By Ella

Callie has always known that they’re going to be a knight, just like their papa, who was once one of the most accomplished defenders of the land. The problem is, the whole world seems to think that Callie should learn magic like the girl they’ve never been, and that only boys should learn to fight with swords.

That’s ridiculous, of course—and luckily, Callie’s dads know that as well as they do. Still, although Callie has found a home where they’re accepted for who they are, they’ve always dreamed of going to Helston, the country’s capital, where young hopefuls train to become knights, and where their papa once fought at the king’s side. So when their papa is summoned to Helston to help train the prince, Callie leaps at the chance to visit and find their place.

It turns out, though, that not everyone else is so pleased with the prospect of Callie becoming a knight—particularly the chancellor who runs the city, who insists that Callie learn to use their much-hated magic and stay away with the women instead of becoming the knight they’ve always known they’re supposed to be. All their life, Callie's thought that Helston would be a fairytale, but it turns out it's full of bigots and discrimination. And when Callie stands up for themself, it doesn't go well. 

No one else seems to be struggling to cram themselves into Helston's strict roles, but Callie soon discovers that’s not the case—they meet Willow, a crown prince who’s never wanted to be a warrior; Elowen, the chancellor’s fierce and capable daughter; and Edwyn, her brother, who more than anything wants to fit the mold his father has set for him. Helston’s rigid society is just hurting everyone, and Callie already got enough of that kind of manipulation when they were younger. Together, it’s up to Callie and their new friends to stand up against a society that hates them—or else be forced to become the people they’ve never wanted to be.

I absolutely loved Sir Callie and the Champions of Helston. At once a fun fantasy adventure, an unflinching story about hatred and prejudice, and a brilliant, affirming reflection of everyone’s uniqueness in the face of an inflexible society, this is definitely one of my favorites of 2023 so far. Esme Symes-Smith draws from many familiar tropes but makes them fully their own, creating an utterly amazing setting that feels more complete and well-rounded than any I can recently remember. Helston perfectly reflects the beauty and deep-rooted imperfections that coexist in our world, too, which helped to make it heartbreaking and vivid in equal measure.

However, that said, the characters were definitely my favorite part of Sir Callie. Callie, of course, was a favorite—their bravery, determination, and sheer stubbornness made me fall in love with them immediately, and I’m so glad there will be more books in the series for me to get to know them better! But every single character in this book were spectacular and nuanced, particularly Willow and Edwyn, whose struggles, though very different, are each so full of realism and power that I couldn’t help but root for them through all the stories twists and turns. A special shout-out has to go to the chancellor, not because I liked him, but because I hated him with such a burning passion—it’s a rare villain who I truly despise, but he went above and beyond in this particular department.

Although Sir Callie was sometimes hard to read—where many books, especially middle-grade fantasy, will skirt around painful topics, this one does the reverse—this was one of my favorite parts about it. Esme Symes-Smith’s willingness to face even incredibly difficult topics head-on was part of why I connected so deeply with Callie and their story; they perfectly encapsulate incredible messiness of reckoning and healing.

​I highly recommend Sir Callie and the Champions of Helston to readers ages eleven and up—if you’ve ever wanted to read a queer mash-up of a Tamora Pierce book, this one’s for you! 

By Ella

The Golden Frog Games is the sequel to Witchlings, and the second book in Claribel A. Ortega’s ongoing Witchlings series.

[Look out—there are spoilers for book 1 below!]

Being one of the most famous Spares in the Twelve Towns is a lot to live up to. Especially for Seven, who’s heralded not just as the Spare who defeated the Nightbeast but as the future Town Uncle—a Town Uncle who, despite all her best efforts, can hear the voices of dangerous monstruos far louder than the animals that are supposed to be speaking to her. But ever since she, Valley, and Thorn made history as the first true Spare coven, they’ve been the face of all the Spares in the Twelve Towns. And Seven is sure that admitting she’s failing at her most basic Uncle duties is exactly what the growing number of anti-Spare agitators need to prove that Spares were always supposed to be powerless.

Amid a rise in anti-Spare sentiment, Seven hopes that the Golden Frog Games—an anticipated tournament where the Twelve Towns compete in everything from frog racing to magical clothing—will allay the worst of the tension, thanks to Seven’s covenmate and friend Thorn being a prime contender in the costura division. But when a fellow competitor is turned to stone, with Thorn the prime suspect, it’s up to Seven, Valley, and Thorn to find the hexer before they hurt anyone else.

I loved Witchlings, so I was super excited for the sequel—and it didn’t disappoint! Brimming with quirky worldbuilding, humor, and adventure, I didn’t want to put this story down. As before, the characters are awesome—Seven, Thorn, and Valley are one of my favorite literary trios, both for their individual personalities and the way they interact with each other. They feel like such a natural group of friends, and I love reading about them! The new cast was also great (I particularly liked Graves), always bringing energy and quirkiness to the narrative. I particularly loved seeing Seven and her friends stand up to anti-Spare prejudice in this book, and her struggle and determination in the face of it; realistic and thoughtful, it helped make the world of Witchlings come alive. I highly recommend The Golden Frog Games (and the Witchlings series) to readers ages ten and up. 

By Ella

Mar’s papá is one of the greatest pirates in the Caribbean—and one of the most feared by the Spanish conquerors whom he steals from. But for Mar, their papá’s ship is more than a home; it’s their sanctuary, the only place where they can use their mysterious fire and ice magia without being called a demon, and where they can be their authentic self without people sorting them into gendered boxes that have never really fit.

On Mar’s sixteenth birthday, though, their way of life is shattered when they learn that their papá made a bargain years ago with el Diablo himself—and that he’s come to collect his price. In the chaos of fire and wind that he summons, the ship goes down, and Mar is the only survivor.

Saved by irritating—and inexplicably pretty—son of a rival pirate ship’s captain, Mar is left to forge a new life for themselves, one where no one knows who they are or what they can do and discovery means death. And overhanging it all is el Diablo’s painful ultimatum: either Mar sacrifices themself to save their father by the time two moon cycles have passed, or they’ll lose him forever.

Mar must fend off hostile pirates, Spanish soldiers, an irritatingly persistent demonio, and their own uncertainty and insecurity if they want to have any hope of saving their father—and of getting through the next few weeks alive.

Fast-paced, absorbing, and brilliant, The Wicked Bargain is fantasy pirates at their finest, perfect for fans of The Sunbearer Trials. I absolutely love the historical fantasy world Novoa has woven in this book—blending real-life events (Latinx pirates, Caribbean conflicts with the Spanish colonizers) and fantasy elements (magia, el Diablo, demonios) into a riveting, atmospheric story that I couldn’t put down. Mar was such an awesome protagonist—their realistic, powerful internal conflicts and nuanced gender identity truly brought this story to life for me. I particularly loved their interactions with the supporting cast, particularly Bas and Demi (my two other favorite characters), which had a depth and spark that helped absorb me in their world. I highly recommend The Wicked Bargain to anyone ages thirteen and up who loves engrossing, multilayered YA fantasy, particularly that which stars trans and LGBTQ+ characters. 

By Ella

Kai does not want to go to summer camp. E doesn’t see the point—after all, even with the incident that left eir arm in a sling a few weeks ago, e doesn’t think that going away to summer camp is going to fix anything. Kai just wants to hang out with eir friends at home. But no: eir parents are sure that sending em to a summer camp decked out in rainbows and pride flags will fix everything, and so, reluctantly, Kai packs eir bags.

Abigail can’t think of a way she’d rather spend her summer then at Camp QUILTBAG. A summer camp full of other LGBTQ+ teens sounds perfect…especially after the humiliating coming-out-gone-wrong that’s left her an outcast from her longtime friends. But she can’t help but feel a little out of place surrounded by all these kids who know exactly who they are, when this is the first time Abigail has been able to talk about who she likes without risking outright rejection.

Kai and Abigail might be unlikely friends, but soon after arriving at Camp QUILTBAG, they make a pact to help each other. Kai will help Abigail be more confident, and Abigail will help Kai’s group win the highly competitive camp-wide competition. Along the way, Abigail and Kai will both make friends and find their place at Camp QUILTBAG—and learn more about themselves, too.

​Camp QUILTBAG is a fun, quirky middle-grade novel perfect for anyone looking for a lighthearted and thoughtful summery read. I really liked all the characters—although Kai and Abigail were particularly awesome, there were so many more minor characters who felt equally developed and interesting (I particularly liked Oren and Juliana). The ways they interacted and found common ground truly formed the backbone of this story, and the relationships in Camp QUILTBAG were some of the highlights for me. I highly recommend Camp QUILTBAG to readers ages eight and up, particularly those who like inclusive middle-grade and summertime reads. 

P.S. If you like Camp QUILTBAG, check out our interview with coauthor A. J. Sass about his first book, Ana on the Edge! 

By Ella

Jam knows there are no monsters left in Lucille. She knows this because everyone knows this, because all the terrible people who liked hurting everyone else were killed in the revolution that took them out of power in the government and in jobs and in homes, and freed everyone from their selfishness and cruelty.

That hasn’t kept her from wondering what monsters really looked like, though, if they had horns and claws or looked no different from her parents or her best friend, Redemption. People don’t like to talk about the monsters anymore, don’t want to dwell on a time everyone knows is over. But Jam imagines that they looked just like any other person. That that was why they stayed in power for so long.

When a creature made of horns and claws climbs out of one of Jam’s mother’s paintings, it certainly looks like a monster. But instead, Pet—for that is the creature’s name—is hunting one, a monster that has slipped through Lucille’s cracks and lives among them. Among them, and in Redemption’s house, no less.

Jam doesn’t want to believe it. After all, who wants to believe in monsters? It’s far prettier to believe that all the monsters are gone, just like she’s always been taught. It’s far easier to look away from the wrongs that could be happening, just underneath her nose.

But Pet won’t let her look away anymore. And the only thing more difficult than realizing that there still are monsters is daring to look them in the eye.

​Pet is truly incredible. Powerful, succinct, and layered despite its relatively low page count, I’ve wanted to read this book for years, and it didn’t disappoint. There are few authors who can pull off such a deep, philosophical story without ever feeling preachy or contrived, but Emezi does it effortlessly, weaving a story as profound as it is profoundly unique. They take familiar tropes—dystopia/utopia, monsters and angels—and turns them into something as unfamiliar and jarringly powerful as Pet itself. The humanity of the characters—even Pet, who is anything but human—grants Pet even more depth, and the conflicts and worldviews they each present help weave Lucille into a world that is devastatingly believable, one where everyone would rather believe in the world’s good than see the monsters lurking among them. At once a searing critique of forgetting and complacency and a challenge to the hideous monsters we’ve all been taught to believe in, Pet is a perfect read for book groups or anyone who wants to see their own beliefs challenged, and dare to, as Pet tells Jam, truly see the world for what it is. I highly recommend Pet to readers ages thirteen and up, particularly those who enjoy books that defy easy boxes or have a queernormative society. 

By Ella

Nic Blake is a Manifestor—which, up until now, hasn’t meant a whole lot other than always needing to move when Unremarkable, non-magical humans figure out that there’s something weird about her and her dad. But today is Nic’s twelfth birthday, and she’s hoping that the hellhound pup her dad gives her isn’t the only present he’s planning. She’s been asking him to teach her how to use her magic for years, and maybe now he’ll deem her old enough.

But before she can start pestering her dad again, Nic’s life is utterly upended when her favorite author and a mysterious women crash into her life—and bring the Remarkable police not far behind them. With her dad imprisoned for a crime Nic’s certain he couldn’t have committed and no idea who to go to, Nic teams up with her Unremarkable best friend and a twin brother she never knew she had to clear her dad’s name the only way she knows how—by finding the weapon the Remarkables think he stole before he's sentenced to a terrible fate.

Pursued by the Remarkable police, Nic and her friends must uncover the truth about everyone from a resentful ex-Chosen One to a group of dangerous, magic-wielding Unremarkables if she wants to save her dad in time—but that might mean learning truths about herself she’d have rather stayed hidden.

​Witty, fast-paced, and exciting, Nic Blake and the Remarkables: The Manifestor Prophecy was utterly awesome. Nic is a fiery, fierce, adventurous heroine who I couldn’t help but love; her determination and passion drive the story through all its twists, and I’m so glad I get to follow her through more books in the series! The supporting cast particularly shone as well, especially the adults like Nic’s parents and the ex-Chosen One (one of my personal favorites!), who felt in some ways as fleshed out and vivid as the story’s protagonists. From the first few chapters there was clearly so much depth to their history and stories, and I can’t wait to get to know all of them better in the sequel. As someone who loves subverted tropes, I particularly enjoyed Thomas’s reimagining of the classic Chosen One into something unique and far more interesting, bringing extra depth to a tale that raised interesting questions about the way we tell stories. Indeed, the unexpected depth to what easily could’ve been a straightforward story was part of why I loved it so much; as in Thomas’s other books, she doesn’t shy away from the reality of being a Black kid in America, an honesty seen too rarely in contemporary fantasy novels that only became more powerful through Nic’s indignance that that the Remarkables didn’t use their magic to help Unremarkables in the larger world. Although very different from Angie Thomas’s other books, it shares their self-awareness, powerfully realistic characters, and engrossing writing—all the hallmarks of what make Thomas’s books so amazing. Action-packed and clever, I highly recommend The Manifestor Prophecy to readers ages nine and up. ​

By Ella

Everyone seems to have their own opinion on Marlene’s frizzy hair. For Marlene’s mother, it’s that curly hair should be straightened every week at the salon, yanked and prodded by a much-hated stylist. To her family, it’s only remotely manageable and presentable when it’s styled her mother’s way, but even then, it’ll never live up to her cousin’s Diana’s gorgeous, flowing, straight golden locks. And for Marlene’s classmates? Her hair is just something else to make fun of her for.

Marlene just wishes that she didn’t always have to be so careful to keep her hair tame like the whole world seems to want her to—no running, no dancing, and definitely not any attempts to style it her own way. But with the help of her best friend Camilla and her beloved tía Ruby, Marlene begins to realize that her hair is most beautiful when she wears it the way she wants to—and that maybe she can show everyone else just how lovely it can be, too.

​Frizzy is absolutely wonderful. The sweet, pithy writing of Claribel A. Ortega (also the author of Witchlings) blends with Rose Bousamra’s beautiful, evocative illustrations to create a moving, lovely graphic novel about the prejudices of those around us and the capacity of each of us to be beautiful. Quirky and relatable, I couldn’t help but read Frizzy in one sitting—I was pulled into Marlene’s story from the first page thanks to her struggles with self-identity and how others perceive her, universal questions that gave the book such depth. Perhaps best of all was the realism of Marlene’s interactions with other characters, particularly her family; ranging from awful to heartwarming, they truly brought the story alive with dimensionality and authenticity. I highly recommend Frizzy to readers ages eight and up, particularly more reluctant readers or those looking for an affirming, realistic story. 

By Ella

The Dragon’s Promise is the sequel to Six Crimson Cranes and the final book in the Six Crimson Cranes duology by Elizabeth Lim.

Look out – there are spoilers for Six Crimson Cranes below!

Shiori promised her stepmother before her death that she would return her broken dragon pearl to its rightful owner. And now, Shiori is determined to fulfil it—even if it means risking her life when she enters the underwater dragon kingdom, Ai’long, with the full intention of outwitting its infamous ruler.

There, she must navigate a complex web of politics, relationships, and powerful magic which could doom her to a fate worse than death. But above the ocean’s surface, a far more disastrous challenge is brewing, and it will be up to Shiori to escape the dragon’s kingdom, return her stepmother’s pearl, and defeat a powerful force of evil once and for all before it destroys her homeland forever.

​The Dragon’s Promise was an unusual but satisfying series-closer which tied together the myriad threads from Six Crimson Cranes and its own story. As before, Lim’s settings and descriptions are highly atmospheric, and I particularly enjoyed the sections set in Ai’long – the dragons’ world and society felt distinct and unique, and I liked the complex interpersonal and political conflicts there. The plotline surrounding Shiori’s stepmother was also excellent and one of my favorite parts of this duology; the ‘wicked stepmother’ trope is so common that Lim’s thoughtful and interesting reversal of it was definitely a highlight, and gave this book a deeper emotional core. I recommend The Dragon’s Promise and the Six Crimson Cranes duology to readers ages twelve and up. 

By Ella

Ellen likes everything to be organized and planned out ahead. And thanks to her parents and her best friend, Laurel, that’s never been a problem, just like it’s never been a big deal that she likes girls and is autistic. But lately, Laurel has been spending less and less time with her, and Ellen isn’t sure what to do. The class trip to Barcelona seems like the perfect time to reconnect with her best friend.

But Ellen’s careful plans go awry almost immediately. Laurel hangs out with her new friends instead of Ellen, and even though she invites her to hang out, Ellen feels out of place with the other girls. A new nonbinary classmate who Ellen can’t help but like leaves her questioning the categories she’s always used to think about the world. And on top of it all, the trip’s schedule turns out completely differently than Ellen expected when they get separated into teams to go on a treasure hunt across Barcelona—and Laurel isn’t on Ellen’s team.

This summer won’t be anything like Ellen expected, but maybe she’ll be able to find somewhere new she belongs—and discover a few things about herself, too.

​Thoughtful, sensitive, and engrossing, I loved Ellen Outside the Lines. A. J. Sass’s debut, Ana on the Edge, was one of my absolute favorites last year, and Ellen Outside the Lines fully lived up to the expectations that book set. Ellen was an awesome protagonist—her voice was so strong throughout the novel, and her questions and struggles felt utterly familiar and sympathetic. I loved the setting, too, particularly as Ellen and her friends explored Barcelona; the vivid descriptions and sprinkling of Spanish and Catalan made me feel as though I was walking the streets right beside her. Sweet, relatable, and exciting, I highly recommend Ellen Outside the Lines to readers ages nine and up. 

By Ella

Once, the land of Haven was unified and peaceful, with humans, dragons, and Magics inhabiting the world side by side. But after three disastrous conflicts and centuries of separation, the peoples of Haven have as good as forgotten that old name, divided by magic, borders, and beliefs into a fractured world hovering on the edge of all-out war.

And now, with a nefarious chancellor tipping their world headfirst into war, only four people can save it:

Blue, a boy-turned-dragon who knows far more about stables than saving much of anything.

River, a girl with an exciting future who is devastated and furious when Blue steals that her by choosing her as his rider.

Wren, whose coming-of-age ceremony goes awry when the companion Magic that was supposed to bond with her instead escapes to the Mainland—a place so dangerous her people consider it treason to go there.

Shenli, a young soldier determined to fulfil his family’s debt to the chancellor, no matter what it takes—a resolution that becomes increasingly difficult when he meets Wren and realizes not everything magical deserves his hatred.

Unified by determination, unlikely power, and a mysterious, meddling floating golden thread, it’s up to these four total strangers—friends?—to save their world from disaster, and perhaps even make it whole once more.

Complex, vivid, and fast-paced, Dragonboy is perfect for anyone who loves epic middle-grade fantasy series like Septimus Heap, Wilderlore, and Talespinners. Incorporating many familiar fantasy tropes like prophecies, empires, and dragons but putting an entirely fresh twist on every one, the worldbuilding and layered plotting pulled me into this story immediately. In fact, as soon as I read the irresistibly quirky opening— “Every twenty-five years, the king of Gerbera is eaten by a dragon. It is tradition.”—I knew this was going to be a book I would love. Indeed, I did. Every element of the worldbuilding was engrossing and interesting, but I particularly loved the companion Magics; I’ve read so many books with different magic systems, but this was one that truly felt unique. I loved all the characters—although sometimes stories with four points of view are confusing, the characters and storylines were all distinct enough that I had no trouble keeping track of them, and it was so fun to watch their paths cross and their tales continue to unfold. I’m already looking forward to the rest of the series! I highly recommend Dragonboy to anyone ages nine and up who loves middle-grade fantasy, particularly with multiple points of view. 

By Ella

Imani is a Shield, tasked with protecting the desert-swathed kingdom of Qalia from the monsters that patrol the dangerous, surrounding sands. With an affinity for metal granted by the magical tea that gives Imani’s people their magic, her ferocity and talent has earned her the nickname of Djinni Slayer.

But Imani is only following in the footsteps of her older brother, Atheer, who was once a great Shield too. Now, though, his reputation is ruined after he was accused of stealing Qalia’s tea, sure proof to the rest of the world that he wasn’t who they thought he was. More than anything, Imani wants to know why he did it—but Atheer vanished a year ago, believed to have died in the desert, and the answers he might have provided gone with him.

When Imani stumbles across Qayn, a djinni who claims to have known her brother, she’s torn between her duty as a Shield and her desire to uncover what really happened to Atheer—a decision made all the more difficult when Qayn tells her that Atheer was smuggling tea magic to the people beyond the desert, people who, according to all Imani’s been taught, aren’t even supposed to exist.

​Alongside Qayn and Taha, an arrogant Shield who has been Imani’s longtime rival, she sets out across the desert to uncover what really happened to Atheer before he endangers her home. But when what she’s been raised to believe and her beloved brother’s ideas are in conflict, who can Imani believe? 
​
Spice Road is an atmospheric, evocative, and fast-paced fantasy adventure perfect for fans of intense, worldbuilding YA books like An Ember in the Ashes. The world of Qalia immediately pulled me in; the uniqueness of magic-infused tea and the difficulties which came with it—like needing to drink the tea frequently for power to be maintained—felt utterly natural and fully realized, a far cry from many fantasy magic systems that are unique in concept but contrived in execution. But even more than the magic, I loved the blend of a seemingly utopian society and its entrenched prejudices, two sides to this country which played out beautifully through its varied characters and the conflicts which rose organically between them through their wildly different views on the same society and its institutions. This natural, authentic interplay honestly sums up the characters of Spice Road; from the first page, Imani’s conflict and determination helped carry her struggles and journey throughout the story. But the characters are always at their best when interacting with others, because these conversations and conflicts serve to develop each of them and reveal the unique prejudices, views, backgrounds, and relationships which make them come alive so vividly. I’m already looking forward to the sequel! Detailed and absorbing, I highly recommend Spice Road to readers ages thirteen and up. 

By Ella

Frances, a young seamstress in Paris, is sure she’s about to lose her job. She’s long dreamed of crafting unconven-tional, spectacular gowns, but without the credits or accomplishments she needs to be taken seriously, her inadvis-able foray into more creative designs has just made her traditionalist employer furious. But instead of ruining her career, Frances’s work attracts the attention of a wealthy customer who offers her a new position—one where her creativity isn’t hemmed in by someone else’s notions of what shouldn’t be done. To her surprise, the customer is the crown prince, Sebastian.

Sebastian has always loved dresses, and now more than ever—with his parents pushing him to find the perfect princess to marry—he needs to escape the palace to find people who see him for who he really is. When he glimpses Frances’s flamboyant handiwork, he knows immediately he wants to hire her himself—and when she agrees, it seems like a dream come true for both of them.

For the first time, Frances is able to make whatever dresses she likes. And while Sebastian still has to play the perfect prince during the day, courting princesses and pleasing his parents, at night he and Frances slip into the city and he becomes Lady Crystallia, wealthy and unconventional, whose dress sense is admired and whose true identity is a carefully kept secret.

But how long can this secret be kept? And if Frances remains a secret’s dressmaker, can she ever become the famous seamstress of her dreams? 
​
I absolutely loved The Prince and the Dressmaker. The stunning, atmospheric illustrations drew me immediately into Frances’s story; the tale flew by far quicker than I wanted it to! There was so much beauty to this story, both in the pictures and the plot itself; Frances’s quirky determination and Sebastian’s lonely hope sprang to life with vividness and sensitivity, blending together into a lovely, whimsical tale full of friendship and realism that feels as genuine as it does lovable. I particularly loved Sebastian’s understanding of his identity, which is fluid and natural instead of feeling predetermined or contrived. I highly recommend The Prince and the Dressmaker to anyone who loves queer graphic novels, particularly those with happy endings.
 
Note: I first picked up The Prince and the Dressmaker because of FalconX’s awesome review of it several years ago—you can read it here! 

By Ella

The snowstorm of a century has hit Atlanta. Every radio station and TV channel is advising everyone to stay home. But for Stevie, staying home is not ​an option--not when tonight is her last chance to apologize to her girlfriend, Sola, and show her how much she means to her. And she's not going to be able to pull off something this big on her own. 

Told through a set of overlapping, intertwining stories, Whiteout is the story of Stevie and her friends' attempt to reunite her and Sola in a way so big, so meaningful, that she won't be able to help but forgive her--and each of them falling in love along the way. 

​I don't usually read romance novels, but I love short stories, particularly intercon-nected ones, and so I couldn't resist Whiteout​! It didn't disappoint. With each chapter a mini-story centering around a different character's role in Stevie's grand plan (and each character written by a different one of the book's authors), every character's tale felt different and unique, offering a different angle and layer of storytelling which led to a book which felt well-rounded, unique, and satisfying. Although I liked all of the characters, Stevie was definitely a favorite, whose love of science, sometimes painful flaws, and determination helped make her a protagonist I was committed to seeing succeed. I recommend Whiteout to readers ages twelve and up who enjoy romance or interconnected short stories.