo is brilliant, and her writing makes the many wacky characters, events, and unexpected occurrences hang together perfectly with ease, and keeps the story fast-paced and the reader constantly laughing. It's a difficult book to do justice to in a summary, given the quirky premise, but I can honestly say that it's one of my all-time favorites, and a book which I could read over and over, and would bring me joy every time. Filled with madcap wit, wisdom, hilarity, and surprising tenderness, I would highly recommend Flora and Ulysses to readers ages eight and up--it's an excellent read-aloud, audiobook (complete with superhero music!), or book group selection, and is also a delight to read on one's own. 

By Piranha T. 

Taran is the Assistant Pig-Keeper of the oracular pig Hen Wen--a duty which he feels should be noble and meaningful, but instead leads to nothing remotely interesting. He longs to leave his home at Caer Dallben and adventure out into the world, where he imagines a world where heroes like Prince Gwydion keep evil at bay, and peril is never distant. 

But when Hen Wen escapes, and Taran follows her, he quickly learns that his dreams of sword-wielding heroism are not quite as he thought. Not only that, but Hen Wen may be in mortal danger--for the Horned King, the latest champion of the nefarious Arawn, is also searching for her as he seeks to rule all of the land of Prydain. And only Hen Wen knows the secret to defeating him. 

Now Taran must find Hen Wen before the Horned King--all while avoiding the dark beings sent to find her first. He finds help, too, though: from the hero Gwydion, who is very different from how he imagined him; from Fflewddur Fflam, a bard with a penchant from embellishing the truth; and from Eilonwy, a strong-willed girl who knows a bit about magic. But will it be enough to find Hen Wen in time, and save Prydain? 

The Book of Three is one of my enduring fantasy favorites, and when I reread it this summer, I found it just as good as I remembered. Alexander's prose is engrossing, his characters well-defined. Eilonwy in particular I feel the need to bring attention to; although far from perfect, and less so in successive books, she is one of the few female characters in fantasy of this era who has an interesting personality and a life beyond the male characters, although they do invariably stereotype her into the habitual and tight gender roles of this world. The land of Prydain (based on Welsh mythology) is interesting as well; for those who enjoy the inspiration of Welsh mythology in books like Over Sea, Under Stone, this series is particularly recommended. I recommend The Book of Three (and the successive books in the five-volume Chronicles of Prydain) to readers ages ten and up who enjoy high fantasy novels. 

By Piranha T.

Twelve-year-old Sophie Brown has never owned a chicken in her life. But after moving to Great-Uncle Jim’s old farm, she decides it might be cool to have some. After all, she likes eggs. But then she begins to find Great Uncle Jim’s chickens around the farm, and it soon becomes clear that these are no ordinary birds.

They’re chickens with superpowers.

At first, Sophie doesn’t believe it’s possible. Great-Uncle Jim’s chickens might be unusual, but not that unusual. But when someone comes to steal her chickens, it’s up to Sophie to protect her flock—including those she hasn’t even found yet. Because in the wrong hands, unusual chickens aren’t just unusual. They’re dangerous.

​Told in a series of letters, notes, and other correspondences, Unusual Chickens for the Exceptional Poultry Farmer is a book about friendship, adventure, and—most of all—chickens. Sophie and the supporting characters are funny, giving this book, despite its more unusual format, a fast pace and humorous inclinations. Kelly Kath’s illustrations, interspersed with the text, add another layer to this novel as well. Although this story may be enjoyed more by those familiar with chickens, it’s a fun book whether or not you have poultry. I recommend Unusual Chickens for the Exceptional Poultry Farmer to readers ages eight and up who like books about normal kids having unusual adventures with a touch of magic, particularly those involving chickens.

By Piranha T. 

Zima knows to put the safety of her pack above all else—and to avoid both the dangerous humans who are intruding upon her forest and Baba Yaga, the witch who every wolf knows will spell them if she gets the chance. But when Zima’s brother is hurt, she must appeal to Baba Yaga to heal him.

The witch agrees, for a price. She needs a wolf’s acute sense of smell to help restore the rightful tsar to the throne, and so she switches bodies with Zima in exchange for healing her brother.

Baba Yaga instructs Zima to stay put in her hut while she’s gone, but when a human girl named Nadya arrives bearing news of a plot to destroy the forest, Zima knows she must act. She sets off, with Nadya by her side, to foil the tsar’s dark plan.

Can she succeed in time? Or will her home—and her family—be destroyed?

A Wolf for a Spell is a beautiful, layered fantasy which reads like a fairy tale, perfect for fans of The Door by the Staircase and Begone the Raggedy Witches. Karah Sutton weaves a complex tale of magic, mystery, and hope full of elements of Russian folktales, creating an atmospheric story perfectly represented by Pauliina Hannuniemi’s beautiful illustrations throughout. The characters, particularly Zima, are all strong and distinct, and the plot is unusual and twisty. I highly recommend A Wolf for a Spell to readers of fantasy ages nine and up. 

By SK

When twelve-year-old Reena's family decides to move from the city to coastal Maine, Reena imagines lupines and lobsters and beautiful rocky coastlines. She is definitely not anticipating her and her younger brother Luke being enlisted by a prickly, reclusive neighbor to help her take care of her animals, particularly an ornery cow named Zora. But like it or not, that's exactly what happens.

Maine is lovely, just like Reena had imagined. But cows? Not so much. Zora is irascible, stinky, and stubborn--not to mention ENORMOUS--and is as, er, uninterested in getting to know Reena as Reena is in taking care of her. But there's more to "that cow" than meets the eye, and with the help of two kids from a local farm, Reena and Luke slowly begin to feel a sense of belonging--with Zora, with Mrs. Falala, and with their new home.

Written in an engaging combination of free verse and prose, Moo is a warm, satisfying story about siblings, friendship, and the magic that can happen when you step out of your comfort zone. The writing is spare, but each character is deftly created and irresistible--including the cows! Like Reena, Creech lives in Maine, a fact that's made clear from her evocative descriptions of Reena's town and local county fairs, and while the basic plot isn't one I've never seen before, her distinctive storytelling makes the story fresh and amusing. Hopeful and heartwarming, I would highly recommend Moo to readers ages eight and up.  

 By Piranha T.

Sixth grade is only just over, but Virgil Salinas already regrets the rest of middle school. This is the day he believes he’s officially a Grand Failure. The quietest kid in a seemingly flawless family, he’s always felt different. His only sources of comfort are his grandmother Lola, who loves to tell him the stories from the Philippines which she heard growing up, and Gulliver, his pet guinea pig. But when Virgil and Gulliver end up in danger, and no one knows where they are, everything changes.

Valencia, a girl who’s deaf who Virgil has always admired for her courage and daring.

Kaori, a self-proclaimed psychic who believes she’s a reincarnated freedom fighter from Bangladesh.

Chet, a school bully who pulls the trick which gets Virgil in trouble in the first place.
They’re four middle school misfits, who barely even know each other. But when their paths collide in what might just be fate, their lives are changed forever.
​
Hello, Universe was sometimes funny, sometimes thought-provoking, but always with themes of friendship and acceptance. With chapters narrated by Virgil, Valencia, Kaori and Chet, by the end of the book, I felt like I knew each of them in a really personal way. This is a book you read less for the plot, although it was quite engaging, and more for the interesting, relatable characters, who truly formed the heart of this story. Hello, Universe won the Newbery Medal, and I’m not surprised; it is a truly excellent book. I recommend Hello, Universe to readers ages ten and up. 

By Piranha T.

This year, Emma’s first day of school is different. It isn’t because it’s fifth grade, or it’s a new school. It’s because she hasn’t gone to public school before in her life. Ever.

​She and her older brother Owen have always been homeschooled. But last year, Owen gave public school a try, and now, Emma’s doing it too. She’s looking forward to everything, but most of all, she wants to make a best friend.

The night before school starts, Emma and her dad rescue a honey-colored rabbit caught in a fence. Emma knows they can only keep him until they learn who the real owners are, but she names him anyway—Lapi. Buy the next day, she can’t imagine ever letting him go.

Then school starts, and it’s harder than Emma expected. Everything is so new to her that she can’t keep track of it all. She has a hard time meeting people. At last, she devises a way that Lapi can help her make friends. But will even he be taken from her?

In her author’s note, Cynthia Lord explains that her daughter went from school to homeschooling, and much of her experiences were part of what shaped Because of the Rabbit. I’m not surprised. This book held a vivid, realistic portrayal of what it would be like to go to school for the first time. It was sometimes funny, sometimes poignant, sometimes sad, but felt completely real. Emma is a great main character who I really like. I highly recommend Because of the Rabbit to readers ages eight and up. 

By Super Kitty

When Billy Colman, a boy growing up in the wild Ozark mountains, discovers an ad selling coon hounds, he feels as though his prayers have been answered. For years he’s longed for dogs to hunt with, and finally he has a chance to get them: it takes two years of careful saving, but at last he earns enough to buy the two puppies he’s been dreaming of. He names them Big Dan and Little Ann, and the three of them form a bond which other people wonder at. Unlikely friends they may seem, but soon Billy and his dogs become some of the most talented hunters in the mountains, gaining recognition by huntsmen young and old, and even winning a coon-hunting championship. But the untamed mountains are as dangerous as they are breathtaking, and the connection between boy and dogs is destined to be cut short…
​
Where the Red Fern Grows is a moving, beautiful book, a classic which I think stands out for several reasons. Unlike many books today, there are relatively few characters mentioned by name, but those who are feel extraordinarily believable and real, clearly portraying Billy’s childhood world of a small but close family in the remote, sometimes perilous Ozarks. I admittedly have little interest in dogs, hunting, and the like, yet I was pulled in by the narration and writing even before the story had really begun. The tension and excitement of hunting with hounds translated vividly into writing, bringing the stunning setting into clear focus. At moments, I felt almost as though I was there with the characters, surrounded the sounds of a forest late at night. This is the story of a boy and his hounds, of hunting and tracking, and ultimately of the friendship between humans and their beloved canine companions, one that I would recommend to readers ten and up.

By Piranha T.

In the otherworldly land of Nedarra, packs of dairnes, creatures similar to both dogs and humans, used to roam the forests and the hills. But it has been a long time since they were so plentiful. Many creatures have disappeared over the years, and the remaining dairnes can’t help but wonder: what if they are next?

Young dairne Byx has always been small, always been the last for everything. Everyone thinks that, if danger strikes, she would be the first to die. But instead, she outlives the others of her pack when hunters attack. Searching for the truth of old legends about others of her kind, she strikes out on her own.

Yet she won’t be on her own for long. Byx is joined by an assortment of companions; a wobbyk named Tobble who is loyal to his word; Khara, a girl disguised as a boy to succeed in life; and a felivet who, though not at first, Byx slowly grows to trust. Together, they travel over land and sea, seek aid with those not altogether trustworthy, and sometimes fight to continue their journey. Byx learns that perhaps the death of her family wasn’t the only of its kind—and perhaps, it was the last.
​
The Last was a delicious, exciting read. All of the characters were appealing and different, each species with its own customs and ways of living. Everyone was distinct and often intriguing. Part of what made it interesting was because it was from the point of view of a non-human main character. Byx’s take on the world was different and often amusing. It was also interesting, however, because in many fantasy books, a certain species or group in a certain species are the villains. In The Last, however, it was the king and his followers—humans—who were the ones who Byx learned were the enemies. Although there were also good human characters, this was one of the reasons that this book stood out to me as particularly excellent. Katherine Applegate didn’t dismiss a certain species as evil or villainous—instead, in doing this, she showed that there were good and bad people in every group. I would highly recommend The Last to readers ages ten and up.